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Atlantic Slave Trade

THE WOMAN IN THE WHEELCHAIR

He had gone to the island to die – or to

disappear. He would decide as the minutes,

the hours, days, weeks unfolded like a map.

He had chosen the month of August

assuming that, because of the tropical

heat, there would be fewer visitors then.

He had chosen to go to that island

in particular because it was where

his ancestors had been taken in chains.

 

Although the noisy air conditioning

in his room was on full power the air smelt

of damp and of plants. He switched the machine off,

opened the balcony doors, and stepped out

into the sunlight, and the heat. Before him,

perhaps no more than fifty feet away,

was what appeared to be pristine jungle.

He could smell the exotic vegetation.

To his left he could see the silvery beach,

and the Caribbean a shining turquoise –

to his right, on the next balcony,

a woman in a wheelchair. Though her face

was mostly obscured by an elegant hat,

he noticed her skin was the colour

of amber – and that, despite the heat,

she was wearing long white cotton gloves.

She seemed to be asleep. He withdrew quickly.

Naively he had not thought about neighbours.

 

The hotel was full of guests. On that island

in the month of August hotels catered

for conferences. The one next to his –

vast, modern, and gleaming with reflective glass –

was hosting Gospel Churches of the Delta.

Though some delegates were accommodated

in his hotel, sleeping and eating there,

morning, afternoon and most of the evening

the place was empty but for members of staff,

himself, and the woman in the wheelchair.

He had hoped therefore to find somewhere tranquil

to think through in detail the whys and wherefores,

the ways and means of his disappearance

or death, but the woman moved her wheelchair –

through dull corridors, across shabby lounges,

on worn pathways between the coconut palms –

like a Para-Olympic athlete,

with speed and precision, being able to stop

and turn on a dime. He understood the gloves

now, giving her extra thrust. She seemed

to wear a different colour every day: blue

yesterday, today red, white tomorrow?

Was she a patriot, or a joker,

in her own private circle of hell?

 

He studied the conference delegates

at breakfast. They did not seem particularly

blessed or enraptured – then suddenly realised

that it had been his obsession with

the minutiae of other people’s souls,

their internal lives, that had brought him here,

and that he was becoming obsessed with his

new neighbour, as he had started to think

of the woman in the wheelchair.

It was not the accumulation per se

of all the years of pettiness, pathos,

horror he had heard in the confessional

which had undone him, but the fact that if he,

only feet away from these suffering souls,

could do nothing to help except regurgitate

platitudes in that mega city, what chance

had an abstraction somewhere beyond.

 

In the early hours of the fourth morning

before the air conditioning was needed

to prevent his room becoming too warm,

using the hotel stationery he began

a mind map – in his precise almost

miniature calligraphy – of the ways

he might disappear or die, and realised

he could only effectively do

the former if he first did the latter.

Unsure how he felt about his choices

reduced by half, he showered, went to breakfast

taking the carefully folded map with him.

 

He decided that if he walked quickly

behind the woman in the wheelchair

she would always be more or less out of sight.

She must have changed direction at some point

because they met on one of the pathways

through the palms. ‘Coming through’, she called out

charmingly, and, smiling, ‘Thank you so much’,

as she passed him. He stood to one side,

like a retainer, unable to speak.

He noticed she was wearing the white gloves.

 

Eventually he found somewhere quiet

to contemplate his destiny. The hotel

was on the south east coast of the island

so faced the sun for much of day.

In the late afternoon, looking for shade,

he walked along the beach towards where the sand

and the jungle met. He found an ancient

baobab tree, took shelter in a vast cleft

in its trunk, and unfolded the mind map.

As he studied it, he remembered reading

that baobabs could live for a thousand,

two thousand years, that they had grown here

from seeds drifting across the Atlantic,

following the currents from West Africa,

on the base line of that triangular trade –

and realised his map took no account

of accidents, coincidents, irony.

He decided to bury it. As he dug

he looked up suddenly. A sting ray,

perhaps twenty feet across, had risen

from the sea barely fifty yards away,

on its giant wings of pectoral cartilage.

As it dived another rose, and another.

He got to his feet. He had to tell someone.

He would tell the woman in the wheelchair.

 

 

 

 

HARD LABOUR

An ex-colleague, about whom I have heard nothing

for thirty or forty years, has died

quite recently from prostate cancer

I have learned from a chance encounter

with Miranda, a mutual acquaintance.

Paul had been an able linguist, fluent

in French and German, a charismatic

teacher – and a very heavy drinker.

The last I had heard of him he had gone

to teach English in Isfahan, Iran –

presumably a cold turkey cure

in one of the world’s most beautiful cities.

When he died he was living in Alvor,

in the Algarve, under a pseudonym –

Sebastien Melmotte – Miranda told me,

though she could or would not tell me why

but, chuckling, reminisced about Paul’s

extensive repertoire of bad impressions.

 

Later, a search on the internet told me

that in the 1990s Paul had taught

at a prestigious private girls’ school

in Lagos, and had a large apartment

in the city centre. At his trial

it was alleged he lured street boys there

and prostituted them – which he denied

then, and subsequently. He was sentenced

to twelve years hard labour, and served two

in Kirikiri Prison near Lagos

before being pardoned by the President

and deported to the UK. For a time

he lived in his late mother’s house in Widnes,

which was opposite a primary school.

The local press and the BBC found out.

He was shouted at in the street, went out

only after dark – then disappeared one day.

 

I recalled Miranda’s parting remark.

‘I think, and so do others, that he was

unjustly treated’. Did she mean he was

innocent of the charges and/or

should not have been accosted in Widnes?

From memory, in the staffroom, the only

environment in which I knew him,

he seemed stolidly heterosexual,

and was rumoured to be pursuing

the mother of one of the pupils.

But perhaps that was a front – and a high risk

one at that. Maybe the risk was what

really mattered – in Isfahan, Lagos?

Do some of us deliberately chose

a life of hard labour? I think he got

irony. If so, ending his days

in Alvor – a thirty-minute drive

from the port of Lagos that gave its name

to the Nigerian capital, and was

the centre of the European slave trade,

still preserving the purpose-built market

where African slaves had been sold – might have

made him a tad rueful.

 

 

 

AN AMERICAN DECADE

We watched the moon landing on a small tv –

black and white, of course – in a house built

the year before the First World War began,

when Britain’s was the richest, most powerful

empire the world had ever known, committing,

like a recidivist, seemingly endless

crimes against humanity in Africa

and South East Asia, its offences

in southern Ireland and the Scottish Highlands,

Australasia and the Americas

having already become history.

Not far from the house was the Mersey

and the Port of Liverpool (built on cotton),

at the Empire’s zenith the world’s busiest.

 

TVs in the States, of course, had been colour

since the 50s.  The ‘60s – which ended

with Old Glory’s triumph in the Space Race

over the Soviet Empire – included

the assassination of a president,

a descendant of Irish immigrants,

and the lynching of three black men, descendants

of African slaves.

 

 

‘DARKWATERS’, TATE LIVERPOOL, 2023

David Selzer By David Selzer1 Comment2 min read671 views

‘High in the tower, where I sit above the loud complaining of the human sea, I know many souls that toss and whirl and pass, but none there are that intrigue me more than the Souls of White Folk.’

‘The Souls Of White Folk’, DARKWATER, W.E.B.Dubois, 1920

 

Much of the stone and brick of this city – built

along the river’s shore and the low hills

rising from it – was made from sugarcane

and cotton, cut from the backs of African

slaves, like much of the fortunes of England.

 

The Victorian dockside buildings have been

reengineered into apartments; gift shops;

eateries; a museum dedicated

to international slavery;

and one of four Tate art galleries,

named for Henry Tate, sugar magnate,

who endowed the first one in London,

then capital of a world wide empire

powered by subjugation and thievery.

 

Each of the upper floors of the gallery

has kept the original, large, multi-paned

windows of the dockside warehouse, masked

as needed for exhibitions. The one

I am standing at faces west, down river,

towards Ireland, the Atlantic, the New World.

I can see the mouth of the estuary,

the beginnings of Liverpool Bay –

and imagine the molasses factory,

not far downstream, the Luftwaffe turned

to rubble, buckled girders and treacle.

 

On the walls and display boards behind me

are works from the Tate’s Turner collection:

sketches and water colours and oils of things

maritime – of turbulent seas lit

by a bright almost harsh opalescence.

Two of Lamin Fontana’s audio

installations are playing on a loop –

music and voices; the sounds of servitude,

pain and longing, immersed in the oceans.

 

Three thousand miles or more west south west

in Boston’s Museum of Fine Arts

is Turner’s THE SLAVE SHIP, originally

entitled SLAVERS THROWING OVERBOARD

THE DEAD AND DYING—TYPHOON COMING ON.

The background is the storm approaching

against a romantic sunset of

violent orange; the middle ground

a top-sail schooner, sails furled, buffeted

by the unquiet seas; foregrounded are white birds

in flight, black manacled limbs sinking, black hands

briefly above the tumultuous waves.

 

 

‘THE CARIBBEAN EXPERIENCE’

David Selzer By David Selzer4 Comments1 min read647 views

Our present government, unfairly perhaps,

is often caricatured as self-serving,

racist and incompetent – and yet,

with a rather modest investment

of taxpayers’ money, has published

a report which may revolutionise

our study of history, showing

not just the costs but the benefits

to victims of great crimes: ‘There is a new

story about the Caribbean

experience which speaks to the slave period

not only being about profit

and suffering but how culturally

African people transformed themselves

into a re-modelled African/Britain.’

 

After ‘THE CARIBBEAN EXPERIENCE’

an ambitious revisionist might write of

‘THE BRAZILIAN EXPERIENCE’ – where

half of the ten million were enslaved – then

‘THE REWARDS OF THE U.S. PENAL SYSTEM’,

and ‘APARTHEID: THE BLACK DIVIDEND’.

Next might come three or four new volumes

commissioned under the generic title

‘THE BENEFITS OF GENOCIDE’: as witnessed

in Australasia, the Americas;

by the Armenians; the Uyghurs;

the Roma and the Jews.

 

 

 

 

FOUR SCREEN PLAYS

I wrote the screenplays between 2001 and 2008. They are presented below in the order in which they were written. Each is set against the background of armed conflict.

I was inspired to learn how to write screenplays as a result of a number of conversations in New York in August 2001 with Annabel Honor-Lissi, a fellow creative, and digital tutorials with her which followed.

 

THE MEMORIAL

The Memorial is about redemption through kindness, compassion and love.  Set in the immediate aftermath of the 1st World War, it is a love story that explores class, religion and anti-war issues through the eyes of Captain Edward Standish VC.  Much of the action takes place at Standish’s country seat, in a Midlands village dominated by a colliery, as well as in London where the Captain meets and commissions artist Clara Zeligman.  The Memorial also takes us to the battlefields on the French/Belgian border where Standish had faced the toughest moment of his military career – an event that haunts him throughout the story.

Download The Memorial by David Selzer (Copyright David Selzer)

 

 

LOYALTIES

Loyalties begins in 1936, when Kathy, sixteen, beautiful, a film fan and fascinated by Elizabeth, last Empress of Austria, about whom she secretly writes romantic fiction, leaves Llandudno to train as a nurse in London. In 1940, she goes to the Isle of Man to nurse refugees from Nazi Germany interned as enemy aliens and falls in love with Peter, an Irish barman, whom, she discovers, is an IRA Bomber whose real name is Pearse. He renounces violence, though not the cause, for her – until she is the victim of an attempted rape. Pearse murders the likely suspect (who is an undercover Special Branch officer). In despair, she rejects Pearse. She returns home pregnant – and tells her mother that she was married in the Isle of Man but that her husband has been killed in action. In 1946, Pearse – now prosperous and married but still active in the struggle – finds her (and their daughter). She rejects him again.

Download Loyalties by David Selzer (Copyright David Selzer)

 

ALTOGETHER ELSEWHERE

Altogether Elsewhere is a tragi-comedy of errors, driven by character, coincidence and circumstance. Both of the main protagonists were born on the same day in 1953 in Liverpool and Daytona respectively. One becomes an acclaimed documentary and fashion photographer, the other a Vietnam Veteran selling oranges by the roadside in Portugal. The story – set against a background of the decline and fall of empires – focuses on key episodes in their lives from 1961 to 2002.

Download Altogether Elsewhere by David Selzer (Copyright David Selzer)

 

IN THE LION’S MOUTH

In The Lion’s Mouth is set in 1865, in a Venice under Austrian occupation, and against the background of the Risorgimento, the revolutionary movement to unify Italy. The story describes a love affair which, bedevilled by jealousy, possessiveness, intrigue and racial and religious prejudice, comes to a tragic and violent end. Though set in the past, the story portrays contemporary issues – particularly those of mixed race and of terrorism. The two main protagonists are a Liverpool sugar heiress of mixed Afro-Caribbean and European origin, who is in her early thirties, and a Austrian Jewish doctor in his forties, a widower, who is attached to the Austrian occupation forces but an active though covert supporter of the Risorgimento.

Download In The Lion's Mouth by David Selzer (Copyright David Selzer)