POETRY

THE JOYSTERS

For Sylvia Selzer

 

So many ways to paradise or nowhere!
Not thirty five feet from our holiday let,
sitting on a county council bench
overlooking the sea – where the container ships,
waiting to cross the sand-bar, turn with the tides –
sitting in the hearing of terns and curlews
are a different pair each day
of female Jehovah’s Witnesses.
You baptise and christen them ‘The Joysters’.

They set up a collapsible stand –
next to a black municipal refuse bin –
for flimsy leaflets, and advertising
an online bible course. Their witness time
is spent under a black umbrella, chatting
to each other, ignoring passing sinners
on their way to walk the Coastal Path
to St Patrick’s Church at Llanbadrig,
or paddle-board and kayak on the briny.

There seem as many ways to row to heaven
or hell as there are birds of the air and the sea –
each journey with its own arcane charts,
its especially beatified isles,
its superior monsters of the deep.

 

ON THE TRAMP

In October sun on one of the benches

beside our local War Memorial,

directly opposite the new Co-op,

in mid-morning, an unknown man and woman,

dressed for outdoors and bulkily like folk

wearing many layers, are leaning together

in sleep like children, or marionettes.

Road traffic slows, pedestrians stare –

at adults kipping in seemingly clean clothes,

with brightly coloured backpacks by their sides,

before noon in a public, suburban space.

The sandstone cenotaph has last November’s

plastic poppy wreaths weathering at its base,

and among the names some still missing.

A bitter place to rest!

 

 

FAITH

Today there are at least two of the so-called

great religions of the world represented

on the beach. ‘By their raiment shall ye know them!’,

or some such: a troop of evangelical

Christians in genderless red tee-shirts;

two family groups of Hasidic Jews

in head scarves, dresses, kippahs, prayer shawls

as required. An adolescent girl passes

in a shalmar kameez, which makes the tally

three. Poised with a net by the rock pools

is a young man in a yellow turban. Four!

A quartet of elderly women

in saris stands at the edge of the sea.

They might be Hindus – or Sikhs, or Muslims,

or Jews, or Christians, or Buddhists, or Jainists,

Taoists, Zoroastrians, Humanists!

What creative creatures we humans are –

or what a jokey shape-shifter God is!

 

Pleasure beaches like city squares are

unsafeguarded places where complete strangers

mix haphazardly close to, far off, as chance

dictates. This strand must be ranked as safe

by minority ethnicities

and people of colour. No one seems

circumspect or aggressive. Is the

seeming vileness of this kingdom, the

hateful and contemptuous claims of

divisiveness virtual not actual?

Is this the Big Lie of facile pundits

and celebrity snake oil politicians?

Is the peaceful joy of this ordinary

summer’s afternoon illusory?

 

As the wind-breaks begin to be rolled up,

chairs snapped shut, towels shaken the crows arrive

monstering aside the black headed gulls

whose environment this properly is.

They take whatever chancy pickings they can,

haram or kosher.

 

 

CONSUMERISM

From the open air car park adjacent to

the first floor of one of the largest

department stores in Western Europe –

whose customers are car owning folk

with some disposable cash to spare –

I can see the methane being burnt off

at the oil refineries, and, beyond,

a bundle of wind turbines turning

on the flood plain beside the estuary.

 

On the opposite side of the busy road

from the store is the second largest

retail park in England. At its centre

a gleaming big wheel turns attracting

and distracting families of shoppers,

who have commuted from across the region –

north east on the motorways from the old

Cotton Mill Towns, south east from the Potteries.

The car I am sitting in was made here

in this town built for the refineries,

motor vehicles, and canals – with narrow boats

carting bags of coal and fetching finished goods.

 

In the furnishing department of this store

there is a new range: William Morris Towels.

Morris – iconic textile designer,

socialist activist, artist, poet,

author of ‘The Glittering Plain’ and ‘News

From Nowhere’ urged: ‘Have nothing in your house

that you do not know to be useful,

or believe to be beautiful’. Yesterday

it would not have been safe to ask about

the towels – and tomorrow it might be

unsettling again – but today

we may be comfortable in our knowledge

of where they were made, and how, and who made them.

 

 

TREASON OF THE CLERKS

I have lived most of my life in the suburbs

of the ancient city of Chester, with its

walled centre of Roman, Saxon, and Norman

ramparts of cut sandstone. Even though

the city, a Royalist stronghold, was besieged

during the English Civil War, the walls

remained more or less intact until

the road traffic demands of commerce.

 

I went to a school in the old city,

a coveted school with two entrance exams.

It was one of many such establishments

in market towns across England created

by Thomas Cromwell from the assets

of the monastic abbeys his master,

King Henry, had seized: schools to manufacture

Protestant clerks to collect the King’s taxes.

The building, as our head master – himself

an Anglican cleric – used often to say,

was ‘in the shadow of the cathedral’ once

an abbey church. Was that pulpit rhetoric,

or an unintentional irony?

 

The city’s four main streets follow the routes

of the thoroughfares of the Roman Camp,

each leading to one of the four main gates.

They meet at The Cross. Nearby, in Northgate Street,

there used to be a tobacconist who sold

small Cuban cigarettes in packets of five.

 

Armed with supplies we doughty band of smokers

would leave the school premises each break,

cross Abbey Square (past the Bishop’s House),

down Abbey Street (past the Dean’s and Archdeacon’s),

and onto the walls near the Kaleyard Gate –

a postern, originally for the monks

to daily access and tend their rows

of vegetables outside the city walls.

Come shine or rain, tourist crowd or none

we would walk quickly to Phoenix Tower,

which has a phoenix – then the  emblem

of the Painters’ Guild – carved above the door.

 

The tower is popularly known as

King Charles’ – for Charles I is said to have

stood on the roof and watched his cavalry

routed by the Roundheads on Rowton Moor.

More likely he had climbed the narrow, spiral

staircase in one of the cathedral’s towers

to get the best view. After the regicide,

the Dean and Chapter, no doubt, made up

the story about the Phoenix Tower

 

I am sure we spoke of little else but

the Reformation and its aftermath –

the doomed monarch, the brief Commonwealth,

the cynical Restoration, those

centuries of violent bigotry in these

Celtic Islands, and England becoming

a global trading power – as we stood there,

privileged white boys in striped ties and blazers,

hurriedly inhaling cheap tobacco

from the Caribbean.

 

 

 

 

THE CASTLE AMUSEMENTS

The large corrugated iron shed – flaking

whitewash almost turned to grey – has been closed

and empty now since the last recession.

Some say the arcades of slot machines remain,

cobwebbed, darkened and muted, until

that last trumpet in an eye’s twinkle

resurrects their glare and the ring of money.

 

Visitors to the Plantagenet castle

opposite – driving up the corkscrew lane

from the coastal road – note the peeling plywood

nailed to the windows, and the fading sign

above the padlocked double doors up the steps,

where, beneath AMUSEMENTS, is the vestige

of CINEMA. Imagine, between the Wars –

on a stuffy summer night, the doors wide

for what little air there might be – the castle keep,

far, far above the sea, filled with sounds

from the rich arcades of Tinsel Town:

Laurel and Hardy singing “In the Blue

Ridge mountains of Virginia on the trail of

the Lonesome Pine…” – or Selznick’s Gone With The Wind,

and Atlanta burning.