POETRY

SOME CORNER OF A FOREIGN FIELD

‘”…you…will not enjoy their coming. War, fierce war,
I see: and the Tiber foaming with much blood…”‘
The Sybil from Virgil’s Aeneid, Book 6, lines 86–88

 

We found the grave by chance – stopping in Warwick
on our journey south. What drew us in
always beckons: the sad purposefulness,
the dark evergreens – towering larch, spruce, pine –
old graves, their lettering past pollution
almost erased, askew with ivy, moss,
lichen, the shadows of stories, echoes –
‘In Memory of Hannah Louise,
beloved wife of John Freeman, died
aged 21, April 1919
and Irene Louise, died aged 5 months,
December 1918′ – echoes, stories…

Although he died in 1998,
his is a military headstone, a
war grave marker – with John Enoch Powell,
his dates, his army rank, his offices.
Behind his stone, facing his back, as it were,
are ten genuine second world war graves,
paraded five by five: two Germans, a Pole,
an Italian, the rest British including
a woman – driver, stoker, able seaman,
sapper, engineer, assorted squaddies.
He was buried in his Brigadier’s
uniform, the Warwickshires’ emblem,
an antelope, carved in the Portland stone.
On the grave is a bunch of plastic flowers
and a handwritten note in Ancient Greek.

A Brummie, born next to a railway cutting,
he was a truly renaissance man: poet,
scholar, classicist, polyglot, soldier,
orator, equestrian, politician,
contrarian, tribalist, bigot.

He suffered survivor’s guilt. ‘I should have liked,’
he said on Desert Island Disks, ‘to have
been killed in the war,’ and wrote that soldiers
like him – a boffin, a desk wallah –
who had not served in the frontline carried
‘a sort of shame with them to the grave.’

One of his poems begins ‘When I am gone,
remember me…’ seemingly addressed
to his mother. After marriage he published
no more poems but wrote one for each
of their wedding anniversaries.
His wife buried the forty or so with him.

‘When I am gone, remember me, not often,
but when the east grey light is growing.’
By happenstance, a word he would have used,
he is leading forever northwards his
motley squad of the dead.

 

 

Note: Another poem about Enoch Powell – ONLY ONE IN STEP – was first published on the site in 2010: https://davidselzer.com/2010/04/only-one-in-step/

AYLAN KURDI

The photograph will become as iconic
as Capa’s ‘Falling Soldier’ and Ut’s
‘Napalm Girl’. The tall Turkish police sergeant,
stooping as one should cradling something precious,
holds the Kurdish infant as if he were
carrying his already sleeping son
to his small bed – except that he would have
gently brushed the wet sand from the little boy.

 

 

 

BLOOD MONTH

This is where summer ends – with a harvest moon
rising like a burning disk. Clouds pass
like smoke and shadowy leaves fall like tears.
We will reverse the clocks – and the dread
of darkness comes, the long melancholy,
the dark bile of desolate marshes, of fogs
and a pale sun setting.

 

 

 

HYMN

At the top of Henlys Lane where it bends
to Llanfaes is an oak tree and a bench
with a view across pastoral fields
to the castle and, beyond the water,
Snowdonia. On this autumn’s first day –
here as warm and sunny as summer
but with a softer, fading light – we sit and talk
of our frequent, fifty year pilgrimage
to this coast and its sublime vistas.

Suddenly, we see what appears to be
smoke drifting up Moel Wnion’s mauve walls.
Binoculars and a setting sun reveal
a mountainous vein, a gash of quartz.
‘Dafydd y Garreg Wen, David of the White
Rock,’ I say – and you hum the harper’s
haunting air and then, encouraged, sing softly:
‘David, the bard, on his bed of death lies.
Pale are his features and dim are his eyes.’

And you talk, as you have before, of learning
the song from your grandma, a free spirit.
And I think how fortunate I am
being sung to gently as the acorns
patter about us, scattering like
the seeds they are, and the white rock becomes
a deep, purple shadow.

 

 

 

HELTER-SKELTER

The bends are tight and frequent down the pass.
I can only glimpse the autumn colours
in the vertiginous valleys below.
There are reds and golds, you tell me, even
lime yellows – still deep and rich though mist falls.

Before the narrow track to the quarry
there is a lay-by. A father parked there
and murdered his children to spite his wife…
From somewhere out of sight multi-coloured
birthday balloons rise into the still air.

Though the way is well marked, the lessening
of the gradient relieves. Before the last
ice age this was ocean and may be so
again – but the murder of children
is irredeemable.

 

 

 

COED BODLONDEB, CONWY

There is a silent magic here on this
wooded hill – despite the hiss of distant
traffic, the chink of halyards in the river
below, and, near but out of sight, dog walkers’
whistles, courters’ banter – a hush,
a stillness. Oak and beech and fern still
in rich autumn hues of gold and copper
obscure fawns and nymphs and wood sprites that
only the eye’s corner may glimpse. Light rain falls.
We hear it first on fallen leaves before
we feel it. There is enchantment here,
fear and joy, as we mount the summit,
triumphant, breathless – and a rainbow
glimpsed through the canopy.