POETRY

THE GREATEST OF THESE

All day I was accosted by the same

black wino who called me, “Sir”, who had not,

he said, worked for three years, had an illness

(unspecified) and never knew me though

we met outside the Tribune Tower, the

Art Institute, a camera shop on

Wabash, Berghof’s, and then under the El

at State and Jackson! Finally, as I

took my first Wild Turkey of the evening

while I stood at my hotel window, there

he was on the far side of Harrison,

raising the product of his day’s labour

in, surely not, salute!

PARTING THE WAYS

Earthmovers roared, made a whirling progress

six days a week: a four-lane highway

to bypass our provincial town. Gone were

Traveller’s Joy, Heartsease, Love-in-Idleness.

Our wood and its narrow roadway – a lovers’

thoroughfare – severed. Only clay was left

from world’s edge to world’s end: a no-man’s-land,

a dried-up riverbed. One Sunday,

our daughter crossed the silent excavation

and, from the opposite bank, called out:

‘It’s just like the Red Sea!’ And she waved.

We acknowledged the future lovingly.

A LIFE

Esther Philips, oldest of thirteen, came

from Liverpool, had tea with Buffalo

Bill and, having siblings and her mother,

a drunkard, to care for, refused an offer

to join a chorus line. When I knew her, she

had no teeth, wore the same two black dresses

and munched Quaker Oats between meals. She cried

when I played ‘La Fille Aux Cheveux De Lin’

on the upright in the back room. She outlived

two husbands and four of seven children –

and died saying that she knew how Jesus felt.

 

 

 

SAUDADE

'Saudade', Almeida Junior, 1899
'Saudade', Almeida Junior, 1899


 

We sheltered in the lee of the lighthouse

at what was once the end of the world,

the caliphate, for half a millennium.

Lovers still, we watched the squall move eastwards,

obscure the Sagres promontory –

whose fort’s white walls hold the Navigator’s

stone anemometer: shaped like a compass rose,

big as a bull ring, grooved like a millstone.

His caravels outflanked Islam, rounded,

at last, Cape Bojador and made the Slave Coast.

Below us, hunched in crannies on the cliffs,

their rods like jibs, their lines like skeins, anglers –

descendants of Phoenicians, Romans, Saracens

– waited stoically for bass or bream to rise.


 

The rain lifted. A container ship passed.

Drake, Nelson, and Browning passed: ‘Nobly, nobly,

Cape St Vincent to the North-west died away

…how can I help England?’ In Ireland,

the black rot was already in the fields –

the coffin ships all ready in the roads.


 

Later, drinking wine the colour of sea grass,

in O Retiro do Pescador, we

watched our black bream split, salted, sizzled, served

with sprouts. Ah, home thoughts! And Mrs. Browning:

‘…a voice said in mastery, while I strove,

“Guess now who holds thee?”  “Death, I said.”‘ We

smiled, as lovers do, and gossiped, as

lovers do, about our fellow diners

sotto voce: aging Caucasians

and a young Chinese couple with a child.

Somewhere, a radio played fado softly.

‘”Death”, I said. “Not death, but love.”‘

 

 

 

 

THE CLASSICAL TRADITION

'Lion', Babel, circa 583 BC
'Lion', Babel, circa 583 BC


 

‘Arma virumque cano’ was birched

into pimply boys who ruled their thin red lines

at every degree. Till the sun set

on heart-shaped continents, DCs in the bush

carried Caesar in their khaki shorts. Gaul or

Matabele, order was where empire

prevailed. Rule of law is a state of mind.

Ovid exiled himself. Virgil wrote

two lines a day in his villa near Naples.

On unmapped plains, horsemen manoeuvred.

Their descendants herd goats. Power, I sing, and

illusion – managing a barbarous,

imperious language.

 

 

 

FREEDOM

Even at Goose Bay, Alaska, changing planes,

there were people to greet him. He asked

who they were. ‘Eskimos.’ Mandela

remembered the igloos in the textbook

at the mission school. ‘Ah, Inuit.’

He walked to greet them in their common tongue.