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Afon Conwy

A SOUVENIR

On one of Mazzaro’s gritty beaches

a cable car below Taormina,

I found a piece of Etna’s lava

the size of a goujon, a sinker,

a bobbin, smoothed only a little

by modest Mediterranean tides;

fetching five euros in the tourist shops but

unseen by the landlords of expensive

loungers and umbrellas, by Russian tourists,

Thai masseuses, Indian peddlers. No doubt

geologists could date it exactly

but I prefer the inexactitudes

of possibilities. Perhaps it was spewed

when the city walls of Catania

diverted the flow into the harbour

or when the Carthaginians were thwarted

from capturing Syracuse, or when Aeneas,

in his wanderings, approached Sicily.

 

Dark grey pumice, heavy, pockmarked like

moon craters, still smelling distantly

of the sea, it rests on a mantelpiece

next to a bit of driftwood slight as balsam,

shaped like a small fish, found on Deganwy beach

by Afon Conwy – stolen goods, contraband,

freighted with histories.

 

 

 

LA PERRUCHE ET LA SIRÈNE

‘Even if I could have done when I was young what I’m doing now –
and it is what I dreamed of then – I wouldn’t have dared.’  Henri Matisse

 

In his early eighties – a magician
in colours with his (genuinely)
lovely assistant, Lydia – Matisse
creates a canvas, twenty five foot
by eleven, of pinned-on then glued-on
painted paper cut-outs of fronds and fruits,
in many colours, and a profound blue
parakeet and a profound blue mermaid –
seductive, tropical and teeming…
his Oceania revisited,
his northener’s revelation of the south.

There are parakeets – befittingly green –
in the Surrey Hills and mermaids rumoured,
hair flowing fast, far upstream in the Wey.
There are, for certain, by Afon Conwy
sea lavender, thrift and birds foot trefoil
and, in the channels the low tide forms,
curlews and egrets wading and the sea-racked,
black struts of wrecks. Beyond are the purple, mauve,
lilac mountains…my epiphany, my south.

I cut and paste at will and muse with my
‘assistant’ of so many years – lovely,
genuine – on art, youth and aspiration.
Had I known when I became a poet
half a century ago that I could write
this then would I have dared?