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‘EAST END GIRL DANCING THE LAMBETH WALK’: BILL BRANDT, 1939

He’s set it up, of course. Or, rather, framed it.
There’d be no feigning this young woman’s delight
in being ‘free and easy’ and doing
‘as you darn well pleasy’. She’s got her best blouse on,
with shoulder puffs, her sister’s shoes, which fit her now,
black ankle socks and shoulder length, unpermed hair
freshly washed – and waved, probably with Kirby grips.
Doin’ the walk, she lifts the hem of her skirt,
revealing her slip – and smiles coquettishly.

Beside her is a line, a queue almost of
female acolytes. (The only boy looks away).
They’re pre-pubescent, excited, nervous at what they see:
grown up clothes, shapely legs, unimaginable bust,
a sensuousness that, unwilled, will be theirs.

Down the street of terraced houses, symmetrical
as barracks, a woman strides, her back turned
on this miracle: a girl who knows
she will never grow old – ‘Any ev’ning,
any day…Doin’ the Lambeth Walk.’ Oi!

 

 

Note: first published April 2009.

 

 

 

A HOG IN ARMOUR, A PIG IN LIPSTICK…

David Selzer By David Selzer1 Comment2 min read590 views

The day after Thatcher was turned to ashes,

I crossed the channel by easyJet, noted

the busy shipping lanes, then saw England’s coast –

Dungeness and Romney Marsh, Dover’s cliffs –

and the North Downs towards Canterbury

becoming obscured by rain as we banked

for Gatwick. Once home, I caught up on the news.

 

She was fêted in Chelsea, reviled

in Barnsley. Her official biography

was due to be broadcast as the BBC’s

Book at Bedtime. And her policies,

as always, dividing and divisive.

 

At the High Table, New College, Oxford,

dining with Dawkins and his acolytes,

the Iron Lady with lips of Monroe

and the Emperor Caligula’s eyes –

an erstwhile chemist who once worked for

J. Lyons & Co on ice cream preservatives –

misunderstood the talk of the selfish gene,

the immortal gene, and thought she had learned

there is no such thing as society –

her version of Caligula’s horse –

from her intellectual, though, of course, not

her socially aspirational betters.

 

So undigested science was used

to justify greed and social mayhem.

How could a democracy be traduced

by an obsessed, bitter causer of havoc,

determined to redeem feudalism?

Her methods were Hitler’s – challenge the foe

with extremism and await concessions.

 

I remember the young sleeping in doorways,

students sharing textbooks, roads unmended,

civic dereliction; the overthrowing

of unelected union barons

for unaccountable press barons;

and always the scoundrel’s final refuge

Little England’s patriotism.

Her history will be written as

both tragedy and farce.

 

 

 

‘EAST END GIRL DOING THE LAMBETH WALK’: BILL BRANDT

 

He’s set it up, of course. Or, rather, framed it.
There’d be no feigning this young woman’s delight
in being ‘free and easy’ and doing
‘as you darn well pleasy’. She’s got her best blouse on,
with shoulder puffs, her sister’s shoes, which fit her now,
black ankle socks and shoulder length, unpermed hair
freshly washed – and waved, probably with Kirby grips.
Doin’ the walk, she lifts the hem of her skirt,
revealing her slip – and smiles coquettishly.

Beside her is a line, a queue almost of
female acolytes. (The only boy looks away).
They’re pre-pubescent, excited, nervous at what they see:
grown up clothes, shapely legs, unimaginable bust,
a sensuousness that, unwilled, will be theirs.

Down the street of terraced houses, symmetrical
as barracks, a woman strides, her back turned
on this miracle: a girl who knows
she will never grow old – ‘Any ev’ning,
any day…Doin’ the Lambeth Walk.’ Oi!

 

 

 

Note: the poem was one of the first pieces to be published on the site in April 2009, was re-published in May 2012 and has subsequently been published at  Third Sunday Blog Carnival – http://thirdsundaybc.com/2013/03/.

 

 

 

‘EAST END GIRL DANCING THE LAMBETH WALK’: BILL BRANDT

David Selzer By David Selzer6 Comments1 min read1.2K views
'East End Girl, Dancing The Lambeth Walk' Photo by Bill Brandt

 

He’s set it up, of course. Or, rather, framed it.

There’d be no feigning this young woman’s delight

in being ‘free and easy’ and doing

‘as you darn well pleasy’. She’s got her best blouse on,

with shoulder puffs, her sister’s shoes, which fit her now,

black ankle socks and shoulder length, unpermed hair

freshly washed – and waved, probably with Kirby grips.

Doin’ the walk, she lifts the hem of her skirt,

revealing her slip – and smiles coquettishly.

Beside her is a line, a queue almost of

female acolytes. (The only boy looks away).

They’re pre-pubescent, excited, nervous at what they see:

grown up clothes, shapely legs, unimaginable bust,

a sensuousness that, unwilled, will be theirs.

Down the street of terraced houses, symmetrical

as barracks, a woman strides, her back turned

on this miracle: a girl who knows

she will never grow old – ‘Any ev’ning,

any day…Doin’ the Lambeth Walk.’ Oi!

 

 

 

‘EAST END GIRL, DANCING THE LAMBETH WALK’: BILL BRANDT

 

'East End Girl, Dancing The Lambeth Walk' Photo by Bill Brandt




He’s set it up, of course. Or, rather, framed it.

There’d be no feigning this young woman’s delight

in being ‘free and easy’ and doing

‘as you darn well pleasy’. She’s got her best blouse on,

with shoulder puffs, her sister’s shoes, which fit her now,

black ankle socks and shoulder length, unpermed hair

freshly washed – and waved, probably with Kirby grips.

Doin’ the walk, she lifts the hem of her skirt,

revealing her slip – and smiles coquettishly.


Beside her is a line, a queue almost of

female acolytes. (The only boy looks away).

They’re pre-pubescent, excited, nervous at what they see:

grown up clothes, shapely legs, unimaginable bust,

a sensuousness that, unwilled, will be theirs.


Down the street of terraced houses, symmetrical

as barracks, a woman strides, her back turned

on this miracle: a girl who knows

she will never grow old – ‘Any ev’ning,

any day…Doin’ the Lambeth Walk.’ Oi!

 

 

Note: the piece was first published on the site in April 2009.

‘EAST END GIRL, DANCING THE LAMBETH WALK’: BILL BRANDT

David Selzer By David Selzer4 Comments1 min read1.4K views

the-lambeth-walk

‘East end girl, dancing the Lambeth WalkBill Brandt, 1939

 

He’s set it up, of course. Or, rather, framed it.
There’d be no feigning this young woman’s delight
in being ‘free and easy’ and doing
‘as you darn well pleasy’. She’s got her best blouse on,
with shoulder puffs, her sister’s shoes, which fit her now,
black ankle socks and shoulder length, unpermed hair
freshly washed – and waved, probably with Kirby grips.
Doin’ the walk, she lifts the hem of her skirt,
revealing her slip – and smiles coquettishly.

Beside her is a line, a queue almost of
female acolytes. (The only boy looks away).
They’re pre-pubescent, excited, nervous at what they see:
grown up clothes, shapely legs, unimaginable bust,
a sensuousness that, unwilled, will be theirs.

Down the street of terraced houses, symmetrical
as barracks, a woman strides, her back turned
on this miracle: a girl who knows
she will never grow old – ‘Any ev’ning,
any day…Doin’ the Lambeth Walk.’ Oi!