POETIC JUSTICE

David Selzer By David Selzer0 Comments1 min read1.4K views

A wishful thinking editor changed
a poem’s final words from ‘a tramp woman
nurses an infant/under a tumbling sky’
to ‘under a trembling sky’. Humbling to find
an editor’s chance choice of epithet –
she had spelt my surname with a ‘t’ –
happier than my own! Mine was truer.

 

Note: Here is the poem referred to above – https://davidselzer.com/2012/04/dedham-vale-revisited-2/

 

MIRAGE

David Selzer By David Selzer0 Comments1 min read1.5K views

On Little Eye, a family appears trapped
by the incoming tide – two adults,
a boy, a girl and a dog marooned
in some Enid Blyton adventure.
We anticipate an RNLI
Atlantic hoving to the rescue.
But they wait in the sun for the ebb,
the dog barking at black headed gulls.

By a sandstone outcrop are high, thick bushes
with vivid orange berries – ‘Poisonous!’
we hear our childhood’s guardians call.
But a woman is gathering them –
Sea-buckthorn berries – nutritional,
medicinal throughout Eurasia.

And I remember my first outing
after a heart attack – to the North Shore,
Llandudno – a picnic in a shelter
by the paddling pool and an October sun
making me thankful. ‘We had salami
sandwiches,’ I say. ‘As if!’ you respond.

Here, at sea level on West Kirby’s beach,
people, at the sea’s edge, seem to walk
in the waves, on the horizon itself.
From the top of the dunes, they become
cormorants drying their wings on the sand.

 

 

 

PHILLIS WHEATLEY: 1753-1784

David Selzer By David Selzer2 Comments2 min read2.7K views

Enslaved in the Gambia or Senegal,
scholars surmise, she survived the nauseous
and violent bottom line of the
Triangular Trade to be bought aged eight
as a maid for his wife by John Wheatley,
merchant and tailor of British-ruled Boston,
a known progressive in education.

She was christened ‘Phillis’ after the slave ship
that took her childhood. She was prodigious
and was removed from domestic duties.
Tutored by his daughter, at twelve she knew
Latin, Greek, the Bible and, later,
became a genius of Augustan
couplets – their wit, their beat, their certainty.
With her master’s son, she went to London,
where her poems were published to some acclaim.
Her encomium to George Washington
was re-published by Thomas Paine. ‘Proceed…
A crown, a mansion, and a throne that shine,
With gold unfading, WASHINGTON! be thine.’

Ah, how we tolerate unflinchingly,
unthinkingly absurd and absolute
contradictions – freedom and servitude,
enlightenment and doctrinal dogma!
‘Twas mercy brought me from my Pagan land,
Taught my benighted soul to understand
That there’s a God, that there’s a Saviour too:
Once I redemption neither sought nor knew.
Some view our sable race with scornful eye,
“Their colour is a diabolic die.”
Remember, Christians, Negros, black as Cain,
May be refin’d, and join th’ angelic train.’

On Wheatley’s death she was freed – all that his will
left her: liberty without means. She married
a free black grocer. They lived in poverty.
Two infant children died. And yet she wrote –
but without white, male or titled patrons
was unpublished. Her husband was jailed for debt.
She supported herself and her sickly son
as a scullery maid. One December day
they died in squalor, were laid in unmarked graves.

What did she choose to remember of the seas
pounding against the timbers and the cries
and the chains days after days after days?
Or the drums into the night; or the smoke
from the cooking fires at dawn; the bright clothes;
the songs; her mother’s voice?

 

 

 

LIKE A FIRE BELL IN THE NIGHT

David Selzer By David Selzer2 Comments1 min read1.8K views

‘It is an article of faith that knowledge of the past is a key to understanding the present.’
The Peculiar Institution: Slavery in the Ante-Bellum South Kenneth M. Stampp

 

While the patrols inflamed the sudden sky
with bodies charred beyond race, runaways,
still green from the deep forests of Guinea,
crossed Georgia’s strange, red earth then the barrens,
where pines sighed like ancestral ghosts, and swamps,
where vipers lisped in honeysuckle,
to reach the shore and walk home through the sea –
whose waters, as they drowned, boomed like drums.

That aged schooner, the ‘Human Shame’ – out of
Liverpool, Lagos, New Orleans,
Baltimore, Ferguson… – is anchoring
with a clatter of chains.

 

 

 

CAER LÊB, YNYS MÔN

David Selzer By David Selzer0 Comments1 min read1.4K views

A blackbird is singing in a distant oak.
Now that the may blossom has fallen
the hawthorn is festooned with a white,
wild clematis – traveller’s joy or
old man’s beard. Hereabouts, people have
hunted, gathered, built, farmed, worshipped,
imagined – and some, undoubtedly, thieved
and murdered – in a continuing commune
for at least six thousand years and more,
longer than Babylon, longer than Rome.

It is nothing compared with the stars,
which most of them will have marvelled at,
but, nevertheless, it seems worth noting.
As well as the exactitude of books,
history is written in earth works,
standing stones, a copper coin and a mound
of periwinkle shells.

 

STILL LIFE

David Selzer By David Selzer0 Comments1 min read1.6K views

In the central hall – more cathedral than
museum – the queue for the dinosaurs
curls round the replica skeleton
of a diplodocus. Though only four
and very excited, she waits patiently –
and, once we are in the gallery,
studies each exhibit: loves the T Rex
life-size model that moves, that snarls, that roars
and the loop of the movies’ take on these
‘terrible lizards’. The fascination
transcends generations –
real monsters definitively dead
and, if not buried, then truly ossified;
their thirteen thousand and thirty five
millennia, our fifty thousand;
their earth as distant as Hollywood’s.

We visit more megafauna. She leads me
through an aisle of glass-cased taxidermy
to view the carcass of a blue whale strung
from the vaulted ceiling. On the way out,
we pause at the fossilised skeleton
of a giant sloth. We are killing the whale,
as we killed the sloth – what will be left
is this necropolis, this charnel house
with the carved monkeys on its columns,
the faux gargoyles on its roof – and, of course,
real pigeons gobbling crumbs.

 

Note: the poem was first published in 2015 in LIVE FROM WORKTOWN – http://www.livefromworktown.org