OTHER PEOPLES’ FLOWERS

OTHER PEOPLES’ FLOWERS: ‘MEANDERING THROUGH MAZES: A PERSONAL NARRATIVE ON IDENTITY’ – CATHERINE REYNOLDS

David Selzer By David Selzer6 Comments34 min read542 views

I was somewhat surprised when David Selzer contacted me to contribute to OTHER PEOPLES’ FLOWERS; in part, because I would struggle to describe myself as a poet and have no formal training in that field. I have nevertheless written profusely in the last five years and occasionally in the time before that.  It has however, not been a lifetime experience of studying and honing this craft. So, please excuse the ragged edges of my words and what may appear to be a lack of scholarship.

 

The Unknowing

I know not from whence it came.

It’s origins little matter.

It is a flow.

Sometimes unceasing.

 

I am not learned in these matters.

Of verse, of rhythm and rhyme.

I am ignorant of iambic pentameter.

Of the subtleties of poetic expression

 

I follow

the words

as they tumble

somewhat chaotically,

from an

overactive psyche.

 

Often, I trip over them, as in a rush,

where grammar and typos are

stuttered onto the small

screen held in my hand.

 

No fountain pen and florid

handwriting, in this impatient

execution of thoughts and

feelings.

A staccato pom, pom of

vocabulary, fired at

unseen targets.

Momentary flashes of

cognition and impulse.

 

Feelings unprocessed, as

screamed into a roaring gale.

Lost, as soon as uttered, swept

away by elemental forces.

 

Meaning denied thoughtful

reflection and editing.

Words, just words.

They are existential.

 

I ponder briefly on their

lack of depth. I remain

untroubled by this stream

of consciousness.

 

Entering The Maze

 

I come to this platform with a story to tell, of a life lived differently. Many of my years were spent masking two fundamental personal and challenging truths – that I was neurodivergent and gender-variant. The former was eventually diagnosed last year at the age of 71, the latter, a realisation at the age of seven, but not acted upon until 49. Both combined to set me on a heroic quest, in the style of the Homeric poem, The Odyssey. I had to face my own demons, otherness and cognitive struggles; having a brain that didn’t function as my many neurotypical colleagues did and having an identity that was at odds with itself. Not all challenges are a product of the external world, though I encountered many of those. Having an identity that differed in two significant domains created a maelstrom of emotional and psychological turbulence.

 

Identity and how I made sense of myself, was intertwined with familial and social mores. Underpinning how I would engage with the world were words which, as a child, had little or no meaning; ‘freedom to act’, ‘liberty’, ‘permission’, ‘autonomy’, ‘agency’, ‘authenticity’ and ‘otherness’.  These concepts flowed through my lived experience as the years passed. They were lifelong, in their resonance and their implications, for me, and the relationships of which I was a part. These were not merely the harpies and sirens of Odysseus’ ten-year voyage; they were an existential struggle that would shape and define me. Whist I have navigated significant obstacles, I recognise that this does not negate the distinct hardships others have faced and continue to do so.

 

Seven years ago, quite accidentally, I started writing what would become my autobiography. As Maya Angelou sagely observed, ‘There is no greater agony than bearing an untold story inside you’. So, I started writing a chapter around my family’s history. I had just completed our family tree, back to the late 17th century, and submitted a sample for DNA tracing. I am part Viking or berserker. This will come as no surprise to those who know me!

 

The Vikings found their way to the Wirral Peninsula and caused chaos, as they had throughout the isles,in places  formerly settled by the Anglo-Saxons and Jutes. There was a savage battle at Brunanburh (now Bromborough) in 937AD. It has often been described as, ‘the mother of all dark-age bloodbaths’, between King Aethelstan’s Anglo Saxons and the combined forces of Vikings, Scots and Strathclyde Britons.  Aethelstan was victorious in this existential fight for English identity. (There’s been some debate as to the location of the battle, but Bromborough is most likely.) So, I begin this tale of my historical identity with a crushing defeat.  More setbacks were to follow.

 

Saxons

I meander along lanes set

by old enclosures.

Never far from history here,

in this land of invaders.

When Saxon ploughs once

tilled the soil.

When times felt settled.

 

But turbulence arrived with

the Northmen from across

the straits.

Their number was many,

their resolve unbowed.

 

They met us in battle

on Senlac Hill.

Ground walked by

our ancestors by way

of the downlands

and valleys.

 

The battle was bloody

and robbed us of our

place in this land.

A land, we too had

invaded, and made our own.

 

How cruel fate turned us

from masters to slaves.

Where justice was

metered out by the sword.

Our land assayed to

proffer geld for the king.

 

We now scratch a living

through briar and bramble.

The fertile lands seized

by Norman barons.

 

Our lives blackened by

reprisals and cruel assaults.

We cower beneath the many

oppressions that steal our

dignity, year upon year.

 

All this, whilst old kings

of Saxony lie buried in

their longships.

There, bejewelled in

intricate designs of garnet

and gold, their bones

cling to sovereignty still.

 

Beyond that first chapter of my book, an evidence-based narrative emerged, interleaved with family history and framed by various disciplines; psychology, educational theory and practice, sociological discourse, epidemiology, the various political perspectives on poverty and inequality, feminist studies of sex and gender, and a smattering of the hundreds of poems that rushed into my head and out onto the page like an outpouring of lava. (Yes, I used to teach Geography along with Humanities and PSHE [Personal, Social & Health Education], in the same high school as David. Our first coincidence of trajectories).

 

This book remains unfinished and the reasons for that sit within my ADD inattentive psychology ; perfectionism and procrastination – I struggle with the ‘absent’ completer/finisher role – and also due to a certain poverty of spirit caused by over a decade of a profound energy-limiting illness, ME/CFS.

 

I have been an innovator in both education and health sectors, and an observer and curator of my life and others, through prose, poetry and photography. For the visual could often help me to express and convey what words could not, particularly through the stark imagery of monochrome. I aspired to be a professional photographer in the 2000’s. My business was called ‘The Space In-Between’, and reflected the relationship between the photographer and subject. An elusive moment in time captured by framing, composition and aesthetics. From a business sense, my timing coincided with the mass acquisition of smart phones. Everyone had a phone with a built-in camera – and believed that they were all photographers.

 

Failed business ideas aside, it is worth reflecting upon how we each develop and communicate our personal narratives that are as unique as our DNA signatures. As the educationalist and orator, Sir Ken Robinson remarked, ‘our like will never be seen here again’.  So, this opportunity, through David’s invitation, is one of my defining moments, like inky fingerprints on white paper. Leaving my mark. It is a pause in a long and sometimes turbulent and dynamic story – though not one of criminality!

 

Being outside the characteristic norm I was so involved in disguising my true self. Looking back, I recognise how exhausting this was. It resulted in more than a handful of burnouts.  It was a process of ‘navigating normality’, through various mazes, whilst hiding within them, desperate for my truths to be unseen.

 

Betwixt & Between

Existence as a continuum;

moving internally from one identity

to another. Skating on thin ice.

Dangerous and exhilarating.

 

No one tells you how exhausting

this way of being is. The pretence,

the masking, the hiding, the fitting in,

the re-appearing. So many roles.

 

And yet, for most of it all, presenting

consistently. The person they needed.

The comedian, philosopher, strategist,

socialist, lover, parent, close friend.

 

Burnout, just around the bend, in

this madcap kaleidoscope of me.

 

Too much acting, too little authenticity.

Shape-shifting and lost in a dervish dance.

And in the background – despair, and

blackness – down below those surface layers.

 

Below what they saw on the outside.

For there, almost dying, was my soul.

Catherine, lost, in the shadowlands.

 

After my B. Ed, and with the collapse of LEA teaching pools, in 1977 I applied for thirty-three jobs, in my best handwriting. Desperation was creeping in. I applied to Stanney High School in Ellesmere Port. [It was the only job application outside my preferred radius of the East and West Midlands. I had been at College in Nottingham, and it is where I felt I belonged].

 

The Northwest reminded me too much of home and school and the ripples of dysfunction that lay there. Some of those were to do with a miserable experience of grammar school education at Prescot Grammar School. It was characterised by bullying from my peers. I had unfortunately disclosed something of my identity to someone I thought I could trust – the news swept through the testosterone-ridden year group like a wildfire. For three years I was known as ‘The Girl’.  An identity that was reinforced by being in the school play, The Miser, an 18th century French farce by Moliere. I had auditioned, based on what proved to be a rumour of a joint production with the Girl’s Grammar School. This was a fiction. I was cast as Marianne. The bullying intensified, but I was revelling in my own dream world.

Just pause for a moment and look at the photo of me on the far right. You’ll see that I am wearing evening gloves, they were gold, for those watching in black and white. My mother was something of a diva. If she’d known any gay men, she’d have had her own coterie of followers. As I mentioned these were my mum’s evening gloves (not mine) which she donated to my costume. Look carefully on my left arm you’ll see a white strip beyond the gloves. This was a long bandage.

 

I had taken a shortcut across the school field, after the Dress Rehearsal. I was hurrying across the field, it was pitch black. I knew the skills of following a trail as I had been in the scouts for a week. Despite such advanced woodcraft skills, I didn’t see a six-foot-wide field aerator in front of me. This was a medieval piece of equipment, which was normally dragged around the playing fields by the groundsman’s old red tractor. I fell with some force onto the long, truncated metal prongs. I saved myself from serious mutilation by extending my left arm as I fell. Unfortunately, my left arm, about 6 inches from my wrist was impaled, just missing my radial artery. There was, nevertheless, much blood. I struggled home. There as now a trail of blood from the scene of the accident. My father rushed me to A&E, where the wound was cleaned and stitched rather clumsily. I still have the crooked scar. In another life ,with such a scar, I could have presented well as a pirate. The evening gloves hid a dramatic back story in my brief acting career. I stayed clear of acting after that and carried on masking. It is known that at the Carnivale, in Venice, men wear masks over their masks. I was following a long tradition of disguise.

 

As if this wasn’t enough to deal with, there was the sadistic behaviour of many teachers, and the monotony and tedium of a curriculum more fitted to the 19th century. Indentured servitude comes to mind. None of this was well matched to a high functioning but chronically errant neurodivergent brain whose morphology was akin to Emmental.

 

Pedagogy as pain, then as passion

 

1544

Founded in 1544, and, since my

enrolment, in terminal decline.

A small enclave of learning in

the late Middle Ages, when

serfdom was the lot of the many.

 

A time, when Prescot was a

place of substance and

held judicial and clerical rank.

Granted Royal Charter; the town

and lands, inherited by Henry IV.

 

It’s educational allegiance to

King’s College, Cambridge,

where the gifted few still

gained scholarships and degrees.

 

Outside privies, the place of

torture for newbies, in short

pants, caps and new blazers.

The smell of Jeyes fluid

catching in their throats.

 

Wooden desks etched with

blue-black ink and witness

to generations of tedium.

Teachers in black gowns,

none by Balenciaga.

 

‘Salve Magister’ and the

terror of my Latin Master.

Cruelty across the curriculum,

and of punitive detentions.

 

There was little joy, as each

day blurred into the next.

Evenings consumed by the

strict demands of homework.

 

This was serfdom re-imagined.

Tied to the daily toil of

beatings and boredom.

No reprieve for the inmates.

 

The school, a brick base

with creosote cladding, a

temptation for any

aspirant arsonist.

 

It met its fiery end from

one of the many prisoners,

pouring petrol on empty

hopes and promises.

 

The school motto,

Futuram

civitatem

inquirimus.

‘We seek a future state’.

 

Who knew that it would be

a funeral pyre to drudgery?

 

These were experiences I didn’t share at my interview. No, I wasn’t the arsonist, but I had a history that I was never going to disclose, that was just as flammable.

 

Little did I realise that it would be a challenging experience. I was young, naive, and hoped my quiet desperation didn’t show at interview. Fortunately, senior staff took to me and offered me the job. One of the benefits of being a shapeshifter is that I can adapt, chameleon-like, in any given situation.  A helpful superpower for ‘teacher as performer’. I was the second person in my final year to get a teaching job, many didn’t.

 

The reality was that I was trying to progress a career in a downbeat comprehensive school, formerly a Secondary Modern, serving the neighbouring social housing estate and outlying villages. It fell in the bottom quartile of educational metrics across Cheshire. Week after week it felt that I was sprinting a marathon and my neurodivergent brain was never really in control. During this ‘life in the liquidiser’ I found myself more interested in how students ‘are’ in this world, ‘their sense of being’, rather than what geographical knowledge I could impart to them.

Photo taken by a colleague, Tony Kelly. Lunchtime at Stanney – in the staff room, circa 1983.

Some years later, following training and being part of Cheshire LEA’s ‘Counselling Skills Training Team’, I became the School Counsellor. A sense of peacefulness prevailed. It was one of the most meaningful times I experienced in a long professional career.

 

Caught in mid air

Somewhere between the firmness

of ground and the free moving air;

there is a place of stillness where

the eddies of life don’t trouble me.

 

Distanced from those times of

perpetual motion, of freneticism.

When work often demanded more

than I could give. But still, I gave.

 

Times of stress and tension

when perfectionism became

an unkind mistress.

When work became a necessary

distraction from pervasive thoughts.

 

As if I could hide from myself,

remove temptation and be

normal.

When normal was real and yet

inauthentic.

When life was only partly lived.

When I was not yet me.

 

David Selzer had been seconded to the University of Liverpool for the year, 1985-6, to undertake his M.Ed. It seemed that was the domain of Deputy Heads and Senior Teachers, and that middle-ranking teachers didn’t aspire to such goals. Nevertheless, I was keen to immerse myself in an academic experience, I wasn’t so much ambitious as educationally curious. It had been nine years since I started my teaching career at Stanney. I talked it over with David and, with his support, I applied to study for an M.Ed. I didn’t expect to succeed and yet I was accepted. More coincidences of trajectory.  My secondment went well, until it didn’t.

 

In the May of 1987, during the final semester of my M.Ed. my father was hospitalised with pancreatic cancer. At this time I’d picked up yet another throat infection but, despite two courses of antibiotics, the symptoms worsened. I experience dreadful fatigue and brain fog. The data analysis for my dissertation ground to a halt. I was struggling to read The Beano, never mind journal articles on phenomenology.  My father’s condition worsened and within a month he had died. My mother was bereft and attempted suicide. It was the worst of times, and I was unable to complete my Master’s. I didn’t return to school until the summer term of ’88. My body was, as I have mentioned above, enfeebled by the experience of having Myalgic Encephalomyelitis (M.E.), known in the press as Yuppy Flu, as it had an unfortunate habit of striking down high achievers. I took me a further two years to get my strength back. I was one of the fortunate few to recover, that is until my 60’s when it struck again.

 

The Normality of Difference? Maybe around the next bend?

Let me digress. From my days in college to the present day, I have been passionate about photography. My interest in it led me to the writing of Susan Sontag. In one of her many interviews, she touched upon the notion of storytelling, which is elemental to life, literature, film and the narrative within photography. She described the duality of storytelling. ‘Don’t you think at the very centre of the whole enterprise of storytelling, there is the fact that storytelling is an activity that faces in two directions. On the one hand, it’s connected with an idea of truth. On the other hand, it’s connected with an idea of invention, imagination, lies’.  We experience this in fiction but also in everyday life, where we are privy to people’s stories, for example, OTHER PEOPLE’S FLOWERS, that they choose to share with us. Telling stories is another matter entirely.

 

I was wary of sharing anything of my gender diversity, after my dreadful school experience. In the 70s and 80s jobs could be lost by such foolhardy disclosures. Despite a gregarious and seemingly open demeanour, I carried my sins of omission, as increasingly heavy baggage. In the context of film, I am drawn to Mike Leigh’s ‘Secrets and Lies’. This portrayal of this unravelling of family dynamics, is a cautionary tale of duplicity, shame and guilt.

 

So, for much of my life, I hid behind such deception. My secrets, my lies. If there is any justification for these behaviours, it is in the very essence of self-preservation and the avoidance of rejection ad exclusion. There is a characteristic that many people with ADHD share – Rejection Sensitivity Dysphoria. Oh no, not another dysphoria to add to the mix! It means that neurodivergent people experience an extreme emotional sensitivity and pain triggered by perceived or actual rejection, criticism, or failure.  Best to be avoided at all costs then!

 

In my birth family, dynamics were problematic. In this Oedipal collection of father, mother, daughter and son, there were ever-present, one-sided allegiances and tensions. I refer to myself here as AMAB, assigned male at birth. I never revealed my identity issues to either of my parents, but I had, unfortunately, in a moment of despair, shared my truth with my elder sister, an action that would have serious consequences.

 

My sister, out of duty, would invite our mother over for Christmas, after my dad had died in 1987. They were difficult times. It was some Christmases later, in my early 40’s, that the lack of Christmas spirit played out damnably. By this time my 16-year marriage had broken down due to my dysphoria. (Because of the love that still maintained, we became a reconstituted family of two children and four grandchildren). My mother was, once again, invited for Christmas. During a spiteful row between my mother and sister, my sister, who had been accused by my mother as being “always tricky to deal with’’ and who ended with the comment, “at least our John is ok”. My sister immediately retorted with, “Oh no, he’s not”, and then shared my confidence with her. My mother, a very self-obsessed woman and not noted for her empathy, was shattered by this disclosure. It was left to me to pick up the pieces. Once a peacemaker always a peacemaker.

 

No son of mine

It is what he would have said,

if he had known.

If I’d had the courage

to wrench the words,

from the terror in my belly.

 

For I knew him and his

small world view.

His many prejudices,

his fearful insecurities.

 

We had never been close.

 

He never shared his feelings.

Austere and distant from my

experience of life.

Separated as we were

by frosted glass.

 

So, the deep sense of shame

I carried, sat with me.

I was burdened and saddened.

I kept it from him, from all.

 

He had probably wanted

another daughter.

And yet he had one,

in different guise.

A feminine spirit hidden

these many years, from view.

 

And in time, he died,

none the wiser.

My authenticity denied by

the fear of his rejection.

My life paused by prejudice.

 

Let me rewind the video and stop at an extract from my draft manuscript. This illustrates how the origins of my story started to unfold over one weekend, whilst staying with my grandparents.

 

After he’d taken his time squinting through the papers, Pop (my grandfather) tended to the garden. The garden surrounded the house on three sides, lawned to the front, rose garden to the side and allotment and greenhouses at the back. It was always beautifully tended. This gave me the chance to rummage through the papers – The News of the World and The Sunday People. It was Sunday, the 19th of November 1961. I was seven years old. I was flicking pages and came across an article about a woman, April Ashley in ‘The People’.

 

She had been a Vogue model and was so beautiful. As I read the paper, I had one of the most formative experiences of my life, in fact, it changed my self-concept forever. More accurately, it confirmed what I already felt. April had been outed to this newspaper. She had been born, George Jamieson, in Liverpool in 1931.

She was to become an icon of the Trans Community and by her example, many children, young people and adults with gender dysphoria, who would have led miserable lives of repression, guilt and shame, unfurled and led authentic lives. I cannot recall the moment with absolute clarity, but I was left with the awe and wonderment of it all. I had a revelation that my sole reality was also someone else’s. I wasn’t alone, and it wasn’t just a daydream.

 

Apparently in 1961, John F. Kennedy was inaugurated as the 35th President of the United States, Soviet cosmonaut Yuri Gagarin became the first human to fly in space, Freedom Riders took buses into the South to challenge segregation, and East Germany began construction of the Berlin Wall. Within a year the world would come to the brink of nuclear war and annihilation as the Cuban Missile Crisis played out. However, for me, this personal, gendered revelation was the only thing that mattered. I hadn’t a clue what to do with what I had just read. One thing was certain though, I must tell no one about it, or I’d end up in the papers like April, or perhaps incarcerated.

 

From the station bridge, beyond the end of our road, and just before the long wooden stairway down to the platform and the Victorian Waiting Room, could be seen the Clock Tower and the rooftops of Rainhill Asylum, another Victorian construction.

The view, shrouded by farmland, softened its rather chilling and foreboding gothic architecture. It was where mad people were sent. The lunatics. That was the common understanding of mental illness in the early 60’s. A view that had held for a hundred and fifty years.

 

I didn’t think I was mad, but maybe other people would. What a frightening prospect to be incarcerated in the asylum. I was surrounded by an unfeeling world which saw difference as scary and a threatening. My dad had problems with Catholics, Jews, Queers, Blacks and more. In fact, anyone different to him. There was no hope of finding another kindred spirit in such a wilderness, ever. No one to talk to. No one who would ever understand. Even my Nan, the kindest person in my life, would have been speechless and disbelieving. If she had said anything, it would have been “think on” which was a Lancastrian phrase of caution. She used it regularly.  The loneliness of my self-knowledge was truly awful and was to burden me for years to come. My story was being re-written, as though new lines of code were being inserted into my cognitive programme. My shadow self was already there. It had just been awakened.

 

Fitting in

A lifetime of camouflage,

of masking and meeting

needs, other than my own.

 

A social subtext learned

in quiet suburbia and in

the panopticon of school;

Foucault’s surveillant society.

 

Conformity, the defined

path of servitude, played

out in a thousand small ways.

 

Always with an eye to the

opposite gender, a social

anthropologist of behaviour.

 

A study in style and deportment,

quietly logged on index cards

in the closet of my mind.

 

No GCE in this knowledge base

but stored for future reference,

whenever opportunities arose.

 

The shifting of roles and the

enacting of delayed gratification,

so long in the waiting. So long.

 

For so many years I dared not speak my truth, to family, to friends, at home, at college, in the award-winning hockey teams I played for, or in the many workplaces where secrecy was necessary for survival and security of tenure. I played a part, and I was convincing in the role, it was worthy of an Oscar – “I’m ready now, Mr DeMille”. It is difficult to communicate the weight of the burden I carried within. The silent disquiet, invisible as clear air turbulence, and yet just as deadly; something that shook my very psyche to near destruction.

In my early 20’s, I was ignorant about gay and trans rights. I had lived in a white, heteronormative culture all my life, and there was little evidence of racial, cultural, sex and gender diversity at college. It was a continuation of a bubble that many of us lived in. As far as sports sub-cultures were concerned, which were typified by the P.E. Mains, rugby, football and hockey teams, gays and transgender folk were figures of fun. Here again my spirit was silenced, and I faced humiliation and rejection if I had been open. We were training to become teachers and there were bigoted views within the culture that conflated our hidden identities with perversion and paedophilia. It would have been a significant barrier to my gay friend and I getting into teaching and developing our respective careers. We sat on it. For a long time – decades. We didn’t disclose our identities to each other until our mid 40’s. Then, in a telephone conversation, he mentioned that he knew he was gay from about 13 years old and had fancied me at college. We were competitive geography students. Competitive with each other. We ended up with the same class of honours degree, which brought a smile to my face, given the time I spent playing representative hockey. So, having listened to his disclosure, I mentioned that I was transsexual. I think my hand had just trumped his.

College was a totally engrossing time but another wilderness period for ‘my spirit’. Between my studies, sport, the occasional session in the college bar and my girlfriend, who had pre-Raphaelite hair, there was no space for exploring my female self. My girlfriend may have looked as though she was from a Burne-Jones painting, but she was from Yorkshire and parochial by disposition.

The 60’s vibe and it’s London-based sub-culture had by-passed Huddersfield. It still had mills, Aldermen and some long-standing views on the roles of men and women. Queers were people that were fodder for jokes in Working Men’s Clubs. Suffrage for women had made little difference to their roles within the family. Marc Bolan and David Bowie were not understood, feared and ridiculed. Brass bands were de rigeur.

So, from that strange cultural brew, my girlfriend had emerged, apolitical but erring towards all things conservative. She would not welcome what I had to say about myself and didn’t have the social savvy to handle it. So less said the better. She would go on to be a primary school teacher in Lincolnshire. In Grantham, home of the demonic Thatcher.  Perhaps that would be a good fit for her, – a small-town living, and a small world view. Our relationship came to an end in my first year of teaching. She had already begun putting things away for our bottom drawer. I felt bad about ending the relationship, but I had become energised by meeting the vivacious person that I was to marry.

 

Finding Meaning in the Maze: Concepts and Connectedness

 

A false paradigm

Constructs and concepts.

The litany of meanings

explored and examined

for understanding, that

remains out of reach.

 

I grew up in my family,

no more than an impression

in the clay.

I wondered why the mould

was ill-fitting.

It wasn’t cast with me in mind.

 

Each generation struggling

with historical genealogy.

Mine was never going to

make sense to a young child.

 

A false paradigm cloaking

the authentic self.

Too dislocated by such fate

to be congruent.

And so, the process of identity

continued in its flawed design

 

to the point where I could

not recognise the reflection

in my mother’s mirror.

Animus not Anima.

A Jungian Nightmare.

 

Having undiagnosed inattentive ADD in a household of two teachers, fixated on scholastic achievement, was to live with their chronic disappointment in my abilities. As my mother used to say, “Our John is funny but he’s lazy”. Over the span of childhood and adolescence this was another experience of difference and shame. Of never coming up to expectations, of always wondering why achievement felt so out of reach. When memory, so taken for granted by many, and so applauded in a sibling whose recall was eidetic, was elusive to me. I lived and failed, in equal measure, within the family and with my peers. My mother’s first and only question, when I mentioned a new friend was, “Are they bright?”. My mother, a Deputy Head of a Primary school, was a devotee of the now discredited Sir Cyril Burt. I was probably the only child at my junior school who had to stay in at night going through past 11+ papers. Her anxiety. Her agenda.

 

Psychiatrist and author, Bill Dodson, MD, estimates that by age 12, children who have ADHD receive 20,000 more negative messages from parents, teachers, and other adults than their friends and siblings who do not. The message was clear to me. It had been repeated often enough.

 

Ghosts

There have always been ghosts,

drifting through my life, through

my scattered mind.

Remnants of hardly remembered

memories, translucent and barely

there.

 

They could belong to someone else;

a forgotten scene from a life not

lived by me but borrowed somehow.

This distance from my past is strangely

disconcerting and separates me from

who I once was.

 

Strands of vapour, soon to disappear

into the surrounding air, leaving no trace.

Contrails of complexities, once agonised,

but now hardly recognisable.

The intelligible made nonsensical.

 

Losing touch with past lives and loves.

A world without signposts or structures

that drifts so intangibly, my hand unable

to grasp that which cannot be held.

 

These silhouetted synapses flashed

for moments before disappearing into

the grey matter that keeps all its

secrets hidden from the clinical gaze.

 

So, I wonder in bewilderment, at who

I once was, how I stumbled my way

through this consciousness, that

defies exactitude and temporal clarity.

 

So, I became the ghost and the

embodiment of all that was diffuse.

A cumulus cloud, indistinct and

tempered by the elements, before

disappearing into the very sky

that created it.

 

In 2010, I was persuaded by a former colleague to apply for a national post; leading on mental wellbeing. I was interviewed. I didn’t get the post, as the former lead for Scotland, was already doing the job. Nevertheless, I was seconded to the National Mental Health Development Unit in London.  It was an NHS policy hub and think tank and I worked there part-time in the Population Mental Wellbeing Team as a Project Specialist – a role that had been rooted in my strategic Public Mental Health work of the previous years, in Liverpool. The Cameron-Clegg Coalition  viewed the NMHDU as a quango  and shut it down. The Public Health Department of the PCT that I had worked for was undergoing restructuring again and I felt that my work there had reached a conclusion, and I left. The alternative was to face the further re-arranging of the deckchairs on the Titanic. I’d had my fill of that.

 

My first commissioned work, at this time, was a needs assessment of the trans population of Liverpool. I undertook this with a long-term friend and colleague from the 90’s. We had been PSHE Co-ordinators [See NOTE below] in our respective authorities of Cheshire and Lancashire.

I framed the work around a Canadian study of community-based health promotion that had used three key indicators of wellbeing, namely; Being, Belonging and Becoming. These were concepts that resonated with me powerfully. I had the benefit of seeing the authors present their work at a conference in Scotland.

 

I write this for context, as it was a coming together of my personal and professional worlds. I had been living and working, as Catherine, since 2003 – 49 years since that initial realisation in 1961. This represented a melding of self. It also reinforced the difficult lived experiences of trans people across the 3B’s and highlighted the powerful impacts of prejudice, discrimination and inequality that characterises many trans lives.

 

The Politics of Identity and Inequality: the Maze as entrapment.

 

Reflections

I hadn’t given it that much thought

at the time. It was 22 years ago

and much was in the crossing

of the Rubicon. The river that had

seemed an impossible barrier.

 

It wasn’t that I was naive, nor

unwilling to sense, that a

shift in gender was still a

social calamity, to many.

But I had run out of choices.

 

And, I had run out of time.

Too many years spent chained

to the dead weight of my

masculinity and all its privileges.

 

For it took the living of this new

life to see how blinkered I’d been.

With all that had been granted

to me, by accident of birth.

 

I had willingly surrendered that

birthright to feel at one with myself.

A transformation of sorts, so long

in the waiting, and in the craving.

 

But I was to see that it came at a cost.

Power, I once took for granted, was

denied me, in this identity. No longer

within the patriarchy, I was an outsider.

 

Viewed with suspicion and looked

over for promotion, once promised.

To have power and to lose it to

those I once respected, shifted my

gaze to the prejudices around me.

 

The costs have been tangible;

familial, friendships, financial,

socio-legal and health-related,

and now, single-sex spaces.

All consequences of authenticity.

 

We may reflect upon our lives, particularly in our later years, and take stock of the significant experiences that shaped us, for good or ill.  The rites of passage and the things that we could wish away, if only we could. Some of these memories may be painful and some unprocessed. They are emotional scar tissue. Sore to the touch. In the common consciousness, trauma is often understood as a significant and injurious singular event – perhaps a car accident, an act of violence, surviving a natural disaster. This is often classed as ‘Trauma’ with a capital T.

 

There is also the experience of trauma as ongoing experiences. Often referred to as chronic or complex trauma. These experiences are exemplified by emotional neglect, long-term illness, the weight of betrayal or perhaps the ongoing conditional acceptance of ‘coming out’. Coming out is not a one-off event for trans people. As new people entered my life there would come a point where I would need to be congruent and share my post-transition truth. For all trans people there exists a choice – to be true to self and others or to manufacture a fallacious personal history containing a litany of lies.  Some trans people do this and have lived their life in stealth, in response to the very real threat, of being seen as ‘other’. Whichever course of action is chosen, sits trauma, a coiled snake in the psyche.

 

My autobiography, being research-based, has drawn upon many concepts to give meaning to a life framed by ambiguity. It was only in the last five years that I came across the notion of liminality and it became the glue that held together all the disparate experiences of my life, helped to cohere my transition and the book I was writing. Rooted in early anthropological theory by Arnold van Gennep and Victor Turner, liminality describes the transitional middle stage of a rite of passage where old identities are shed but new ones are not yet adopted. It can relate not only to life transitions but physical spaces and to the conditions that are framed by socio-legal precedents. For me, it represents the 49 years of a journey from realisation to actualisation. Liminality is not meant to last that long. To be in an indeterminate space is agonising and traumatic.

 

Liminality

We find ourselves cast adrift.

No fixed points on this journey

which was once guided by

our lodestone and the heavens.

 

The clouds obscure the stars

and the night sky blackens

this world, long travelled, by

our kind. The Outsiders.

 

Our wandering in search

of meaning and purpose,

feels troubled by our

own confusion. We are lost.

 

Lost to our destiny and to

the disappearing horizon.

The winds driving the white

crests against our longboat.

 

This is a liminal place

of foreboding and fear.

A place between origin

and endings, not yet found.

 

Minorities have chronicled their history of oppression and their struggle against the odds for millennia. Prejudice, scapegoating, victimisation, social exclusion, lynching and extermination are all chapters in a playbook underpinned by right-wing politics and ultimately fascistic governments.

 

The trans community has been under attack from the Right for a decade, noted in their strategic deployment of pressure groups namely gender-critical feminists defending women’s rights against, as they would put it, “men in dresses” who invade women’s spaces, as predators. The shifts in political ideology towards trans people across the world has been funded and fuelled by the alt-right, operating through anti-trans groups such as Sex Matters, in the UK. Funding has come from the ultra-conservative Christian Family Research Council and the Heritage Council, conservative Tech and private billionaire donors. Asserting views on biological determinism rather than self-identification, their goals are to segregate and isolate trans people from public life.

 

The European Parliamentary Forum has identified, up to 2018, funding of £520 million for anti-gender activity. There are significant data gaps, and the actual figure is likely to be much higher. Recent evidence indicates that Russian influence has emerged as a new actor in the anti-gender movement. These influencers have begun to shape the socio-legal status of trans people in the UK.

 

The UK Supreme Court’s unanimous ruling on 16 April 2025 held that ‘sex, ‘man’ and ‘woman’ in the Equality Act 2010 mean ‘biological’ and not ‘certificated’ sex. The initial case that gave rise to this was brought by For Women Scotland and was funded, in part, by J K Rowling.

 

The EHRC issued an interim practical update on 25 April 2025, revised in June 2025, to guide employers and service providers in the immediate aftermath. This culminated in the EHRC’s updated draft Code of Practice for Services, Public Functions and Associations, laid before Parliament on 21 May 2026.

 

The Code – which will carry statutory authority once Parliament’s 40-day review period passes – confirms that single-sex and separate-sex services must operate on the basis of biological sex, removes the previous self-identification approach, and clarifies that admitting trans people of the opposite biological sex to a service destroys its status as a single-sex service entirely.

 

Trans people must be offered gender-neutral or third-space alternatives, and the Code extends similar principles to associations and gender-based sport. By this judgement trans people become a ‘third sex’. Identification and separation by decree. Whilst we lobby MPs, we continue to live in a liminal space. This faulted and partisan guidance will further restrict trans freedoms.

 

No Access

We may not tread, in ways,

we once could. When the

law was gentler in its sway.

And ordnances fewer in the making.

 

When, both old and young,

could join in and be welcomed

without censure and derision.

When convention was inclusive.

 

And so it was, in the W.I. and

Girlguiding, that sex at birth,

was of little import. When

preferred gender was allowed.

 

We little thought, these 10 years

past, that we would be a target

for those who would make our ilk,

a cause for concern.

 

As the zero-sum game overwhelmed

the debate. As our rights, hard won

in the making, now seen as threats

by certain women, of malicious intent.

 

When, right and might, forged in

the bitter crucible of enmity, came

crashing down upon our existence.

Not a war of our making, embattled

as we are in defence of former Acts.

 

So, we beseech our advocates to

tilt against these many injustices.

To speak out, with righteous indignation,

against the many foes we now face.

 

The doors are shut in our faces.

No Access; the message, in law.

Fateful histories play out in this

badge of shame, our Pink Triangle.

 

Conclusion

 

Undoubtedly, this has been a journey of gendered physicality but at a deeper level, it has been one of emotional exploration and congruence. There have been times of dread and despair and those of euphoria and completeness.

 

I have been blessed by loving relationships and crushed by heart-wrenching endings, and then, saved by reconciliations. Underlying all this has been my intellectual curiosity in personal development and mental health, driven by compassion and empathy. This helped shape my career choices, from education to health, from local to national.

 

I was on a quest from the age of seven; from confusion to clarity, from aching to actualisation. This rite of passage across forty two years of liminal space was informed by therapy and my post-grad studies into the notion of ‘sense-making’ (K.E. Weick – see BIBLIOGRAPHY).

 

Music has underscored my life from my first album at 11; The Beatles, A Hard Day’s Night. Life was in mono then and monochrome too. The emotional timbre of my life can be summed up by the stripped-down song, ‘Every Feeling’ by the trans musician, Ezra Furman. She scored the music for the drama series, ‘Sex Education’.

 

If there was ever to be a film of my journey, the director looking for a score, could select from this playlist. It is a roller-coaster of rhythm, textures, harmonies, lyrics and stories across more than six decades. It reflects an emotional odyssey. In this way it is a manuscript of my life and an insight into my psyche!

Having made this compilation I recognise that it is infused with melancholy. Forty-two years of hiding myself from the world will do that to a sensitive soul. Loss of self and the burden of shame is much to side-step. Nevertheless, authenticity is a balm and agency is a forthright expression of ‘becoming’.

 

‘You don’t wanna be anyone else/ It turns out you’re good enough as yourself/And you’re free, you’re free’

From Up Here, Ingrid Olava

 

The Mountain, Maddy Prior; My Love, Florence+The Machine; Something Inside So Strong, Labi Siffre; Angel By The Wings, Sia; Smalltown Boy, Bronski Beat; In This Shirt, The Irrepressibles; Only A Woman’s Heart, Eleanor McEvoy; Wasted Time, The Eagles; Wind Up, Jethro Tull; You Can’t Always Get What you Want, The Rolling Stones; Time To Move On, Tom Petty; The Living, Nathalie Merchant; Fallen, Sarah McLachlan; Something’s Always Wrong, Toad The Wet Sprocket; The Road Not Taken, Bruce Hornsby; Free As A Bird, The Beatles; Both Sides Now, Joni Mitchell; Nothing Lasts, Steve Miller Band; Can’t Get It Out Of My Head, ELO; Behind The Mask, Fleetwood Mac; Glory Box, Portishead; After Afterall, William Fitzsimmons; What It Feels Like For A Girl, Madonna; Bittersweet Symphony, The Verve; white Flag, Dido; Sad Girl, Lana Del Ray; Still Waiting, Tom Chaplin; Saving Grace, Tom Petty; Pacing The Cage, Bruce Cockburn; Laid, James; I Hope You Dance, Lee Anne Womack; Dreamweaver, Gary Wright; Go Insane, Fleetwood Mac; Tangled Up In Blue, Bob Dylan; Beware Of Darkness, George Harrison; Do I still Figure In Your Life?, Joe Cocker; (I Know) I’m Losing You, Rod Stewart; Valentine Heart, Tanita Tikaram; Who Am I?, Gary Wright; If You Could Read My Mind, Gordon Lightfoot; Who’s That Girl?, Eurythmics; Running On Empty, Jackson Browne; You Are A Memory: Message To Bears; Small Hours, John Martyn; My Favourite Game, The Cardigans, Wasting My Young Years, London Grammar; Beautiful, Christine Aguilera; Fade Into You, Mazzy Star; The Logical Song, Supertramp; Atlas: Sleeping At Last; Let Me Make Something In Your Life, Julie Covington; Where Are You Tonight, Bob Dylan; Journey From Eden, Steve Miller Band; An Ending; Brian Eno.

 

Thank you to my two dear children, who brought my musical appreciation into the 21st century. For that, and so much more. You adjusted to your father morphing into herself and recognised that my essential self is still here, loving you. And to Chris, for all your love, kindness and acceptance.

 

If you got to this end point, thank you so much for your perseverance.

With gratitude,

 

Catherine

 

 

 

 

NOTE: For four years I was seconded from Stanney High School to the role of County Co-ordinator for Personal, Social and Health Education, Cheshire LEA. The role was to support all schools, colleges and the Youth Service in matters relating to this diverse brief. That entailed; policy development, training, school-based curriculum development, supporting school teachers who had a PSHE responsibility, advising governors and continuing my training role with the LEA’s Counselling Skills Team.

 

Bibliography and Further Reading

 

‘Aesthetics of Debate. In VoicesTo Tell a Story.  A dialogue between John Berger and Susan Sontag (1983) https://photographytheoryintopractice.wordpress.com/2017/02/15/john-berger-and-susan-sontag-telling-stories/

Angelou, Maya. 1969. I Know Why The Caged Bird Sings. New York. Random House.

April Ashley | Life stories: National Museums Liverpool
https://share.google/JlMhgSSPyS6eO5Xa1

Dodson, William https://www.researchgate.net/publication/234763069_Attention_Deficit-Hyperactivity_Disorder_ADHD_The_Basics_and_the_Controversies

European Parliamentary Forum. 26 June 2025. The Next Wave: How Religious Extremism Is Reclaiming Power. https://www.epfweb.org/node/1152

Faye, Shon. 2021. The Transgender Issue: An Argument for Justice. Penguin.

Maté, Gabor. 2019. Scattered Minds: The Origins and Healing of Attention Deficit Disorder. London: Vermillion.

Partridge, Alex. 2026. Why does Everybody Hate Me? Living and Loving with Rejection Sensitivity Dysphoria. John Murray Press

Robinson, Ken. 2009. The Element. New York, NY: Penguin.

Reynolds, Catherine & Dobson, Brian. 2011. Being, Belonging & Becoming: Trans people’s experiences of living, working, socialising and accessing services in Liverpool. The DAO Collaborative. Commissioned by Liverpool Charity and Voluntary Services (LCVS). https://drive.google.com/file/d/1RrwlpYCkq3Lb7pRFDzog3Gcy7CECaxHU/view?usp=drivesdk

Natalia Ramos, Mollie C. Marr, Traumatic Stress and Resilience Among Transgender and Gender Diverse Youth, Child and Adolescent Psychiatric Clinics of North America, Volume 32, Issue 4, 2023, Pages 667-682. https://pmc.ncbi.nlm.nih.gov/articles/PMC10914351/

Reynolds, Catherine. Date TBC. Transness: Navigating Liminal Space. Unpublished Autobiography.

Services, public functions and associations: Code of Practice. Updated 21 May 2026. https://www.equalityhumanrights.com/equality/equality-act-2010/codes-practice/services-public-functions-and-associations-code-0

The Independent: £70,000 donation from J K Rowling to FWS. https://www.independent.co.uk/news/uk/home-news/uk-supreme-court-transgender-women-jk-rowling-b2734820.html

The ME Association https://meassociation.org.uk/

Van der Kolk, Bessel A. 2014. The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma. Penguin Books.

Weick, K. E.(1976). Educational organizations as loosely coupled systems. Administrative Science Quarterly, 21(1), 1–19.

 

 

OTHER PEOPLE’S FLOWERS: LESLEY JOHNSON’S ‘THE SIEGE OF THE BASS ROCK’ – BRANWELL JOHNSON

Flicking through my 1974 Cub Scout diary I see in scrawled pencil, ‘Mum landed on the Bass Rock’. Why did my mother, Lesley Johnson, want to visit a plug of volcanic rock covered in gannet droppings in Scotland’s  Firth of Forth while we were caravanning above the pretty town of North Berwick?

It was down to a passion that culminated in my mother, who never went to university, getting her application to study the Siege of the Bass Rock at Oxford’s Ruskin College more than 30 years later approved as part of the special residential older student ‘Ransacker’ programme .

David Selzer has kindly let me write about Lesley in Other People’s Flowers before, when I told how she was both a Wirral housewife and a local playwright crafting short, funny and poignant plays about Liverpool people under the pen name Lesley Clive. Her work was produced at the Chester Everyman, the Liverpool Playhouse, the Edinburgh Festival and even adapted for local radio and Radio 4.

But while she liked to write contemporary dramas Lesley was also a lover of history – as witnessed in her play about doomed Tudor queen Catherine Howard The Daisy Chain – and that’s why some of her precious holiday time was spent with the seagulls and salty flume on the rock.

Lesley’s fascination with the romantically tragic tale of The Stuart kings led her on this trail. When I was a child, I’d often hear about Charles I’s dashing cavalry commander nephew Prince Rupert of the Rhine and his actions in the English Civil War. Mum was also deeply moved by the stories of Bonnie Prince Charlie, the Jacobite rebellions and the suffering of the Scottish Highland clans for supporting the Stuart cause.

The Siege of The Bass Rock is one of the strangest chapters in the whole story of Jacobite resistance. The tale which so entranced my mother concerned four Scots prisoners on the rock who tricked their guards to take the island’s fortress for the Catholic King James VII.

They formed a small pocket of opposition against William of Orange for three whole years merely a mile off the mainland and within sight of a hostile garrison at Tantallon Castle. Lesley was particularly intrigued by the leader of the rebels, Captain Michael Middleton, and his ‘enterprise and steadfastness’, as she put it in her essay dedication.

While at Ruskin she spent time researching original sources and producing a lengthy, very readable essay on the siege. The icing on the cake was a commission from the magazine history Scotland to produce a digest version of her essay for publication. This was a triumph for her.

It’s an incredible story that should really have any film or TV producer drooling with its ingredients of derring do, self-sacrifice and brutality set among stunning, bleak scenery.

The original essay – including the final, sad fate of Captain Middleton – is now available for online reading below as a PDF.

Lesley sadly now has Alzheimer’s and doesn’t recall the inspiring tale of bravery she documented but I have her old painting of the Bass Rock on my study wall. When I gaze at the picture, it reminds me of the tenacity and determination both she and the subject of her dissertation possessed.

View PDF > The Siege of Bass Rock – Lesley Johnson

OTHER PEOPLE’S FLOWERS: ‘THE GROCERS’ GRAVEYARD’- GERALD KELLY

“Half a fucking ham stuffed up his left nostril and he still couldn’t smell it!” snorted Wally Stewart as he slapped his boning knife down on the counter at the rear of the Co-op warehouse in Carlisle.

The object of his scorn was one of two recently appointed assistant senior managers of the Carlisle Co-op (full name Carlisle South End Co-operative Society, founded in 1904 by a group of railway workers, Carlisle of course being a major railway town with, at one time, seven different railway companies operating there).

Although we didn’t know it at the time, their appointment was the first sign of the beginning of the end for a Carlisle institution which listed branches numbering up to 40 (the number of my local branch in St Ann’s Hill, created to cater for the large number of new houses built to accommodate workers at No 14 Maintenance Unit of the Royal Air Force).

A figure which I remember hearing was that the Carlisle Co-op had a membership of 20,000, this when the total population of the city itself was about 70,000. There was however a very wide hinterland in Cumberland with village branches and one as far away as Appleby in Westmorland, some 30 miles distant. In my time at the Co-op warehouse there were six travelling shops based there which served the local villages, hamlets and farms.

The change the managers were brought in to introduce was the introduction of a huge Cooperative Wholesale Society central supply base in the North East of England from which the Carlisle shops would order all of their requirements directly rather than submitting weekly orders in their own book to the warehouse in Junction St.

This process led, inter alia, ultimately to the demise of the Carlisle C-op and other local independent Co-operative societies and the subsequent emergence of the modern pattern of purely local convenience Co-p stores. A bit of me remains well pleased that the Co-op ethos is still thriving, albeit in a different form to the one I knew, with 6  million active members as of 2023 and with a target to reach 8 million by 2030.

The Carlisle  Co-op central store covered almost half of one side of Botchchergate,  the southern entrance road into Carlisle. Here you could cash in your ‘Divi’ (a return based on how much you had spent in the Co-op in the previous year), furnish your house, clothe yourself and your family, buy all of your groceries for the week, order your coal for the fire, get your hair done, get your teeth seen to, organise a funeral and then have a cheese sandwich and a cup of tea at a funeral breakfast after burying or cremating a relative.

THE DIVI

In the second ‘Carry On’ film, ‘Carry On Nurse’, the character Henry Bray (played by Liverpool-born Brian Oulton) is a snobbish, would-be upwardly mobile, patient.
In a scene set at visiting time scene his wife arrives and proudly shows a new jumper she has just bought with her Co-op Divi. He is very embarrassed at this announcement being made in a public ward!

Is this a reflection of the idea that only the ‘Working poor’ used the Co-op and he didn’t want their social status broadcast?)

Liz Hodgkinson writing in ‘The Oldie’ (May 9th 2022), describes how, for the first time in her life, at the age of 74, she visited a Co-op supermarket.

 

When I was growing up in the then tiny town of St Neots, in Cambridgeshire, only common people shopped at the Co-op. Anybody with a bit of money, such as my mother, would get their shopping from the more expensive food and clothes shops, even when the goods were identical.

 

The process with the Divi was fairly simple – when you bought something you gave your membership number and got a receipt for the payment.

Your purchase amount was then recorded and at the end of the year, depending on how much you had spent you got a percentage back in cash or goods

Part of the site (No 48 Botchergate) is now a Wetherspoon’s called ‘The Woodrow Wilson’, named after the American President whose mother was born in Carlisle.

The text reads: The ideals of the Co-operative Moment, inspired by the reformer Robert Owen, were put into practice by the Rochdale Pioneers, who opened their little store in 1844. All Co-ops were based on the principle of profit-sharing known as the ‘divi’ (or dividend). With each purchase, customers received tokens or tickets, which they could later exchange for cash or goods, the remaining profits being reinvested.

This building was once part of the Carlisle South End Co-op Society store, built in 1904. The Carlisle Co-op was set up by a group of London & North Western Railway workers, who held meetings to publicise their idea in the Deans Hall on Charles Street. Their first shop opened in June 1861.

The original store, on the opposite side of Botchergate, sold groceries and provisions. It opened twice a week, with committee members taking turns behind the counter. Overcoming initial financial problems, a drapery department opened three months later in the neighbouring building. After some years, success was such that the Co-op moved across Botchergate to larger premises. This is the building that you are now in, which opened in April 1869, when the celebrations included a tea-party and a ball.

Top: The Rochdale Pioneers           Left: Robert Owen.

I worked as student in the warehouse in summer holidays between 1963 and 1969. (I started my first teaching job in 1968 but needed the extra cash to get married in early 1970!)

The warehouse was situated in Junction St in the industrial area to the west of Carlisle railway station, on the opposite side of the road from Shadddon Mill (at one time the largest cotton mill in England with its landmark Dixon’s Chimney – the eighth largest in the world at 305ft tall and a landmark visible from anywhere in Carlisle.)

I think the warehouse had originally been part of a complex of woollen mills in the area because there was still a mill stream with dam and sluice gates just opposite the entrance for the warehouse staff. Apparently, when the adjacent mill shut down for the summer break the warehouse staff had earned a bit of extra money cleaning the accumulated debris from the stream and dam. The Co-op dairy was on the same site but we never saw the milkmen who started at 5 in the morning and were long gone by the time we arrived for work at 8.They were a race unto themselves, all of them appearing short and very wiry, used to running from their floats to deliver milk in time for people’s breakfasts. Also there was the shoe repair workshop where a really helpful young man who was deaf and dumb once repaired my own shoes.

The warehouse staff contained  a number of people who had spent their working lives with the Co-op, starting as apprentice grocers and working their way through the grades as “Second Hand”, “First Hand”, “Bacon Hand” as they learned  to manage and serve the wide range of groceries which the average local Co-op shop stored.

One such was the person with whom I first worked on the top floor of the warehouse, Henry Davis. Henry was in his sixties, a small meticulously neat man, a devout Methodist, quietly spoken and very exact in his handling of the orders that came in. In fact he was so meticulous and precise that when he had actually worked in the stores he would, apparently, remove a single raisin or currant from the scale when he was weighing out the loose produce for a customer to make sure she didn’t get a single currant or raisin more than she was paying for!. This was in the days before everything was pre-packed as it is in modern supermarkets. Biscuits would come loose in tin boxes to be weighed out, raisins and currants and other dried fruit would be in large bags.

(A favourite cheap purchase in those days was a bag of broken biscuits!)

Customer complaints led to him being banished to the warehouse (hence my title).

The top floor stored all of the canned produce sold in the shops, peas, baked beans, soups, canned vegetables.

It even stored canned macedoines (mixed vegetables).When I did a web search for macedoines the results showed a predominance of French recipes and products. Tesco, Sainsbury’s and even Waitrose don’t list them as a product. I was steered to specialist online retailers. Fascinating to think that the shoppers of Carlisle were so sophisticated in the 1960s!

I enjoyed working with him as he would sit and talk of olden days and his Methodist faith. He introduced me to the mysteries of A1, A1 Tall and A2, these being the different can sizes, 12oz , 16oz and 20 oz equivalent as I remember.

The  heavy boxes had to be moved using a Slingsby barrow to the hoist and then down to the ground floor to be put with orders from the three other floors in  a pen to await delivery.

The trick with the Slingsby barrow was to have one with a front blade well worn down and sharp so when a set of, say, five heavy boxes of cans of Co-p soup was to be moved, you tilted the boxes forward from the top, slid the blade underneath and then tilted the load back onto the barrow and so away.

Slingsby barrow

You can now buy a vintage Slingsby barrow like the one above for upwards of £90 on the internet!

Another character of similar age and background to Henry was someone whom I shall call William. In contrast to Henry he was a very embittered person, deeply resentful of his transfer to the warehouse. At morning and afternoon tea breaks he would remind us in strident tones of his history in the Co-op and his achievements as Second and Bacon Hand. Unsurprisingly, even though he was obviously an unhappy person, this did not endear him to his workmates.

By total contrast the most cheerful person I came across didn’t actually work in the warehouse itself.

As part of the set of buildings there was a joiner’s workshop where the coffins for the Co-operative funeral service were made as well a garage for the unmarked private ambulance used for the transfer of bodies from hospital or home.

‘Ocky’ as he was known – I never discovered his real name- was a rotund, red faced man with a permanent genuine beaming smile on his face.

On one occasion a couple of young Scottish delivery men had just finished unloading at one of the warehouses bays when Ocky came in and said, “Can you give me a lift with a box boys?”

They agreed and went out with him.

When they had finished one of them said, “That was very heavy!”

“It should be,” said Ocky. “There was a body in it!”

The men just fled!

The ground floor of the warehouse was where all of the goods were initially delivered to be then distributed across four floors. In my first years there the main worker was Danny Harris, probably in his 60s, originally a miner from West Cumberland with the distinctive accent from those parts which sounded (still sounds?) very different from the Carlisle accent. One explanation for the differences is, apparently, that when the Lowther family started to develop coal seams stretching from Whitehaven to Maryport , they brought in miners from the North East of England. The subsequent blending of the Cumbrian accent and the North Eastern one produced unique patterns of pronunciation limited to a fairly narrow coastal area.

(My wife, from Liverpool, tells of meeting an old miner from West Cumberland at a church gathering. His accent was so impenetrable that she maintains she couldn’t understand a word he said!)

A couple of examples of the accent (and dialect) run –

“Hoosta fizzin, marrer?”or “How are you feeling mate?

“Ahs gan yam” or “I’m going home.”

Danny was softly spoken and completely committed to his work. He always approached unloading delivery lorries with concentration and speed, making him hard to keep up with.

Unhappily, on one occasion when he was unloading sides and hams of pigs he maintained his usual speedy pace from the lorry to the big walk-in refrigerator where the bacon was stored. He sweated heavily with the effort and, as I understand, the shift from being heated to being very cold caused him to develop a very bad chill so that he went home sick.

He never returned to work because it was discovered that his heart was damaged.

A few weeks later the same delivery crew arrived and asked me how long the unloading would take,

“About thirty minutes,” I replied.

“Danny used to do it in fifteen!”

“Yes,” I said, “and Danny will never work again!”

I made sure that it did, in fact, take 30 minutes!

I have thought over the years how terribly sad it was that a life dedicated to hard work, providing honest and uncomplaining labour for his wages, should end so sadly.

Danny, like a good number of people within the Carlisle Co-op, was a devout Catholic.

(Conversely, my father-in-law in Liverpool, also a devout Catholic, would not shop at the Co-op because he maintained it was a Communist organisation!)

Danny was the treasurer of his parish conference of the Society of St Vincent de Paul, a grassroots charitable organisation dedicated to giving financial and practical help to those individuals and families in need. Each conference was funded by donations from parishioners and gifts.

At a meeting of conferences in the presence of the Bishop of Lancaster, Danny proudly announced that his accounts showed a £50 surplus. Another conference announced a deficit of 5 shillings (25p). The bishop just said, rather drily, “I’m glad to see one conference knows the meaning of the word ‘charity’!

(This story was told to me by the warehouse foreman, another Catholic and member of the SVP, who on his Sunday afternoons visited The Garlands a large long-stay mental hospital on the outskirts of Carlisle. He would take cigarettes, sweets and companionship to the patients.)

THE SUGAR WALL

Every so often a lorry laden with three and  a half tons of sugar would arrive either from Tate and Lyle in Liverpool or the Sankey Sugar Works in Earlestown (now both closed down, Sankey in1979 and Tate and Lyle in 1981).

The sugar came in packs of fourteen 2lb bags in a heavy paper wrapping making a total of about 275 individual packs to be unloaded.

We had no pallets or fork lift trucks in the warehouse so each pack was lifted on to a set of rollers and passed into the warehouse where someone (often me in the summer) would build a wall of sugar inside one of the pens.

It was a bit like bricklaying.

To ensure stability you laid two packs lengthwise horizontal to the wall of the pen and then three vertically The Gemini AI-generated image shows what it looked like ( allowing for a 60 year time difference.)

FLAVOURS OF THE PAST

Regular visitors to the warehouse were commercial travellers seeking to maximise the sales of their particular products. One such was a rep for Kellogg’s cereals. When the General Manager of the Co-op was on holiday this particular rep persuade the whizz-kid new assistant general mager (not the same one who couldn’t smell gone-off bacon)  to order enough Corn Flakes to feed the whole of Carlisle for three months! The consignment was so big it couldn’t actually fit in the warehouse and had to be stored in the old stables of the adjacent dairy.

I don’t think the assistant manager had a bright future in the Co-op!

A much more welcome visitor was Mr Hoggett, owner of Hoggett’s crisp and pickles factory.

He was always immaculately dressed and wore a smart trilby hat. He spoke with a soft Tyneside (Gateshead) accent and was always pleased to receive an order.

Sadly, the firm is, as far as I know, long gone. However, there is one claim to fame connected with it, namely that a certain John William Hoggett, born in 1869, is reputed to have invented the world’s first flavoured potato crisp – vinegar. Conversely, a correction in the Newcastle Chronicle reads,  The original flavour was cheese, not vinegar, as we said, and it was invented by John William Hoggett, of Hoggetts Food Products, who is still alive and well. It wasn’t invented by his father or grandfather, so there.

(The oldest reference to potato crisps, or ‘chips’  in America and Australia apparently dates from England in 1817).

 

THE HORSE KNEW THE WAY AND THE HAIR OF THE DOG

My most memorable workmate was Harold McCormick. He had been a Co-op milkman and still retained the small wiry frame and hurrying pace typical of the milkmen of that time.

He was in charge of the floor that stored cereals and tea. The popular cereals included Cornflakes, Rice Krispies, Coco Pops, Puffed Wheat, Weetabix and Shredded Wheat

He had served as an infantryman in the Burma campaign but the only thing he ever said about it was that he had learned to smoke on the march up into the hill country and that eventually he and his fellows would even smoke tea leaves!

He still rolled his own at work but not from the tea around him.

Tea ranged from the popular 99 (so-called because originally it was simply the number on the blender’s chart) to the upmarket Indian Prince. Both are still available but in those days only in packet form.

I also learned what kibbled corn is – maize that has that has been crushed or cracked into smaller, more easily digestible pieces, very useful as feed for chickens and birds, especially in a time when more people would have kept hens, other fowl  and pigeons. Carlisle was, and is, still the big town for a large rural hinterland.

A frequent topic around the morning tea break between Harold and Dick the delivery lorry driver was the search for the “Good pint”.

In the 1960s all the pubs in and around Carlisle were government-owned, a relic of 1916 wartime regulations (The Carlisle and District State Management Scheme) to prevent drunkenness among the munitions workers around Carlisle and Gretna. In the 1960s rumour was that the senior civil servant in charge of the scheme in the Home Office was a teetotal Methodist. Pub managers were civil servants, paid the same irrespective of how much or how little drink they sold.

A favourite and much-frequented pub by Harold and Dick was The Joiners Arms, known by them as “The Blue Lugs”, the name apparently coming from the fact that the joiners in the workshop to the rear of the pub had blue ears from the lead in the pencils which they kept behind their ears. Another version says the local workers used blue chalk to mark wood. When not using the chalk they stuck it behind their ears, hence “blue lugs”.

The pub dates back to at least 1785.

The building behind the pub is the McVities biscuit factory which in my day was known as Carr’s Biscuit Works. The girls and women who worked there had a fearsome reputation among those of us boys still at school beyond 15!

‘THE CRACKER PACKERS’ Hazel Reeves

As I mentioned earlier, Harold had been a Co-op milkman in the days when horse-drawn milk floats were still used. He delivered in Stanwix, a northern suburb of Carlisle across the bridge over the river Eden, about two miles away from the dairy. He was very popular with his customers and on Christmas Eve a lot of them insisted upon him having a celebratory drink. Not surprisingly, at the end of his round Harold was a lot the worse for wear because of the drink taken. As he himself told me this didn’t matter because the horse, having done the journey five day a week for the preceding 52 weeks, knew its own way back to Junction St without any guidance from Harold.

To say that Harold was fond of a drink (or several) is an understatement. However, I never once saw him affected by alcohol over the six years I worked with him. He saved it for weekends and holidays. The highlight of his year was in the summer when “The Scotch folk” came to stay. Harold would get a week’s pay plus two weeks’ holiday pay on a Friday afternoon and have it all spent by Monday! He would say how, when sitting “With the company” in a pub, he would go to the toilet and on the way there give the nod to the barman. On his way back a fresh pint would be on the bar for him. He would down that, return to “the company” and ask, “Whose round is it?”

The only thing approaching advice he ever gave me was when he said, “No matter how much drink I had had the night before I always made sure there was a bottle under the bed for first thing in the morning.”

Happily, in the 60 or so years since, I have never had occasion to put that particular piece of advice into practice!

I still remember Harold with great affection. He taught me what it was to earn my wages by  doing a thorough and careful job in fulfilling the orders for the shops we serviced. His voice always softened when he mentioned his wife, “My Evelyn.”  He was universally liked by all in the warehouse and I was genuinely saddened when, a few years later I learned that he had succumbed to heart failure.

 

This, I hope, has been a fond description of, and tribute to, the people of the Co-op warehouse with whom I worked in my summer holidays over six years. I was always accepted, never patronised and always felt valued as one of their team.

After fifty years as a teacher of English I remain proud that I could once hold my own among men who may have left school at fourteen or fifteen with no formal qualifications yet who still taught me what it means to work and behave as a mature adult.

They have all gone into the dark and the site is now occupied by Jewson’s and Kwik Fit.

When I pass where the warehouse once stood they always come vividly to my mind across the 56 years since August 1969 when I got my final pay packet and went back to the rest of my life.

 

Note 1: Gerald Kelly’s previous contribution to OTHER PEOPLE’S FLOWERS is ‘Going Home’: https://davidselzer.com/2024/12/other-peoples-flowers-going-home-gerald-kelly/

Note 2: OTHER PEOPLE’S FLOWERS: https://davidselzer.com/2021/03/other-peoples-flowers/

 

 

OTHER PEOPLE’S FLOWERS: ‘THE THREAD THAT BINDS’ – SARAH DOLAN

 

 

lemoninkproductions.home.blog

 

December 2025

Dear David

Thank you for the invitation.

Really enjoyed the journey – from the Raj, to the cleaning of clothes in a river; from Lord Wavell, the penultimate viceroy of India, to an anthology of poetry he produced called Other Men’s Flowers. Earlier in his life he could recite just about all of the poems in the anthology from memory. Wavell went on his own journey – from military maestro to frustrated diplomat. The last poem in the book, which he modestly describes as a wayside dandelion not fit to be in the garden with the other poems, is his own creation.

Here’s to “all beautiful things that help us forget the dreariness of war”.

With thanks and best regards

Sarah L Dolan

 

PS I do have a small confession to make. At school I got a ‘U’ at history ‘O’ level. Since then, I have learned that history should not be confined to the classroom or the past as it is a living force which touches all of our lives.

 

‘THE THREAD THAT BINDS’:

 

Note: Sarah Dolan’s work has been previously featured on the site in BETWEEN RIVERS: SUMMER 2022.

 

OTHER PEOPLE’S FLOWERS: DIANA SANDERS – POET & MUSICIAN

David Selzer By David Selzer2 Comments6 min read2.2K views

David shows so much generosity in sharing other people’s work on his website. It’s an honour to join this community and be included in ‘Other People’s Flowers’.  In this age of the individual, this is a breath of fresh air.  The themes of my recent poems are aligned with this way of thinking – how the self is intrinsically connected to other people, the creatures who live on this planet and the landscape in general.  The moods and colours of the landscape are reflected in me and sometimes I wonder if the colour of a dress I may be wearing finds its way into the landscape.

I live on a hill overlooking the Alwen valley with my husband Pete. The music of the land is all around – the streams, waterfalls, the river, the sound of trees in the wind.  Bird song is never far away, even in winter and the donkeys from the farm opposite are unrestrained in their braying. Chaffinches, goldfinches, siskins, blue tits, nuthatches, greater spotted woodpeckers, robins turn up at our door for breakfast, lunch, dinner and tea.   I think they eat better than we do. As well as the song birds there are the more subtle sounds of bats chattering in the roof, leaves unfurling, the sound of bees and hover flies.

The love I feel for this wild place, on this earth, is unconditional.  The kind of love you feel for a partner, a parent or a child.  It is precious. When we harm the earth, we harm ourselves.  It is self-harm.   I quote Just  by Radiohead (1995). ‘You do it to yourself, you do and that’s what really hurts, is that you do it to yourself, just you. You and no one else’.

The poems and music that I have included here are words that comment on how humans are harming this world but also how people are finding innovative ways to heal landscapes.  There is also a celebration of the beauty of this incredible world.  All the poems and the song are also on a specially created video  – which is available on my Facebook page: https://www.facebook.com/100063451100133/videos/4070467436574443

My first poem, 235 decibels is from ‘I Am Nature’, a recently released book of eco poetry written by Leaf Pettit, me, Patricia Sumner and Andrew Sumner.  This is available from https://www.veneficiapublications.com/product-page/i-am-nature  235 decibels was first published, though, by Abergavenny Small Press in June 2021 and looks at how submarine sonar effects the creatures in the ocean.

 

235 decibels*

hard to remember how it was
when they improvised and tossed
a tune for days on end
when small one set his voice free
when they all played catch bubbles O
                                                          O

   O
O

when a chorus of bass notes
overtones    tail-slaps         clicks     rumbles
filled the sea
when wind sang the lighthouse

there was a time when they could answer
songs from beyond the krill place
a time when their voices
were loudest

but now dark ones ____________________
won’t stop ___________________screaming
and lurk ___________________in the deep places
stealing music and sleep _________________________

sometimes muscles _______________remember old patterns_________________
but they ______________can no longer tell _____________what they sing

moon still licks it tongue ________________over their backs
but there is no meaning in this water_________________

* A Submarine sonar is 235 decibels.  The loudest rock concert is 130 decibels.

 

The following lyrics were written for a song called The Seal recorded by The Amazing Clouds in 2019. The Amazing Clouds were Pete Regan, me, and Dom Oakes.  It was written after visiting Ramsey Island just off the coast of Pembrokeshire.  It was Autumn and the seals and their pups were in full voice.

Seal

I sit on polished rock
and listen to the seals.
Their song coils into my mind.
I dive into water.
I swim with the cormorant.
I swim with the gannet.
Bubbles are jewels on my skin.
I am born for water.
I am a shape-shifter.
The setting sun blinds me,
I’m lost on the stormy sea.
Seal pushes me to shore,
it’s there I leave my human skin.
I am born for water,
I am a shape-shifter.

 

I am continuing the theme of water with The man who called back the fishes. This poem is also from I am Nature and is based on the work of Dr Tim Lamont and Dr Stephen Simon who are trying to regenerate coral reefs by planting new corals and then playing sounds of a healthy reef through underwater sound projectors.  This process has been found to encourage sea creatures back to the reef.

The man who called back the fishes 

He began at dawn, playing reef music
whilst planting coral polyps in rock
cervices under the rippled, sunlit surface.

He purred for shoals of angel fish,
grunted for male frill fin gobies —
played the güiro for the spiny lobster.

The volume rose in a steady crescendo
through the day until it peaked at dusk.
In his dreams he painted outlines of eels,

filled in the colours of damsel fish
and the others who lived here before
the cyclones, before the bleaching.

The music rode ocean currents,
skirted islands, entered caves,
followed rafts of driftwood.

Ray by ray, fish by fish, urchins,
triggerfish, shrimp, parrotfish,
whitetip sharks, reef octopus,

manta ray, barracuda, trumpetfish,
yellowtail snappers, glassy sweepers
and starfish came back for his music.

They joined in with an eruption
of pops, howls, chirps and grunts,
whistles, snaps, bumps,

buzzes, squeals, heart beats,
teeth-gnashing, tail-slapping,
gill-flapping and staccato clicks.

He floated in this new oasis,
turned off the music
and listened.

 

The next poem, Blossom Symphony is about the natural music in an orchard and how the cycles of the seasons spiral into the future.  I’ve used the pantoum form to enhance the feeling of repetition.

 

 

 

 

 

 

 

 

 

 

 

 

Blossom Symphony

Blossoms unfurl —
a single phrase repeated
over and over —
orchards heartbeat.

A single phrase repeated,
embellished by bumble bees —
orchards heart beat —
leaf veins breathe.

Embellished by bumble bees
and nightjar churr —
leaf veins breathe —
voles chomp on June-drop litter.

Nightjars churr —
counter melodies from wasps.
voles chomp on June-drop litter —
hawk-moths purr.

There are counter melody from wasps
and woodpecker drumrolls,
whilst hawk-moths purr
along with mineral-water arpeggios.

Woodpecker drumrolls
whilst sky rests in roots.
Mineral-water arpeggios
swell embryo fruits.

Sky rests in roots
liquid sun rushes through branches —
swells embryo fruits.
Under trees they clink glasses.

Liquid sun gushes through branches
they listen to the bubble fizz
under trees they clink glasses —
share a cider kiss.

They listen to the bubble fizz
over and over —
share a cider kiss
as blossoms unfurl.

 


My next poem was written in the North of Sweden just after midsummer.  There is nothing quite like walking up a mountain with no one else there, reaching the peak at midnight and it still being light.

Midnight Circle

Sleep is vacuum packed as we walk
above sun-lit clouds into midnight.
You haven’t shaved for five days;
your face as raw and uncomplicated
as glacial scoured rock.

Our shadows                     stretch out
behind us                          touching
the lemming                      that sped
between                            birch trees,
the golden plover              who stood sentinel
over her chicks                  and tracing our boots
as we trod softly                on elk and Sami trails
and finding you                 watching me
swim naked                       in a mountain stream.

Our shadows pause           trembling
on the glittering river         where I found
a rounded stone                which I roll

like a precious egg in my hands.

 

Lastly, I return to the Pembrokeshire Coast with a poem about the Smalls Lighthouse which is about 20 miles West of the Pembrokeshire coast in the Irish Sea.  It is a wild and remote place.  It is hard to imagine how the lighthouse keepers kept their sanity on these windswept and lonely rocks.  This also appears in I am Nature.

https://www.veneficiapublications.com/product-page/i-am-nature 

 

Guardian

The Smalls Lighthouse

 

Gannets skim the boat
borrowing updrafts.

He watches until birds disappear
until the boat is a dot

until engine noise is lost

under the voice of waves
under the creak of barnacles.

He works alone

repairing horn and light
until sunset.

Stretched out on rock –
hair thick with sea salt

he listens to night spirits –

to ones who worked the light before
to the wreck-chatter of the deep.

Ripples of phosphorescence
flame from his watery toes

 

pulsing out to dark places.

 

 

 

©2025 Photographs, poems and text – Diana Sanders

 

©2025 Music – Pete Regan & Diana Sanders

 

 

 

 

OTHER PEOPLE’S FLOWERS: LESLEY CLIVE, PLAYWRIGHT – BRANWELL JOHNSON

David Selzer By David Selzer1 Comment4 min read2.5K views

My mother Lesley Johnson is an award-winning Wirral playwright with several works under her belt penned under the name Lesley Clive; plays that were professionally produced and brought  to life on the stage and local and national radio in the late 1970s and early 1980s.

Sadly, she has no recall of her creative life – I’m afraid Alzheimer’s Disease casts this distressing spell. But her works were always present on the page and on old recordings waiting to resurface. But if not for David Selzer’s kind prompting, it’s unlikely I would’ve unearthed and digitally copied the original analogue cassette recordings and I’m incredibly grateful for this opportunity to introduce Lesley ‘s plays to a new audience.

My mother was born and bred on the Wirral and despite being a young mum with two fractious kids living in a crowded three-bedroom semi, she somehow found time and space to write. She didn’t have her own study in which to concentrate but worked on a desk in the parental bedroom and she lacked the networks people often forge at college that can help open doors – she didn’t pursue higher education until much later in life when she attended Ruskin College in Oxford for a time to study a particular historical Scots’ event (another fascinating tale to surface one day).

But Lesley did have a deep love of and huge appetite for plays, poetry and literature and a marvellous circle of encouraging friends. These included David and Sylvia Selzer, friends of my parents going way back to when David taught alongside my father way in the early 1970s. All were highly engaged with the creative, cultural life of the Wirral and Merseyside. And Lesley had tenacity in spades. She built her own network among the regional theatre groups and actors, writers and radio producers in Merseyside.

I was fairly oblivious to mum’s creative efforts in childhood and my early teenage years. I often heard the typewriter rattling and clattering and sometimes we’d be ushered out of the front room when the landline rang so she could have long, private conversations about current projects. But I didn’t pay much attention beyond being aware she was ‘writing.’

It’s only when going through her papers and belongings on her move into a nursing home that I realised the extent of her work. It’s a heartbreak that she is still alive but unable to elucidate on her writings – but the cache of official BBC reading scripts, recordings of radio productions and local newspaper cuttings paint a picture of a creative life well-lived ‘in the provinces.’

Lesley’s plays embraced historical dramas and contemporary life, all leavened with dashes of grit and humour. Her radio commissions also took on important Northwest events, such as the tragic sinking of the submarine HMS Thetis in Liverpool Bay, George Stephenson’s tenacious battle to build the first intercity railway from Liverpool to Manchester and the Liverpool policeman’s strike of 1919.

 I only saw one play performed on stage myself, this was Any Way You Want Me about the recollections of an ageing rock’n’roll groupie; it was poignant, funny and rather rude, I recall.

The Daisy Chain also stands out in the memory because I recall the family excitement of its broadcast on Radio 4 back in 1979. It’s an evocative account of the thoughts of Catherine Howard, Henry VIII’s very young fifth wife, on the eve of her execution. It’s a moving story of thwarted passion, the fears and follies of youth and the sacrifices made on the altar of power.

The play was one of her prize-winners and was aired both on Radio Merseyside and Radio 4’s 30 Minute Theatre. Other plays like Back Step told stories of women trying to shake off the restricted roles placed on them by the society, class and poverty of a few decades back and all the stories are shot through with imaginatively biting and amusing lines that prevent them being mere tales of misery.

I have now published the broadcast audio recordings that are salvageable on YouTube as a testament to Lesley’s passions and her unique voice, not quite stilled but no longer that of a storyteller. Among the various casts are actors who were well-known at the time, such as June Barry, or who became recognisable names like Julie Waters. The hard work of all the actors and production teams on all the projects of this not that distant era deserve applause.

Below is the full list of Lesley’s works with clickable links to available plays on YouTube.

Radio Plays

Tie Up – BBC Radio 3 (1976)

The Daisy Chain – Radio Merseyside (1977) – winner of BBC Radio Northwest Playwright’s Competition 1977, Thirty Minute Theatre, BBC Radio 4 (1979 featuring June Barry)

Back Step – Thirty Minute Theatre, BBC Radio 4 June (1980)

Shadow Tick – Thirty Minute Theatre, BBC Radio (1980 featuring Julie Walters)

Wheelbrace – Radio Merseyside (1979)

Radio Drama Documentaries

Sea Of Trouble (story of H.M.S. Thetis) – Radio City (1979)

King Steam (4-part series, George Stephenson) – Radio City (1980)

Part 1

Part 2

Part 3

Part 4

Who Killed Julie (The Julia Wallace Case) – Radio City (1981)

Coppers Out! (Police Strike, 1919) – Radio City (1982)

Stage Plays

Eye – Liverpool Everyman Theatre (1972)

Can’t You See My Face Is Sad – Gateway Theatre Studio, Chester 1972). Prizewinner

Next of Kin – Gateway Theatre Studio, Chester (1973). Prizewinner

Dov – Gateway Theatre Studio, Chester (1973), Prizewinner

Tie Up – London Fringe Production, Playhouse Upstairs (1976)

Any Way You Want Me – King’s Head, London, Birmingham, Liverpool Everyman Theatre, Manchester, Buxton Festival (1981 featuring Linda Beckett) and Edinburgh Festival (1982)

Jam Side Down – Liverpool Playhouse (1983)

A Basket Of Stars – children’s play, Wirral Youth Theatre (1978)