Tag Archives

9/11

THE WAR ON TERROR

The adult life of Goyahkla, aka

Geronimo – the famous Apache

spiritual and military leader –

may be divided into three parts:

combating the Mexican invasion

of his people’s homeland – now north east

Mexico and south west USA;

combating the American invasion

of the territory; managing

his twenty years or so of enforced exile

in Alabama, Florida and finally

Oklahoma. His soubriquet, it is said,

resulted from fearful Mexican soldiers

calling upon San Geronimo.

 

He was much photographed, and charged a fee

when he was in exile – as he did

for the events to which he was invited,

like President Teddy Roosevelt’s

inaugural parade. One photograph

was taken just before his surrender

after decades of guerrilla warfare.

Geronimo, and four of his ‘braves’

are standing foursquare before a landscape

of Arizona shrubland. They are holding

carbines the US Cavalry used,

he an infantryman’s long rifle.

 

***

 

After 9/11 the US Congress

passed the Patriots’ Act, setting up

Homeland Security to prevent

future attacks. Osama Bin Laden

acquired the code name Geronimo,

which, given the latter’s long struggle

to prevent the piecemeal genocide

of his people, and the ethnic cleansing

of their lands, where they had lived for at least

a thousand years, was curiously Freudian.

 

***

 

My favourite tee-shirt was manufactured

in Honduras  – one of the poorest countries

in the Western Hemisphere – for Port

& Company, who have a declared

responsible sourcing policy, and are

based in Wilmington, North Carolina,

a Confederate port in the Civil War.

The photograph of Geronimo

and his warriors has been reproduced

on the front of the tee-shirt – between

‘HOMELAND SECURITY’ and ‘FIGHTING

TERRORISM SINCE 1492’. So,

while I am swaddled in the ironies of

white supremacy and capitalism,

I may enjoy the brief but life affirming

humour of the gallows.

 

 

FOUR SCREEN PLAYS

I wrote the screenplays between 2001 and 2008. They are presented below in the order in which they were written. Each is set against the background of armed conflict.

I was inspired to learn how to write screenplays as a result of a number of conversations in New York in August 2001 with Annabel Honor-Lissi, a fellow creative, and digital tutorials with her which followed.

 

THE MEMORIAL

The Memorial is about redemption through kindness, compassion and love.  Set in the immediate aftermath of the 1st World War, it is a love story that explores class, religion and anti-war issues through the eyes of Captain Edward Standish VC.  Much of the action takes place at Standish’s country seat, in a Midlands village dominated by a colliery, as well as in London where the Captain meets and commissions artist Clara Zeligman.  The Memorial also takes us to the battlefields on the French/Belgian border where Standish had faced the toughest moment of his military career – an event that haunts him throughout the story.

Download The Memorial by David Selzer (Copyright David Selzer)

 

 

LOYALTIES

Loyalties begins in 1936, when Kathy, sixteen, beautiful, a film fan and fascinated by Elizabeth, last Empress of Austria, about whom she secretly writes romantic fiction, leaves Llandudno to train as a nurse in London. In 1940, she goes to the Isle of Man to nurse refugees from Nazi Germany interned as enemy aliens and falls in love with Peter, an Irish barman, whom, she discovers, is an IRA Bomber whose real name is Pearse. He renounces violence, though not the cause, for her – until she is the victim of an attempted rape. Pearse murders the likely suspect (who is an undercover Special Branch officer). In despair, she rejects Pearse. She returns home pregnant – and tells her mother that she was married in the Isle of Man but that her husband has been killed in action. In 1946, Pearse – now prosperous and married but still active in the struggle – finds her (and their daughter). She rejects him again.

Download Loyalties by David Selzer (Copyright David Selzer)

 

ALTOGETHER ELSEWHERE

Altogether Elsewhere is a tragi-comedy of errors, driven by character, coincidence and circumstance. Both of the main protagonists were born on the same day in 1953 in Liverpool and Daytona respectively. One becomes an acclaimed documentary and fashion photographer, the other a Vietnam Veteran selling oranges by the roadside in Portugal. The story – set against a background of the decline and fall of empires – focuses on key episodes in their lives from 1961 to 2002.

Download Altogether Elsewhere by David Selzer (Copyright David Selzer)

 

IN THE LION’S MOUTH

In The Lion’s Mouth is set in 1865, in a Venice under Austrian occupation, and against the background of the Risorgimento, the revolutionary movement to unify Italy. The story describes a love affair which, bedevilled by jealousy, possessiveness, intrigue and racial and religious prejudice, comes to a tragic and violent end. Though set in the past, the story portrays contemporary issues – particularly those of mixed race and of terrorism. The two main protagonists are a Liverpool sugar heiress of mixed Afro-Caribbean and European origin, who is in her early thirties, and a Austrian Jewish doctor in his forties, a widower, who is attached to the Austrian occupation forces but an active though covert supporter of the Risorgimento.

Download In The Lion's Mouth by David Selzer (Copyright David Selzer)

 

 

 

 

 

 

 

CAPTAIN TILLY PARK, QUEENS, SEPTEMBER 2001

‘The park is named for Captain George H. Tilly, a local son of a prominent family who was killed in action in the Philippines while serving in the Spanish-American War, and a monument to the war is prominent in the park.’ New York City Department of Parks & Recreation.

 

From the park’s Memorial Hill one can see

Manhattan, and the World Trade Center’s

Twin Towers. Below, this Labor Day

early evening, the benches round Goose Pond

are filled with families – Sikh, Jamaican,

Hispanic. Annually this season

the water is the colour of  jade –

insecticide to kill mosquitoes.

 

George Tilly was killed by Filipino

freedom fighters. His family owned the land

the park is built on. They used the acres

for flocks of ducks and geese – when Empire City,

seen from rural Queens, was like somewhere

in the clouds. The air, this gentle evening,

is filled with music and barbecues.

 

 

 

WATER SELLERS, BROOKLYN BRIDGE

It was 82 and humid the Sunday

before 9/11 when we walked

onto the crowded bridge from Brooklyn Heights.

Two teenage Latino-looking girls –

unsmiling, unsure, uneasy – were standing

by an insulated cart – no doubt

pushed up the walkway by some enterprising

dad or brother – filled with plastic bottles

of glistening water. The sellotaped price

was two dollars – but trade was measured

despite the weather. A guarded city

even in diversity? I thought of Hart Crane’s

‘Migrations that must need void memory,

Inventions that cobblestone the heart’,

crossing to Manhattan.

 

 

 

SIDE BY SIDE

For you and me, like Henry Moore’s bronze
kings and queens, there is something very
special about sitting together
on a public seat with a majestic view…

***

On the erstwhile Exxon Valdez ride
at the ’90s Epcot Centre, plunging
above Alaska with a dying friend…

Snow falling on Halkyn Mountain over
the estuary from Parkgate promenade
and a fire briefly flaring then dying
by Flint Castle on the distant shore…

A child begging on the corniche at Luxor,
singing, ‘Michael, row the boat ashore,’
and the crowded ferry crossing the Nile…

‘John Williams, Plumber, A Deganwy Lad’,
with a view of Penmaenmawr – Wagnerian,
mauve against the bright sky above Ynys Môn –
the bench washed away in a freak storm…

Beside The Lake in Central Park, early
September before 9/11,
the row boats empty in the humid air…

***

Relaxing on the cruiser at Edfu
with mint tea after a temple visit –
on the road, a camel and donkey
passing in the back of a pick-up…

On the steps of the Community Hall
where Mandela trained to box, next to
a serious queue for a bouncy castle…

Opposite Conwy Castle, the curlews
and the shelduck on the sand banks at low tide –
in the channel along the far bank
a water skier buzzing, buzzing…

Next to the river and the Peter the Great
fantasy statue, in the Monument Park,
with Dzerzhinsky facing his future…

Market Street, Jozi, with the theatre
and bookstalls – and its environs safe
again but at what cost to the homeless
who squatted in the windowless buildings…

***

On the topmost row of the amphitheatre
at Epidaurus, dusk settling among
the olive groves and the tourist buses…

On the beach at Alvor – where Portugal
ceded Mozambique to Frelimo
in a country club – with North Africa
seemingly just beyond the horizon…

In the grounds of the Hector Pieterson
Museum, with the liberated traffic
of Orlando West careering by…

Etna rising in mist from Taormina’s
Giardini Villa Communale
with its avenue of olive trees,
each a memorial to the naval dead…

In Polesdon Lacey’s rose garden,
designed by the playwright Sheridan,
with cattle lowing below the terrace…

***

Ah, to have such promising prospects, the first
of Disneyland, the last of England – somewhere,
looking forward, to imagine the worst,
to speak of the past, to learn to know blessings…

 

 

 

HEAR THE DRUMS

This full length stage play focuses on Jamila, a sixteen year old girl of mixed Afghani and English parentage: on her struggle to determine her cultural identity, her longing for her father whom she has been brought up to believe is dead but whom she discovers, by chance, is alive and a prisoner of the Americans in Afghanistan – and her confronting the lies and misunderstandings that have had such tragic consequences for her family.

You can download the main text as a pdf:

HEAR THE DRUMS MAIN TEXT

A list of characters, information about where and when the action is set and acknowledgements are also available as a pdf:

HEAR THE DRUMS – CHARACTERS, LOCATION, ACKNOWLEDGEMENTS ETC.

 

 

Note: the play was a prize winner in the Sussex Playwrights’ Club 2009 Full Length Play Competition.