POETRY

ICONS

David Selzer By David Selzer3 Comments2 min read2.2K views

From the restaurant terrace on the cliff top

at Agios Giorgios, Cape Drepanos,

we can see the small harbour below,

its sea wall curved like a scythe and, opposite,

the flat topped, steep sided, uninhabited

islet of Yeronisos, ‘Holy Island’ –

set today in that special, placid blue.

Folk tales have Greeks, after the fall of Troy

and exiled from home, land there and build

a temple to Apollo. Excavations

suggest the sanctuary was founded

by Cleopatra for Caesarion,

her son by Julius Caesar, the heir

she hoped, to Rome – Apollo being the god

of archery, knowledge, medicine, plague.

A few miles south on what, before the hotels

and villas came, was a deserted shore,

Colonel Grivas, Greek Cypriot ‘hero’

or ‘terrorist’, landed one November night

in ’54 to expel the British.

 

The restaurant is packed with middle class

local families in their Palm Sunday best.

After our mezze, fish fresh from the harbour,

we tourist St George’s church along the cliff –

a modern chapel-sized basilica

with its own square and drinking fountain.

We light a candle, as we always do,

more ‘good deed in a naughty world’ than faith.

A steady footfall of true believers

kisses the glass fronted icon of the saint.

A votive pink baby doll hangs from it.

Fifty yards inland, where there are ruins

of a Roman city, is a medieval shrine

to the saint – once a prayerful place for those,

Greek or Muslim, before Partition,

seeking love or strayed goats and donkeys.

 

On the fountain is a crude mosaic

of the Roman Soldier/Christian Martyr

slaying a dragon with its devil’s breath –

in Palestine, perhaps, or Syria.

Three leagues south is Aphrodite’s Rock

where the goddess was born among the spume.

Nowhere full of myth and history,

of irony and contradiction,

delineated by paint on wood

or finds in the earth or words in the air

is far from here over the bluest,

most changeable of seas.

 

 

 

 

A CHEESE BY ANY OTHER NAME

Marooned for three years, Ben Gunn was

‘sore for Christian diet’. He dreamt of cheese,

toasted mostly.

 

Doctor Livesey always had about him

a piece of Parmesan in a snuffbox.

When he heard about the dreams he said,

‘Well, that’s for Ben Gunn!’

 

But we never find out if the ‘half mad maroon’ savours

the King of Cheeses. Maybe he eats it –

and wishes it were Cheddar.

 

 

Note: This poem is a slightly revised version of  part of REVELATIONS, published on the site in March 2011.

 

 

 

 

IN CAMERA

The colour scheme, all of the fittings, even

the rectangular reproduction,

above the bed, of an abstracted landscape

that might be desert or water, sunrise

or dusk reflected in the wardrobe’s mirror

were exact replicas of all those

he had already seen in all the rooms

he had stayed in the centre of cities,

on the edge of towns, at all compass points.

 

There was always, however, one difference –

the view. Through the sealed, double-glazed window

he could see an empty office block

with one blind still drawn on the sixth floor.

As always, he searched meticulously

for other differences – and found two.

On the green carpet between the bed

and the bathroom door was a tiny stain.

In the narrowest gap between the landscape

and the wall was a sheet of white paper

with black italic word-processed text.

 

Tunnels and wells and spirals

and silence…

 

I have come out of the adit

of self- absorption and self-distrust

into the view and light of landscapes

and stretches of water…

 

Why did I not credit achievements,

accounting defeats only?

Hell was a locked and windowless

suite in an erstwhile Grand Hotel

become Secret Police Headquarters… 

 

Knowing nothing,

having too much to say,

I  have found myself in silence.

 

 

 

INSPIRATION

David Selzer By David Selzer2 Comments1 min read1.8K views

Turning down the steep lane to the strand,

I felt that tightening of the legs and saw

the hedgerows of convolvulus and woodbine

descend serpentine to the wide, empty bay…

 

…it might be a couple of bars of music,

the way the light falls, a voice in the street,

some words in a book, whatever it might be

it becomes as real, as substantial

as a taste, a smell, a sound, something

that must be made, words that must be written…

 

…lane and beach became one. The upper shore

of fine sand was strewn with dried spiral wrack –

the lower was ribbed as the tide receded.

Only partially exposed near the water’s

edge were the blackened spars of a long boat –

and the shape of a tale or a song.

 

 

 

THE TAXIDERMY

In a one storey Gothic-kitsch building

with small steeples – where Abbey Road meets

Mill Street – attached to the Bridge End Hotel,

opposite the pelican crossing,

angled on the corner of Wharf Hill

that leads steeply up to the canal

and, over the narrow, hump-backed bridge,

left to Ysgol Dinas Brân and right

through the sheep fields and onto the hills

there is an eclectic bestiary:

the hare about to box, the barn owl roosting,

the erect meerkat, the leery hyena,

each an exemplar of this ancient art –

the beasts of the forests and the fields

as trophies, outlasting in effigy

their killers. The high school students walk past

blasé but assorted foreign tourists,

serious walkers, narrow boat sailors

and strayed revellers stop and wonder.

 

Do any of the them wake suddenly

before a cold dawn and remember

that they had been dreaming, in the silent

watches, of a herd of bright, glass eyes

glowing red, amber, green?

 

 

 

‘ANOTHER PLACE’ REVISITED AT LOW WATER

David Selzer By David Selzer2 Comments1 min read1.9K views

‘It is no hero, no ideal, just the industrially reproduced body

of a middle-aged man trying to remain standing and trying to breathe.’ Anthony Gormley

 

They are still standing and their slow carapace

of barnacles breathes. Small pools of eaten

razor clams and star fish lie at their feet – fry

dart amongst seaweed fronds and the dead.

An off shore breeze brings the calls of distant

sea birds close. The RNLI flag stiffens

and plastic kites, on the slight headland, swoop –

but the cumulus clouds and the con trails,

across the Atlantic, are almost still.

Wind turbines proliferate on Burbo Bank

and, beyond, along the North Wales coast.

Over the horizon, the world awaits

high tide. Meanwhile, on tricky sands, we move

with care among these icons of cast-iron

steadfastness and promise.

 

 

Note: The poem was first published on the site in July 2017.