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accidental

THE BELVEDERE

You and I with fifty valentines and

February’s sun pale on the glass!

We count the camellia’s crimson blooms –

and remember, last summer, our grandchild

shivering with ecstasy the day

she chased her daddy with the garden hose.

From here, the house seems sentient, our

remembrancer – the lawns and borders and

parts of neighbours’ houses an urban landscape.

In this wooden hexagon – a half-glazed

gazebo, its blind back turned to a high

Victorian wall festooned with ivy

and clematis – voices are naturally

intimate and revealing, privacy

in an open space. Is it remarkable

we have been friends and lovers so long?

Chance, choice, serendipity or willpower?

We opt for all four. Behind us, in shade

for most of a winter’s day, accidental

primroses are blooming.

 

 

 

 

 

 

 

 

THE INVERTED EUCALYPTUS

In the unlit room, the glass-topped table

reflects the crepuscular, upside-down

image of the tree. In this small picture,

the Moon is descending through its branches.

 

Through the window, a hazy full Moon,

trailing south easterly clouds, is rising,

with the shimmering Evening Star, above

the eucalyptus, across a darkening sky.

 

How fast we move through the universe and yet

how still the glass on the table and the panes

in the window, the tree and its image,

the ubiquitous eucalyptus, appear:

 

an accidental, antipodean

masterwork of reality and dream.