Tag Archives

Arabic

THE UMBRELLA AND THE MALLET

We five have arranged ourselves in the usual

position: facing the sea; chairs in a row;

striped windbreak stretched out behind us;

multi-coloured umbrella above the

humble paterfamilias. This

is our favourite beach, Traeth Benllech:

with views of the remains of a hillfort

on a distant promontory; of the Great Orme –

shaped like the dragon’s head the Norse sailors saw –

a far peninsula on the mainland;

of container ships on the horizon

waiting for low tide to dock in Liverpool;

of the sea itself here at low water –

soft sibilants a fair walk away.

 

On the sands fifteen yards in front of us

and slightly to our left three Muslim women,

in hijabs and embroidered abayas,

with two small children, set up their camp.

Their picnic table is substantial,

and adorned with an elegant coffee pot.

Their umbrella is multi-coloured

like ours. They push its spike manually

into the sand. I fear the worst. They sit,

and call the children to the picnic.

The prevailing gentle south westerly

upends the brolly. They rise, and again

push the spike down as far as they can.

The wind fills the umbrella like a sail.

 

“Those three ladies need assistance,” I say.

One of our party, a stalwart in a storm,

rises, and approaches the group, our mallet

held unthreateningly at his side.

We watch the dumb-show of smiles and gestures.

He hammers the bottom firmly in,

and places the top half at an angle.

We watch the gestures and the smiles. He returns.

We applaud. Almost immediately

one of the women approaches smiling

and carrying a small metal tray.

“They are lukmat,” she explains, extending

the tray of small pastries. “Morsels in English.

They have been fried and then covered in

fig sauce. Please take as many as you want”.

And we do. “It is a Middle East custom.

I am from Yemen. My friends” – she gestures

with her head – “are from Saudi Arabia

and Syria”. I manage, “Shukraan”,

and she asks if I speak Arabic, and I laugh

deprecatingly. One her friends arrives

with the coffee pot and five small paper cups.

“I am from Saudi Arabia,” she says,

smilingly. “This is Arabic coffee.

There is no sugar” – and she gives each of us

a cup and pours. We thank her, and sip.

The coffee’s bitterness has been tempered

by cardamom, that sweetens the breath.

 

They leave before us. There are waves and smiles.

Later, as we drive up the steep hill home,

I recall that I know another word of

Arabic – yamal, hope.

 

 

 

 

AND THE STARS

David Selzer By David Selzer1 Comment1 min read1.9K views

One of the few survivors of the attack

on a Gaza City refuge – that had once

been a school – is a five-year-old girl,

who walks alone through the burning building.

Her name is Waad. Most of her family

have perished, including her mother.

Traumatised she speaks softly: ‘I love Mama

as big as the sky and the earth – and the stars.’

She is surrounded by concrete rubble,

domestic detritus, and the unfound dead.

 

An hour or so’s drive away, a horde of

well-fed men is striding through the narrow streets

of old Jerusalem chanting ‘Death

to the Arabs!’ Though the Arabic

and Hebrew for ‘death’ and ‘love’ have the same

Semitic roots, the child and the chanting mob

seem galaxies apart.

 

 

THE GROVES

For Matt Baker

We are sitting on a bench in a peaceful

place popular even on a winter’s day

now lockdown has been eased. This tree-lined

terraced embankment beside the river –

with a bandstand and moorings for pleasure boats –

was commissioned by one of the city’s

Victorian worthies at his own expense

to match the elegant pedestrian

suspension bridge built by a developer.


If we sit here long enough with our take-out

hot chocolates and toasted sandwiches –

counting the passersby wearing masks –

someone we know may saunter past with their dog.

Here there used to be a whiteness of swans,

but a flock of panhandling black-headed gulls,

squawkily scrambling for the odd dry crust,

has, as it were, elbowed out the large mute birds.


When the Roman mercenaries built the camp

on the sandstone bluff behind us, when barques

from Anjou docked downstream with cargoes

of wine and spices, the air, like now,

was multi-lingual. We can hear snatches

of French and Polish, Greek and Arabic.


If we sit here long enough late winter’s

high tide may rise, as now, over the weir,

and begin to cover the embankment’s steps,

propelling various bosky flotsam

upstream at a proverbial rate of knots,

with a couple of mallards and a moorhen

floating past on a wizened trunk the size

of an alligator from the bayous.

HEAR THE DRUMS

This full length stage play focuses on Jamila, a sixteen year old girl of mixed Afghani and English parentage: on her struggle to determine her cultural identity, her longing for her father whom she has been brought up to believe is dead but whom she discovers, by chance, is alive and a prisoner of the Americans in Afghanistan – and her confronting the lies and misunderstandings that have had such tragic consequences for her family.

You can download the main text as a pdf:

HEAR THE DRUMS MAIN TEXT

A list of characters, information about where and when the action is set and acknowledgements are also available as a pdf:

HEAR THE DRUMS – CHARACTERS, LOCATION, ACKNOWLEDGEMENTS ETC.

 

 

Note: the play was a prize winner in the Sussex Playwrights’ Club 2009 Full Length Play Competition.