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THE ABATTOIR AT MAZINGARBE

The Last Absolution of the Munsters at Rue Du Bois, by Fortunino Mattania, depicts an event which took place on 8th May 1915, near Neuve Chapelle.


The push for Aubers Ridge had been postponed

because of rain. But the Saturday

was dry and sunny. Going up the line

in the early evening, the battalion

stood easy at the shrine to Our Lady.

‘…in remissionem peccatorum…’

By noon, next day, nearly half were dead,

caught on the German wire Haig’s ill equipped

artillery had, once more, failed to cut.

 

In Mazingarbe, an industrial town

ten miles south, the British commandeered

the abattoir. The first to be shot at dawn

was a Munster regular from Cork.

‘…in nomine Patris…’

 

 

Note: The poem was first published on the site in November 2012.

 

 

 

THE ABATTOIR AT MAZINGARBE

 

The Last Absolution of the Munsters at Rue Du Bois, by Fortunino Mattania, depicts an event which took place on 8th May 1915, near Neuve Chapelle.

 

 

The push for Aubers Ridge had been postponed

because of rain. But the Saturday

was dry and sunny. Going up the line

in the early evening, the battalion

stood easy at the shrine to Our Lady.

‘…in remissionem peccatorum…’

By noon, next day, nearly half were dead,

caught on the German wire Haig’s ill equipped

artillery had, once more, failed to cut.

 

In Mazingarbe, an industrial town

ten miles south, the British commandeered

the abattoir. The first to be shot at dawn

was a Munster regular from Cork.

‘…in nomine Patris…’

 

 

 

ZELEZNIK’S THEORY OF KNOWLEDGE

Though there is no evidence that Busby

Berkeley was a descendant of Bishop

Berkeley (in spite of the Californian

connection),  who would deny that George

were the spiritual, or, rather,

philosophical ancestor of Bill.

Bishop George Berkeley, John Smibert, circa 1729
Busby Berkeley circa 1935

Hundreds of girls’ legs opening in unison

is a pure if anachronistic

example of the Irish Divine’s hypothesis.

And Busby was keen on fountains too!

Fountain Scene from 'Footlight Parade', 1933

So, if long dead Dick Powell, that innocent

tenor, seems to be hoofing still then

esse is truly in percipi!

Dick Powell with Ruby Keller in '42nd Street', 1933
Dick Powell with Ruby Keeler in '42nd Street' 1933

Though revelations of absolute truth

are commonplace and transitory,

the universe is an uncertain place.

Ludwig Wittgenstein July 1920

In 1915, Wittgenstein’s whistling

a Mozart clarinet concerto whilst

on active service in the artillery

workshop in Cracow in spite of his

rupture seems to be a quite different

phenomenon from the stain which has appeared

on our bathroom ceiling.

AT MYCENAE 1984

Behind the lintel of the Lion Gate,

swallows had built their nest. Two Mirage jets,

burning Nato dollars, buzzed the valley.

A sweatstained, overweight American

squatted in the shade of the ashlar ramparts,

fanning himself with a bush hat. “Hey, which

pile of stones is this?” A veteran’s pension

kept him in exile. His mom and dad

had once stood arm-in-arm with that eager,

cropped marine recruit, who was altogether now

someone else. Thanksgiving and each birthday,

he would call collect. “This is the country

to screw up with your folks!”… He lies in the bunker,

smoking a joint. The black sergeant plays Hendrix

on his new Hitachi. From six miles

up the valley, NVA artillery

blow their minds… Parts of his skull were wired

like a broken vase. On the tourist bus,

his compatriots avoided him.

He smelt of despair, was a friend, a son,

brother missing in firefields of tattered

flags. Survivor’s guilt confounds. How he longed

to talk of Khe Sanh, how often spoke of

America! Swallows dipped above him,

under the gate. He did not look at them.

 

Note: this piece has been subsequently published in ‘A Jar of Sticklebacks’ – http://www.armadillocentral.com/general/a-jar-of-sticklebacks-by-david-selzer