POETRY

WHO LAUGHS LAST

David Selzer By David Selzer2 Comments2 min read1.8K views

At Tatton Park, Cheshire – where herds of red and fallow deer

graze studiously beneath the take-off path

of Manchester Airport and are seemingly deaf

to climbing Airbuses and 737s – the so called Tenants’ Hall

was previously the last Lord Egerton’s private museum,

its four walls adorned with mounted heads of,

for example, wildebeest, giraffe, black rhinos, lions –

all killed by Maurice himself.

 

In the ‘20s, with the Tatton rents keeping the jackals,

as it were, from the door, he settled permanently

in Kenya’s Central Highlands.

 

He settled for the game, the social life, the deferential servants

and the perfect climate for agriculture,

with its plentiful rain, clement days, cool nights –

something the unsurprisingly resentful Kikuyu had known

for the many generations they had been settled there.

 

He founded the Egerton Farm School – for white youths keen

to till and own the African earth – now Egerton University

for black, mostly affluent, students.

 

He was a natural member of the Happy Valley Set –

that well-bred, well-heeled, history-free and somewhat

unhinged club of cocktail racists, profoundly deaf to irony.

 

He built a six bedroomed house and invited his – to this day,

seemingly unknown – English fiancée. She decried the place as

‘small as a chicken coop or a dog’s kennel’.

 

Over the next sixteen years – 1938 to 1954 –

he built the fifty three roomed Egerton Castle

with imported stone, oak panelling and tradesmen

and invited her (apparently the same one) again.

And still she spurned him – ‘a museum.’

 

He was eighty. From then, all women, chicken and dogs

were forbidden, literally on pain of death, irrespective

of class or ethnicity. Notices were posted, on appropriate trees,

to that effect.  He dined alone – and continued to play tunes

by Vivian Ellis and Ivor Novello on the Steinway grand

in the castle’s unpeopled hall for his remaining four years.

 

Heirless, he left the castle and the school to the Colonial Office

and his Cheshire estates to the National Trust and the county council.

Perhaps he realised the game, as it were, was up – despite

the brutally illegal suppression of the Mau Mau  –

and saw the empire and all its varied works as finished.

As usual, he would not have been wholly wrong or entirely right.

 

Egerton Castle is now a wedding venue – like Tatton, where,

for all such events, floor-to-ceiling net curtains

are drawn across the stuffed, severed heads.

 

 

 

KLIPTOWN, SOWETO – APRIL 2010

David Selzer By David Selzer1 Comment1 min read2.2K views

Thunder wakes me, rolling over the townships,

then the suburbs south of the city, and eastward over the veldt.

 

Heavy rain falls suddenly, bouncing off the vehicles

in the secured, hotel car park.

 

The Klipspruit, which flows passed the vast,

abandoned gold reefs, will have risen, inundating

the shacklands, their improvised shanties,

dirt streets and hard won gardens –

and I think of the rain falling on the newly paved

Walter Sisulu (erstwhile Freedom) Square,

the other side of the railway tracks.

 

Standing on the footbridge yesterday,

I could hear the distant call to prayer from Lenasia

on the higher ground beyond the river.

A flock of Brown Ibis flew over –

their rasping cries, loud, unsettling.

 

A long, yellow commuter train left the station,

moving slowly under the bridge. After it,

two people crossed the rails from the old street market

to the ‘informal settlement’ – a middle aged woman

in traditional township dress and a teenage girl

pristine in her Jozi school uniform.

 

Thunder wakes me – a low, loud, prolonged

concatenation, explosions like blastings,

the clangour of wagons shunted,

reverberating…

 

 

 

Note: first published in ‘A Jar of Sticklebacks’ – http://armadillocentral.com/armadillo-central/a-jar-of-sticklebacks-david-selzer.

 

 

 

CECIL AND PRECIOUS

David Selzer By David Selzer5 Comments2 min read2.2K views

 

RHODES MEMORIAL
Rhodes Memorial, Cape Town, © Sylvia Selzer 2009

 

‘Equal rights for all civilized men south of the Zambesi!’

Cecil Rhodes

 

I

 

Apparently, he loved the view from this spot –

the north east slopes of Table Mountain – indeed,

owned much of the foreground. The sycophants

of Cape Town built, with granite quarried

from the mountain itself, this monument –

with Doric columns and arcades (which he

so revered, apparently), bronze lions à la

Trafalgar Square and a pensive, almost

wistful, bust of Cecil, clergyman’s son,

diamond broker, chancer.

 

 

II

 

The wooden bench from which he so enjoyed

the view survives below the monument

and on which he might have preferred a brass plaque

but perhaps not. He bequeathed the mountainside

to the nation and so ensured its slopes

preserved. We brunched at the restaurant

among the pines. At the next table,

a Coloured waiter served an Asian man

and a Black woman Italian Tomato

Soup and Quiche of the Day.

 

The air was pellucid, alpine. Oddly,

a Marsh Harrier circled above us –

yet this was beautiful. The restaurant

suggested his wish had been achieved

though not, of course, quite as he intended!

Below were the airport, disused cooling towers,

the Guguletsu township and, out of sight,

beyond the mountains that bound the horizon,

his unrealised, longed for, imperial road

from the Cape  to Cairo.

 

 

III

 

When we returned to our rented villa

in Newlands, Precious, our maid, was leaving

to catch her train for Guguletsu.

This was her first time at the villa

so she was nervous. She would be home before

nightfall but she must walk through the dark

in the morning, evading the tsotsis.

Her daughter had stayed on at school, planned

to go to Rhodes University, planned

to leave South Africa.

 

We could not assuage Precious’ fear. We thanked her

for looking after us. We became used

to the gratings on all of the windows.

We felt safe behind the garden’s high walls.

From the verandah, we watched the mist

pour down Table Mountain like dry ice –

and listened to a pair of  Sugarbirds sing

in the Jacaranda. So nothing had changed

yet everything had changed.

 

 

IV

 

Someone in black spray paint had, as it were,

crossed out Rudyard Kipling’s words on the plinth

beneath the bust: THE IMMENSE AND BROODING

SPIRIT STILL SHALL QUICKEN AND CONTROL

LIVING HE WAS THE LAND AND DEAD HIS SOUL

SHALL BE HER SOUL. The same hand probably

had sprayed the plinth, at the foot of the steps,

with: ‘reject racist heroes’. It supports,

on a rearing bronze horse, a bronze horseman

looking for the future.

 

 

Note: first published on the site in January 2012 and subsequently published at http://www.sylviaselzer.com/2015/06/14/the-rhodes-memorial-cape-town/.

 

A SHORT HISTORY

David Selzer By David Selzer0 Comments1 min read1.4K views

For a generation, like weather cocks,
their skeletons swung near the highway.
James Price and Thomas Brown had robbed the Mail.
Years turned. The Gowy flooded and the heath
flowered. Travellers noted the bones
hanging in chains by the Warrington road.
Justices ordered the gibbet removed,
the remains disposed of. In Price’s skull,
while Napoleon was crossing the Alps
or Telford building bridges or Hegel
defining Historical Necessity
or Goya painting Wellington’s portrait,
a robin made its nest.

 

 

 

Note: The poem was first published by Chester Academic Press – http://Ashley Chantler (Ed), Life Lines: Poems from the Cheshire Prize for Literature 2004, 2005, ISBN 978-1-902275-51-2, £5.00.  It was one of the first pieces to be published on the website in April 2009 and was subsequently published in ‘A Jar of Sticklebacks’ – http://www.armadillocentral.com/general/a-jar-of-sticklebacks-by-david-selzer

 

 

 

UNBIDDEN

David Selzer By David Selzer0 Comments1 min read1.4K views

Anger, despair – torrential, unstoppable –
possesses me, unprompted. Undeserved,
you suffer it like hail. It leaves no signs.
Your heart is adamant, ever yielding.

Rainwater, falling on the marshy uplands,
courses through the thick glacial veneer –
beneath the main road near the chip shop,
past second homes and holiday lets,
under the promenade and by the pub –
onto the beach and into the oceans.

Safe behind glass, from our rented apartment,
white and spare like a sepulchre or a flag,
we watch a storm rise far out at sea then roll
inexorably towards us, obscuring
all – and hammer on our window like a door.

At low tide, we walk along the sands and round
the headland, rooks rising in clacking dudgeon
from the high rocks. In the wide estuary,
a solitary egret fishes. Returning,
at high tide, through littoral woods of elder
and ash, we walk at the foot of the sandstone cliffs –
rainwater flowing from fissures, seeping
into silent pools edged by ferns and fronds.

On the horizon: a warship anchors
at the ebb in Holyhead’s sea roads;
Manx is a stretch of cloud; and the Great Orme
the sea serpent the first Norsemen named it,
half submerged, sleeping or waiting.

 

 

 

Note: the poem was one of the first pieces to be published on the site in April 2009.

 


 

 

 

‘EAST END GIRL DOING THE LAMBETH WALK’: BILL BRANDT

David Selzer By David Selzer0 Comments1 min read1.5K views

 

He’s set it up, of course. Or, rather, framed it.
There’d be no feigning this young woman’s delight
in being ‘free and easy’ and doing
‘as you darn well pleasy’. She’s got her best blouse on,
with shoulder puffs, her sister’s shoes, which fit her now,
black ankle socks and shoulder length, unpermed hair
freshly washed – and waved, probably with Kirby grips.
Doin’ the walk, she lifts the hem of her skirt,
revealing her slip – and smiles coquettishly.

Beside her is a line, a queue almost of
female acolytes. (The only boy looks away).
They’re pre-pubescent, excited, nervous at what they see:
grown up clothes, shapely legs, unimaginable bust,
a sensuousness that, unwilled, will be theirs.

Down the street of terraced houses, symmetrical
as barracks, a woman strides, her back turned
on this miracle: a girl who knows
she will never grow old – ‘Any ev’ning,
any day…Doin’ the Lambeth Walk.’ Oi!

 

 

 

Note: the poem was one of the first pieces to be published on the site in April 2009, was re-published in May 2012 and has subsequently been published at  Third Sunday Blog Carnival – http://thirdsundaybc.com/2013/03/.