POETRY

LETHE

The sun was sharp as she entered the lane.
She found a point where enough of the wall
had tumbled – through neglect or misuse –
for her to climb the rough, sandstone blocks with ease.
She was in a forest of rhododendron,
dark leaves a foil to extravagant flowers –
rich, vivid reds, pinks, purples, lilacs, whites,
an exotic palette, almost sensual.
Though the sun was distilled, the air was humid.
She thought of what little she had left.

The silence was dense. What insects there were
were soundless. She saw a patch of dry sunlight
and rushed for it, foliage and branches
chafing her bare arms, calves and ankles –
pulling at her tee-shirt and her cut-offs
and snagging her empty backpack. She hoped
there would be stones – knew there would be stones.
She paused briefly to look at the marks
on her skin – knew it was too late to return.

She pushed on and emerged into full sun.
What had been the lawn stretched before her – a field
of long grass with occasional thistles,
cow parsley and yarrow. At its furthest edge
was the house – Georgian, derelict, its windows
and doors crossed shut with crude wooden battens,
half its roof collapsed. Suddenly, a vixen
lifted its head from the grasses to watch her.
She could hear the cubs mewling and looked away.

She heard the beck before she saw it.
It was pellucid, a murmuring brook
with crayfish scuttling amongst its pebbles.
As quickly as she could, she moved upstream,
the garden giving way to the wildness
of hawthorn and elderberry. An owl
flew suddenly past her, silencing the wood.

She reached the pool. It was, as she had read,
a covert place, suited to sacred rites,
surrounded by high banks of moss and fern,
its edges shallow, its centre profound –
and, yes, there were stones: large pieces of flint,
brought, for whatever forgotten purpose,
from some altogether different country.

From habit, she removed her trainers
as if she were about to paddle in the sea –
and sighed, suddenly weary with so much.
She took off her backpack, filled it with flints,
put some in the pockets of her cut-offs,
and shouldered the bag, staggering slightly.

As she took her first step into the shallows,
the cold and the pebbles making her gasp,
she saw minnows darting away to the depths –
thought of the crayfish, the lawn gone to pasture,
the owl, the vixen and her young, the
sensuous, destructible flowers,
began to sob then howl and howl and howl.

Exhausted, she took the flints from her pockets,
lay down in the moss and ferns and slept.
She dreamt she was bathing naked in the pool.
Menacing, he appeared on the bank.
Seeing his lust, she rose from the water,
splashed him, as one might at the seaside.
Dispassionately, she watched him turn slowly
to stone. The cooling air woke her, smiling.
She put on her shoes, emptied the flints
from her pack and built a cairn, selecting
each piece and deliberately placing it –
then made her way downstream in the sunset
with care, a lightness on her back, rejoicing,
the water squelching in her trainers.

 

 

 

LOVE AND MARRIAGE

After the usual, civil formalities are finished
and the formal photographer has gone,
you begin to photograph people not poses;
charming, as you mingle; capturing, like a magus,
the very spirit of each and every guest.

In fifty years, we have been seldom apart.
When we are you are my very limb
and life. I was alone in Illinois,
driving, by the side of the Mississippi,
on the Great River Road, south to St. Louis –
thinking of you every lonely yard of the way.

Marriage, love, last, of course, by chance, choice.
I watch you ‘work the room’ – enchanting,
diffident, vital, a benison.

 

 

 

THE LAST CALIPH

Ataturk dissolved seven centuries
of the Sultanate and the British
cloaked-and-daggered the aging Sultan
by sea to San Remo and exile.
Ataturk made the Sultan’s middle aged
cousin, Abdülmecid II, Caliph.
He seemed to carry his descent, as it were,
from the Prophet as lightly as a Pope
from the Saviour. He liked the pomp
and the public circumstance of the role
so much Ataturk sent him packing too.

Classical composer, husband of four wives,
painter, lepidopterist, gardener,
a Victor Hugo fan and of Montaigne’s
Essays – especially perhaps ‘By
Divers Means Men Come To A Like End’ –
he went into exile on The Orient
Express en famille and lived in Paris
and Nice. ‘He may be seen strolling with a mien
of great dignity along the beach,’
wrote a foreign correspondent, ‘attired
in swimming trunks only, carrying
a large parasol.’ He died in his bed
in his house on Boulevard Suchet
as Paris was freed from the Nazis –
his beard, of which he was proud, still resplendent.
He was buried in Medina – Madinat
Al-Nabi, City of the Prophet –
as, officially, the last of the line.
It could have been worse. His seems to have been
a charmed, perhaps even charming, life –
with an enviable retirement, due,
in large part, to Ataturk’s shrewdness.

What would either of them have made of
caliphate proclamations from the deserts
of Syria and Iraq; stage-managed
beheadings broadcast worldwide; Semtex strapped
to the gut and the heart?

 

 

 

NEVER SUCH INNOCENCE

Beneath the Edwardian village hall’s
high ceiling, under its oak hammer beams,
beside the Roll of Honour ‘For the Fallen’,
a squad of four year olds does the Conga, plays
The Farmer’s in his Den, Passes the Parcel.
The birthday girl is dressed as Spiderman –
her choice – eschewing Snow White, Rapunzel.

The backcloth of the proscenium stage
is a painting of part of the village
in halcyon shades of early summer –
the elm-lined road from the hall to the church.
There are eighteen names on the Roll – initial,
surname – rankless and ageless in death.

She snuffs out the candles with one breath.
We sing the song, share the cake and play
one last game of Musical Statues.
Everyone wins. Party bags in hand,
goodbyes and thank yous said, children exhausted,
adults relieved, we turn off the lights –
to leave the hall’s long wooden wall clock,
electrified now, to click past each
unrelenting minute.

 

 

 

CARDINALS AND GIANTS

As the First Gulf War began, I watched
the Cardinals – in their brewery
sponsored stadium in downtown St Louis –
beat the ‘Frisco Giants. The home team
is named for the scarlet-breasted bird –
the visitors (aka the New York
Gothams before they went west) for chutzpah.
The fixture was part of the USA’s
annual baseball World Series, which,
of course, includes no teams from abroad.

It was a weekday, early evening –
very much a family occasion.
The programme, advertising caps and tee-shirts,
urged us to ‘think of our boys in the Gulf.’
Most of the players had Hispanic names.
In the intervals, the black vendors
climbed the terraced steps. ‘Any of you farmers
want a coke?’ they called and the mostly white
crowd took no offence Missouri being
a state of farms – soya beans and hogs.
Meanwhile, the quadrille of baseball resumed,
its restrained drama accompanied by the theme
from Jaws each time a player made a home run.

As twilight became night, I remembered
the wide river a couple of blocks away –
rising in the hills of Minnesota
and debouching, two thousand miles
and more, through the shining, shifting Delta
into an altogether different gulf –
and I thought of the immense Republic’s
dark, inviolate fields.

 

 

 

AT THE ELEVENTH HOUR

The Armistice was agreed at 5.10 –
in Foch’s personal railway carriage
– among the cigar and brandy fumes.
The Chancellories of Europe knew
thirty minutes later. Big Ben was rung
for the first time in four years and gas lamps
lit in Paris. There was dancing and streamers.

Foch insisted the truce would not take effect
until 11.00 – ostensibly
so the news could be keyed and carried to
each trench and dugout on the Western Front.

Thousands of soldiers were killed that morning.
The last to die – at 10.59 –
was Private Henry Günther from Baltimore,
advancing with comrades in ignorance
through the wild woodland of the Argonne.
The division’s history records: ‘Almost
as he fell, the gunfire died away
and an appalling silence prevailed’.