ST JAMES CEMETERY, TOXTETH

David Selzer By David Selzer2 Comments2 min read1.9K views

The graveyard had been a sand stone quarry

before Victorian memento mori

filled it. Here were held the obsequies

of gentry and skivvies, cotton kings

and seamen. In the ‘60s, it was unkempt,

the unfinished Anglican Cathedral,

in machine cut sand stone, pristine above it.

 

The bell ringing practice would start at 9.00

every Saturday morning – the heaviest

eight bell peal in the world.  It’s oh so English

chiming cacophony filled the houses

of Liverpool 8’s grand Victorian streets.

So there was never a chance of an

undisturbed lie-in and, anyway, that day,

in an emollient and yet enticing

late May, I was revising for an exam

on teleology or ontology,

epistemology, eschatology

or whatever. Fifty years on I forget –

but I do remember that the intense

silence, which usually accompanied

the end of the practice at noon, never

occurred. Instead, there was a murmur –

like pages turned or dried leaves rustled.

Curious, I went out. The cemetery

and the pavements above were filled with

excited children. There were scores of them.

‘Where are you from?’ I asked. ‘Why are you here?’

‘West Derby, Everton Heights, The Dingle –

for the monsters, the fairies, the spirits.’

They were excited but gentle, answering

my questions willingly – exploring

the cemetery with enthusiasm

and care. By twilight, they had all gone.

There was no mention in the local press

and none of the neighbours seemed aware.

 

Now the cemetery has been largely

landscaped – in effect, evacuated.

A natural spring in the east wall still

pours forth, rising in Edge Hill, emptying

into the river, running beneath

and cleansing the temples of mammon.

 

 

 

 

AFTER THE RIOTS

David Selzer By David Selzer0 Comments1 min read1.5K views

A skyline as idiosyncratic

as Manhattan’s, Chicago’s – its totems

of wealth, faith and dominion – belies

the city’s cruelty: fortunes from famine,

despotism, slavery; licensing

of squalor, bigotry and despair.

 

In the park where the Orange Lodge drummed out

The Twelfth, a rape was immediate headlines –

white girl, black youths. In Toxteth – its decayed

squares and terraces built on molasses

and cotton, some street signs repainted green,

gold, red, the colours of Rastafari –

was daubed, ‘Vote ANC’.

 

 

 

NOTE: The poem was originally published on the site in April 2010.

 

 

 

BEASTLINESS

David Selzer By David Selzer0 Comments1 min read1.5K views

‘…hardly any Jews!’, The Matabele Campaign 1896, Colonel R.S.S. Baden-Powell, Methuen, London, 1897.

 

The British in Africa seem always

to have verged on the comical. There was

BP chasing a Matabele girl

through bush. He was ahorse, she on foot.

In tranquillity, he sketched the scene – the girl

bare-footed and -breasted, himself at a

gallop – for publication. She escaped –

but Rhodesia was made safe for Cecil,

the continent for Aids and exploitation.

Jingoist, philistine, racist and snob,

was BP conditioned or conditioning?

The darkness at the heart of Africa

is white man’s metaphor.

 

 

Note: first published on the site in October 2010.

 

 

 

THE VALLEY OF THE AMARICI, KWAZULU-NATAL, APRIL 2006

David Selzer By David Selzer0 Comments1 min read1.5K views

Elijah is our guide, Michael our mentor –

Mandla and Mbuzeni – old enough

to have needed ‘white’ names.

 

“They are not tourists”, Mbuzeni explains,

as we meet healers, dancers, wedding guests.

He is politely disbelieved.

The expensive camera appears to betray us.

‘‘They are big people,” begins Mandla –

an old woman interrupts, speaking to me:

“Hey, Mister Man, what do you want?”

I explain, try to reassure. “I have worked

in the gold mines, Mister Man. I know you.”

 

Legend has it renegades from Shaka Zulu

hid in the valley, became cannibal.

In the not so long ago past,

male children had their cheeks scored,

as infants, to drain the bad blood.

Mandla stops a friend on horseback,

who willingly shows us the three

horizontal scars on each cheek.

 

We stay at Mbuzeni’s house. Through the night

there is distant drumming. We wake early

to a loudspeaker moving through the valley,

electioneering. This is Inkhata country.

 

We can see from his house a thick belt of alien

poplar trees far beyond the high grass

at the foot of a slope – a screen for an alpine-type resort.

We eat there – Mbuzeni, Mandla, the only black guests.

A friend and neighbour from the valley serves us.

The other guests stare. We become angry.

“What is now law is not yet lore!” says Mandla, laughing.

“We are where we are, guys,” says Mbuzeni, softly.

 

 

 

WHO LAUGHS LAST

David Selzer By David Selzer2 Comments2 min read1.8K views

At Tatton Park, Cheshire – where herds of red and fallow deer

graze studiously beneath the take-off path

of Manchester Airport and are seemingly deaf

to climbing Airbuses and 737s – the so called Tenants’ Hall

was previously the last Lord Egerton’s private museum,

its four walls adorned with mounted heads of,

for example, wildebeest, giraffe, black rhinos, lions –

all killed by Maurice himself.

 

In the ‘20s, with the Tatton rents keeping the jackals,

as it were, from the door, he settled permanently

in Kenya’s Central Highlands.

 

He settled for the game, the social life, the deferential servants

and the perfect climate for agriculture,

with its plentiful rain, clement days, cool nights –

something the unsurprisingly resentful Kikuyu had known

for the many generations they had been settled there.

 

He founded the Egerton Farm School – for white youths keen

to till and own the African earth – now Egerton University

for black, mostly affluent, students.

 

He was a natural member of the Happy Valley Set –

that well-bred, well-heeled, history-free and somewhat

unhinged club of cocktail racists, profoundly deaf to irony.

 

He built a six bedroomed house and invited his – to this day,

seemingly unknown – English fiancée. She decried the place as

‘small as a chicken coop or a dog’s kennel’.

 

Over the next sixteen years – 1938 to 1954 –

he built the fifty three roomed Egerton Castle

with imported stone, oak panelling and tradesmen

and invited her (apparently the same one) again.

And still she spurned him – ‘a museum.’

 

He was eighty. From then, all women, chicken and dogs

were forbidden, literally on pain of death, irrespective

of class or ethnicity. Notices were posted, on appropriate trees,

to that effect.  He dined alone – and continued to play tunes

by Vivian Ellis and Ivor Novello on the Steinway grand

in the castle’s unpeopled hall for his remaining four years.

 

Heirless, he left the castle and the school to the Colonial Office

and his Cheshire estates to the National Trust and the county council.

Perhaps he realised the game, as it were, was up – despite

the brutally illegal suppression of the Mau Mau  –

and saw the empire and all its varied works as finished.

As usual, he would not have been wholly wrong or entirely right.

 

Egerton Castle is now a wedding venue – like Tatton, where,

for all such events, floor-to-ceiling net curtains

are drawn across the stuffed, severed heads.

 

 

 

KLIPTOWN, SOWETO – APRIL 2010

David Selzer By David Selzer1 Comment1 min read2.2K views

Thunder wakes me, rolling over the townships,

then the suburbs south of the city, and eastward over the veldt.

 

Heavy rain falls suddenly, bouncing off the vehicles

in the secured, hotel car park.

 

The Klipspruit, which flows passed the vast,

abandoned gold reefs, will have risen, inundating

the shacklands, their improvised shanties,

dirt streets and hard won gardens –

and I think of the rain falling on the newly paved

Walter Sisulu (erstwhile Freedom) Square,

the other side of the railway tracks.

 

Standing on the footbridge yesterday,

I could hear the distant call to prayer from Lenasia

on the higher ground beyond the river.

A flock of Brown Ibis flew over –

their rasping cries, loud, unsettling.

 

A long, yellow commuter train left the station,

moving slowly under the bridge. After it,

two people crossed the rails from the old street market

to the ‘informal settlement’ – a middle aged woman

in traditional township dress and a teenage girl

pristine in her Jozi school uniform.

 

Thunder wakes me – a low, loud, prolonged

concatenation, explosions like blastings,

the clangour of wagons shunted,

reverberating…

 

 

 

Note: first published in ‘A Jar of Sticklebacks’ – http://armadillocentral.com/armadillo-central/a-jar-of-sticklebacks-david-selzer.