POETRY

PERSEPHONE

What a work memory is – fecund,

abeyant, arcane!  How apparently

dormant, inconsequential images

awaken, seemingly unbidden!

 

I am fifteen, climbing the steep steps,

two at a time, from the Underground

to the street –  on a sunlit, London

October morning. I look up. Beginning

to descend, carefully, from the gentle light,

is a young woman,  heavily pregnant.

 

She has become a persistent stranger,

replete with promise – unrealised,

as yet and forever.

 

 

 

 


 

SAFELY THROUGH THE DARK

At twilight from the hills across the Straits, a sudden

drift of smoke – then a fire’s deep orange eye blinked.

We talked of cruising the Nile; of moon rise and sun set,

of the narrow compass of the earth’s curve;

the river pilots’ open armed, hand-on-heart salaams;

and the stars rushing through the night.

 

Later and sleepless in the early hours,

I kept watch at the bedroom window.

The hotel sign lit a faded Union flag,

threadbare at its outer edges.

The only hint of the far shore was

sporadic lights on the A55.

 

But the stars were unequivocal. In a cloudless,

unpolluted sky, how they teemed!

I saw the constellations pass

and the random magnificence of things revealed.

Understandably, you preferred to sleep.

And journey safely through the dark.

 

 

Note: The poem was originally published on the site in October 2009, under the title, BULKELEY HOTEL, BEAUMARIS, YNYS MÔN –  https://davidselzer.com/2009/10/

 

 

 

THE CURE OF FOLLY

‘The Cure of Folly’ by Hieronymous Bosch, circa 1490

 

Here is a cure for madness. The patient,

stupid with pain, credulity or

the random gaze of the mad, the distraught, looks

in our direction. He is being trepanned.

The surgeon, having pierced the shaved skull,

looks modestly away. A monk with a jug

of wine or of water and a nun

with a closed book gesture to the consultant

as if to say, “Thus perish all follies”.

A white horse gallops through an orchard. Sheep graze.

A distant gallows is occupied.

Where the landscape ends in blue hills, steeples

rise in an empty sky.

 

 

Note: The poem was originally published on the site in December 2011 – https://davidselzer.com/2011/12/

 

 

 

 

MARJORIE BEEBE’S BOTTOM

Marjorie Beebe in 'The Farmer's Daughter' 1928

 

 

For Ian Craine

 

 

‘Marjorie Beebe is the greatest comic possibility that ever worked in my studio. I think she is destined to become the finest comedienne  the screen has ever seen.’  Mack Sennett

 

Her bottom was a serious matter:

the butt, as it were, of numerous pratfalls

in many Mack Sennett two reelers – like

The Chumps, Campus Crushes and The Cowcatcher’s

Daughter – in which she was a capricious,

lubricious Columbine with witty eyes

and good teeth and various Harlequins,

who ended invariably as losers.

From Kansas City, her mother took her

on the Yellow Brick Road to Tinsel Town.

Beebe and Sennett became lovers, despite

or because of the thirty year difference,

so he knew her asset first hand so to speak.

From silents to talkies, slapsticks to wise cracks,

her Mid West accent playing well, then Mack goes bust

and Marjorie gradually disappears.

Was it the booze? She was certainly

a toper. Or, more likely, The Hays Code:

irony suppressed, vulgarity outlawed,

Puritan America triumphant!

 

NOTE: The poem has been posted today to celebrate Marjorie Beebe’s birthday – 9th October 1908. The poem has been previously published twice before on the site – https://davidselzer.com/2011/10/marjorie-beebe%E2%80%99s-bottom-2/ and https://davidselzer.com/2011/06/marjorie-beebe%E2%80%99s-bottom/ – and has been one of the most visited pieces. In addition, it has been published on http://thirdsundaybc.com/2012/06/

 

 

 

LOST TRIBES

Catching the last train on any Sunday night,

when I was a student, before The Troubles,

they would be there. I would notice them

in noisy farewells clustered near the bar:

the men, red faced, shouting companionably

with the drink, the women calming kids –

the cardboard suitcases, the carrier bags.

 

Changing at Crewe, there would be more of them

to join us for the early Irish Mail –

refreshment bars and ill-lit platforms full

of bothered, now silent travellers.

One night – the Mail, as usual, delayed –

an old man, in a black overcoat,

gripping a scuffed doctor’s bag, its clasp

tarnished, turned to me, saying, in a soft

Dublin accent, ‘British Railways ought to be

bombed!’, and chuckled at what he must have thought

was our shared history and a past gone.

 

With them, waiting on the platforms or jostling

for seats, I felt close, whether real or imagined,

to centuries of unremitted wrongs

held so fresh in memories that it must seem

only yesterday the Black and Tans patrolled,

just a week since the potatoes failed,

a month since Cromwell’s hard-faced soldiery

massacred the innocents at Drogheda.

 

Leaving the train a few stops after Crewe,

I would think of their now unbroken way,

through a slate-black countryside, to embark

for somewhere they knew was home – and envy them

such modest certainty.

 

 

 

ANOTHER SEPTEMBER

The groundsman was already burning leaves.

 

Each working day, I was paid to lead

other people’s children through the labyrinth

of language – received, standard. (For some,

it was the wrong one – language or labyrinth.

They had their own minotaurs at home,

on the streets). And each day, I would drive back

to smiles and books and weathered bricks and luck.

 

Watching the smoke drift, I was surprised

to be still there, trying to unload

the dice from some sense of duty –

and something not a little like love.