POETRY

THE MINER’S WELFARE INSTITUTE, LLAY

Taking a wrong turn, as per usual,

out of Wrexham, I found myself driving

to Llay* up that gradual gradient,

looking for signposts to places I knew

to set me right but reached the colliery houses –

built in the ’20s with indoor toilet,

bath and the electric at nine pence a week –

on First Avenue, Second Avenue

and so forth to the Ninth as if the owner

could not be arsed to find proper, local  names.

Llay Main was the deepest pit in Britain.

The seams were worked out by ’66

so the village missed the Scargill/Thatcher show.

 

I saw the sign for Rossett and knew my way –

but then, on the brow of the rise, saw

the white neo-Edwardian Baroque

of the Miner’s Welfare Institute –

the large lettered name picked out in gold

like a movie palace or a music hall –

built with dues paid by each miner (hence

the apostrophe) for books and billiards,

cricket and pantomimes, talks and meetings.

 

I slowed, moved by its pristine survival:

a community venue for quizzes

and sports, for carnivals and weddings.

As I drove down towards Rossett, I could see

the distant refineries at Stanlow

on the far edge of the Cheshire Plain

and thought how we are close to forgetting

our history, of acting as if coal

leapt ready hewn from the earth or turned itself

into gas to make the world too warm.

 

Once, within a radius of fifteen miles

of Llay, among the hills, meadows, rivers,

woods, were two steel works and sixty pits.

It was lethal work in the stuffy dark

under the crushing heat of rock and earth,

uncared for and unregarded work.

 

In Gresford pit, fewer than two miles from Llay

two hundred and sixty six men and boys

were killed in one explosion – all but eleven

entombed in the abandoned galleries.

Among the thwarted rescuers were teams

of miners from Llay.  The words ‘whited

sepulchre’ come unbidden – hiding

exploitation, pain, loss.

 

 

*Llay rhymes with ‘die’ and ‘lie’.

 

 

 

GOLDEN

As luck would have it, we were married this day

exactly half a century ago.

We holiday with our small family

to avoid the inevitable party

and announce our golden wedding to friends

via Facebook – and receive some humbling

encouragements that speak not simply

of being there like pebbles as the tide

ebbs and flows but of inspiration.

 

We chose to honeymoon by Bantry Bay.

Ireland spoke of mystery and romance –

to us ignorant of its privations.

As we drove through the town that August Sunday,

the sun lowering over the Atlantic,

some church festival was finishing.

A wedding guest had hidden confetti

in our suitcase so, as you unpacked our clothes

for the first time, gaudy paper disks fluttered

over the bed beneath The Sacred Heart.

Our week was ended with upset stomachs.

We had had lunch – potatoes, carrots, bacon –

in a dark panelled restaurant in Cork,

surrounded by unsmiling nuns and priests.

We were infidels in Calvary land.

 

On the return ferry, to save money,

we spent the night in armchairs in the bar.

Before midnight a gale blew up that rolled us

forty five degrees starboard to port and back.

We could see ships nearby in Liverpool Bay

bucking as in a cartoon of a tempest.

Behind the bar’s locked grills, glasses and bottles

shattered. Bench seats along the saloon’s sides

broke free and two lines of strangers grinning

with fear briefly curtsied to each other.

 

‘Strange to be there, beginning something new,’

I wrote that autumn. ‘Strange to go there,

hoping for what might come.’ The narrow fields

and lanes seemed untouched since the Great Hunger –

yet the dry stone walls were festooned for miles

with wild fuchsia and honeysuckle. Now

it seems as if we had known that we would learn there

how to weather sickness, storms – and bask in joy.

 

 

 

A GOOSE IN THE BAMBOO

David Selzer By David Selzer5 Comments2 min read2.1K views

Catching a charter flight from Manchester,

the family eases through security

but I am detained – there are traces

of explosive in my backpack: poems

on the hard drive? The scanner is at fault.

 

At Nikos Kazantzakis Heraklion –

the only airport named for a writer –

one of our cases arrives broken

on the single baggage carousel

and one of the gent’s toilets has backed up

but ‘Zorba’s Dance’ is playing somewhere,

the sea beyond the runways could be almost

‘wine-dark’ and the oven heat warms old bones.

 

Our hotel room overlooks a valley

charmed by Cretan sun in early June, washed

in El Greco shades and citrus colours,

with the usual eclectic small holdings

among the scrub – olives, vines, tomatoes

and bananas; hens and cock scratching;

three nanny goats clanking; two black dogs caged;

a stand of bamboo. On our balcony

with our granddaughter we play ‘I spy’

– but we cannot see the goose that honks

periodically in the bamboo

and sets the watch dogs barking.

 

There are activities throughout the day

round the pool for children of all ages.

It is water polo time and chaps

from England, Poland, Germany play

boisterously but amicably.

The French study their screens, a quartet

of middle aged Israeli men is aloof,

two British Asian families remain

circumspect. We came last time in early May –

the Great Patriotic Holiday

enjoyed by affluent ethnic Russians.

Our granddaughter swims endlessly like a shrimp

in the cosmopolitan waters.

 

At Heraklion the security

is seasonal, part-timers attired

in G4S finery complete

with white lanyards so there is role play –

queues are long and scrutiny relaxed.

At Manchester, in the EU passport queue

we shuffle along, without music,

with passengers from Islamabad

to the ID scanner – and chuckle,

thinking of all the closet racists

who would swallow their tongues in such a queue.

At the scanner, a witty, local lass

in a hijab helps us. O brave new world

that has such! ARRIVALS is threatening

with armed police, loud with distant honking.

A car has been parked in the wrong place.

We have flown from attic comedy to low

farce, goosed in the process.

 

 

 

 

 

 

 

 

 

 

LENIN AND THE BOURBAKI PANORAMA

David Selzer By David Selzer1 Comment2 min read1.8K views

Lenin, to leaven his exile in Zurich,

would sometimes weekend in Luzern and,

after kalberwurst with onions and gravy

at the Wilden-Mann on Bahnhofstrasse,

would always visit the Panorama

in the Löwenplatz – or so it is said.

 

Panoramas were popular before

the illusion of photography,

still or moving, became reality.

They were cycloramas painted in oil,

typically fifteen metres high, one hundred

metres in circumference – often

with a three dimensional aspect:

in this case, for example, an empty

railway wagon – Huit chevaux, Quarantes hommes.

 

General Bourbaki’s beaten L’Armée de L’Est

in Bismarck’s Franco-Prussian War

sought asylum with the nascent Red Cross

of the now united cantons. In deep snow

eighty seven thousand men, twelve thousand

horses, crossed the border that January.

 

An escapee from a school trip to the town

in the year of Hungary and Suez,

I wandered in by chance. The custodian

that day knew no English. My schoolboy French

struggled with his German-accent. But

I still remember the images

of the aftermath of some great battle

my history lessons had not mentioned.

 

Imagine if Lenin had learned from this –

the stumbling soldiers; the dead horses; the piles

of discarded, expensive rifles;

the woman with her basket waiting to help

whoever it might be lying in the cold.

 

He certainly learned from the railways.

Disguised as a worker, he returned

to Russia via the Finland Station.

But maybe he also learned from William Tell –

marksman and anti-imperialist –

or, rather, the apple.

 

 

 

GLIMPSING THE STARS

I wake, as always at some dark hour, to pee –

make my way, as always, with utmost care

down the steep, narrow stairs then across

the dining room’s creaking floor boards

as silently as bare feet can. Afterwards,

I creep to the patio doors, hoping

to see the visiting fox my hosts have heard.

There are stars in the clearest of skies –

so many, as always surprisingly

so many,  I want to wake the household

but, instead, craning my neck, peer up

through the double glazing in wonder.

What would the fox, night’s denizen, see?

An old man in his pyjamas, singing

sotto voce, ‘I only have eyes for you,’

longing to go in the garden to gaze at

such mundane immensements!

 

 

 


ACHILLES’ HEELS

David Selzer By David Selzer2 Comments1 min read1.9K views

On the short strand where the Red Wharf Bay Sailing

and Water Sports Club has its clubhouse,

the salvaged HMS Thetis was grounded

the day Chamberlain declared war on Hitler.

 

The last human remains were slow marched,

with muffled drums, up the narrow, high banked lane.

For want of an escape drill and a pinhole

ninety nine men had died from carbon monoxide.

 

Raging Achilles, scion of the Greeks,

prince of the Myrmidons, slayer of Hector,

was son to Thetis, a nymph of the sea.

 

The First Lord took no blame, kept secret the

misapplied drop of enamel paint,

the panic – and compensated no one.

 

With muffled drums up the straitened lane

they bore the dead that sunny Sunday –

before the beaches were edged with tank traps,

the coasts sealed with barbed wire.