POETRY

TRAVELLERS

As we walk beside the wide estuary

we follow a wheatear as it waits for us

on the embankment of the rough causeway

then bobs and flits from stone to stone as we near,

enticing us, flashing its white rump,

which is pure white like an egret’s feathers.

 

We watch the tide beneath the low viaducts

begin to rise. On tracks Stephenson built

the London-Holyhead train crosses,

passes close to Edward’s grey castle walls.

Waders are gathering on the mudflats –

curlews, red shanks, egrets – denizens,

immigrants. This bird, which led us from its nest

among the embankment’s crevices, will

winter in Africa.

 

 

SICKLES

Fleetingly across the lawn a swift’s shadow

falls. I look up. In the blue mid-summer

mid-morning is the moon, a hazy crescent.

Swifts race, with their brief whistles, over the house.

The already heavy air is cut

momentarily by their wings – and then

they are gone into the ancient azure.

 

Beneath the plum tree, among seeds scattered

from the bird feeders, are barley, wheat, rye.

They took root, and now are green and tall –

wild grasses tamed with stone sickles ten

thousand years ago. We will harvest them with

curve bladed secateurs.

 

 

 

 

THE PATHWAY

The south east corner of the high garden wall

has been extended slightly to form a curved,

slate-roofed, white-washed brick bower

with a wooden seat inset into the bricks.

The bower can be approached from two directions:

along a narrow, gravel path between

the eastern wall and a well tended copse

of hazel and sycamore, where wild garlic

is abundant in the spring; or edging

through the scant, unkempt, mossy space along

the southern wall – past a row of holly trees,

the back of a large thatched playhouse,

and the south side of the copse. From the bower,

on this last day of summer, the air

murmurs with bees, and sunlight lingers

among the leaves. The edge of the copse,

the high stippled wall, and the untrodden

pathway beckon, beckon.

 

 

 

DEPRAVED HEARTS: IMPERIAL PATHOLOGIES

David Selzer By David Selzer2 Comments2 min read498 views

Somewhere in our house – built in the same year that

the British-Indian army retreated

from Kabul, and an Act of Parliament

outlawed women, girls and boys under ten

working underground in collieries –

The Boss aka Bruce Springsteen is singing of

‘The Streets of Minneapolis’, a song in that

unyielding tradition: ‘My Land Is Your Land’,

‘Sometime I Feel Like A Motherless Child’.

 

***

 

In Antiquity and the Dark Ages

hundreds of thousands were bought and sold each year.

The city of Venice became an Empire

because of the riches slavery brought.

In the Renaissance and the Enlightenment

ten million were taken from Africa

to the Americas. All were branded.

In Great Britain mill owners and bankers,

monarchs and cotton merchants grew rich.

The word ‘slave’ is from ‘Slav’ – whole communities,

entire peoples enslaved. ‘A’ is for ‘Auschwitz’.

 

***

 

Massacres at Wounded Knee, Amritsar,

and Martyr’s Square, Tehran, for example,

are imperious spasms, the arteries

of kindness hardened by othering;

bridges demolished – in Karaj, Iran,

Mostar, Bosnia, over the Litani

in Lebanon – solely out of spite,

to make burdened lives more burdensome;

the sanatorium assailed in Otwock’s

ghetto, hospitals in Hiroshima

and Dresden, ambulances in Gaza, in Beirut,

to show who matters and who does not.

 

***

 

Patrick Henry, conflicted slave owner,

was one of the two Founding Fathers

who would not ratify the Constitution,

which ‘would give a felon the chance to make

one bold push for the American throne…’

 

And two hundred and fifty years later

a convicted felon squats on that throne

as emperor. However, there might be

some small comfort in the thought that empires,

in due course, as Arnold Toynbee wrote, ‘die by

suicide not murder’.

 

 

 

 

REFLECTIONS ON IGNOMINY

David Selzer By David Selzer2 Comments1 min read453 views

A freckled, slightly overweight Jewish boy

from Sea Gates, Brooklyn, crossed the Hudson,

and morphed, by dint of patronage and smarts,

into a Master of the Universe,

a digital Professor Moriarty,

a Bluebeard, Svengali, Dr No,

and, for a time, it seems, became the Master –

croesus, pander, spy, rapist, paedophile

 

Just when ‘Nothing To See Here’ had become

almost believable, many thousands

of virtual filing cabinets disgorge

evidence of the actual protocols

of conspiracy – not of a cultural,

ethnic, religious tribe but that

of rich men and rich men’s little helpers,

keeping their wealth safe at our expense.

 

Do only greedy, ruthless men become

mega rich, part of the one percent,

or do the filthy wealthy become

people without pity, their unbound

acquisitiveness demanding brief

rockets to the stratosphere, a town’s

water resources for their AI hubs,

and the despoliation of innocence,

the slaughtering of trust and of hope,

their arrogance broadcast in plain sight?

 

To be clever – and not even try to be good!

To have the means – and not be kind! Must power

always corrupt? Are we only: prey

or predator; Satan, Saviour, Scapegoat;

ignominy’s enablers?

 

 

 

AFTER THE TEMPEST: CALIBAN’S STORY

David Selzer By David Selzer1 Comment2 min read424 views

Caliban watched the ship sail east. He could see

that the butler and the jester, who used to beat

and mock him, seemed already to be drunk.

Prospero was in the prow of the ship,

and had turned his back on the island.

Miranda, the magician’s kindly daughter,

waved briefly, shyly, surreptitiously.

 

***

 

He had stayed, watching, until the pennant

at the top of the main mast disappeared,

and then had felt suddenly alone, free.

The island became his again, silent

except for the rising and falling of the tides,

and the leaves in summer, and winter’s storms.

Sometimes he thought of his mother sent there

from across the ocean, pregnant with him.

He would dream occasionally of Miranda,

waking, imagine her voice. Though now there was

no one to hear him, he still spoke poetry.

 

***

 

Meanwhile, in Milan, Prospero engaged

a map maker to complete his manuscript

‘Isle of Banishment and Promise’ – and scribes

to make copies for posterity,

and as gifts for his fellow nobles.

In time the map was studied by merchants

throughout Italy, Spain, and Portugal.

 

***

 

One morning, some years later, Caliban

saw a sail on the horizon, and hid.

The ship anchored, and two longboats came ashore.

There were men dressed in steel with swords, and others,

in long black robes, holding some sort of

wooden instrument: a long upright

with a short cross-piece nailed to it – like the one

Prospero had cursed him with. On the deck,

in chains, were men and women weeping.

Their skin was black like his.