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Beatrice

THE COMEDY OF LOVE

In our time we have sashayed by the Arno,

we have loitered on the Ponte Vecchio

in our time – as if Beatrice and Dante

were liberated from their fine romance,

their courtly allegory of love,

their dalliance with Mariolatry.

But even in Florence it rains, cascades

down the Basilica and the Uffizi,

darkening terra-cotta, marble, limestone.

Lovers repair to bars for sambucas

each with three coffee beans – the holy

trinity of health, wealth and happiness –

to be lit then snuffed before imbibing,

like brief votive candles.

THE LAST OF BRITAIN

The when, where, why of the last of Britain

is not easy to pinpoint exactly.

 

Perhaps it was Dudley Moore, the comic actor

and skilful musician, drunk, approaching

Princess Margaret at some exclusive do

and slurring, “Good evening, your royal highness.

I suppose a blow job is out of the question?”

 

Or the woman herself choosing not to be buried

with her peers, but cremated in Slough.

 

Possibly it was the Queen and her consort,

walking like storks, among the tributes to

The People’s Princess – or the tributes per se.

 

Probably it was the vicar’s daughter,

the mistress of orotund cliché and

patronising retort, inviting herself

to Florence to tell the world the Continent

was cut off yet again – in that city

of beauty and feuds, where Galileo

was denounced, and Dante encountered Beatrice.

 

***

 

Ford Madox Brown’s ‘The Last of England’ depicts

an emigrant couple – youngish, well dressed –

on a windswept deck beneath Dover’s cliffs.

The man is stricken by their anxious future –

the woman is trusting or stoical.

Her right hand holds his, her left clutches

that of a child hidden under her cloak.

Behind them on the stormy deck there is

roistering, bravado.

 

 

 

Note: The poem was first published on Facebook on 4.10.17.

 

 

 

THE CONSOLATION OF PHILOSOPHY

‘Senator Boethius is the last of the Romans whom Cato or Tully could have acknowledged as their countryman.’

Decline And Fall Of The Roman Empire, Edward Gibbon

 

Dante and Beatrice saw Boethius –

the sixth century consul, chamberlain,

intellectual and family man –

in Paradise: one of the twelve shining lights

in the sun’s heavenly firmament,

along with Solomon and Aquinas.

 

Imprisoned in a tower for alleged treason

and under sentence of execution,

he wrote De Consolatione

Philosophiae, a dialogue

between himself and Lady Philosophy,

reflecting – he in prose, she in poetry –

on wealth’s and fame’s transitory nature,

on virtue transcending fortune: almost

glib, smug if it had been written in freedom.

His paragon, Plato, would have inspired him,

and Socrates busy in prison.

Did he act it out in his loneliness?

 

His assassins – who killed him, according to

conflicting accounts, with axe, sword, club, garrotte –

did not record his last words. He was murdered

on orders of Theodoric, his erstwhile

friend, king of the Goths and Italy.

He was venerated as a catholic

martyr, allegedly walking headless

in death, and a catholic theologian,

his revered writing influencing

Augustine, for instance, as well as Dante,

masters and servants of allegory.

He was without any superstitions

or Christian beliefs, and zealous

for the public good so might have found such

hagiolatry amusing – or merely

a sign of their dark times.