Tag Archives

birds foot trefoil

GRAND DESIGNS

Herons and egrets rise from the same shared ground –

a silted tidal estuary – rise

among expanses of marshland grasses,

vivid as shamrock, darker than samphire;

fly north on measured wing beats towards the sea,

to fish where the tide is slowly ebbing.

 

Beside the dirt path in the wild border

are campion, vetch, and bird’s foot trefoil –

scatterings of gold and purple and pink

and ancient names among the stinging nettles,

those tale-tellers of broken habitations.

 

Each sandstone block of the now redundant

two mile long sea wall was planned, ordered, paid for,

quarried, cut, carted, meticulously laid.

Now, in its foundations, scurvy grass grows.

 

 

 

ECO-WARRIOR

David Selzer By David Selzer4 Comments1 min read1.7K views

for Elise Oliver

 

If, when I grow even older than I am

now and were, perhaps, too old to make poems,

I would become a sower of wildflowers.

 

Each year, I would begin with the Narrows,

an ancient path where our street ends –

where children are walked to school, commuters

walk to work, and revellers sway home

caterwauling. Each spring and summer

in the unkempt verges there would be the sight

and scent of Bird’s-foot Trefoil, Kidney Vetch,

Viper’s Bugloss, Common Agrimony.

 

Next I would target driveways that had been

front gardens. Under cover of masking

a cough or saluting an imagined friend

I would scatter Yarrow, Borage, Cornflower,

Common Goatsbeard, Purple Loosestrife, Herb Robert.

 

There is a section of our local park,

between a laurel hedge and cast iron railings,

a glade of Stygian dimness, filled

with modest monuments to the dead.

I would broadcast Field Forget-me-not,

Meadowsweet, Welsh Poppy, Cowslip, Corn Cockle.

 

To plan for when I could no longer shuffle

about the neighbourhood I would recruit

a volunteer band of almost antiques.

I would train them in our back garden

in techniques of broadcasting and dissembling,

and receive their reports, in due course,

on our colonisers’ colours, perfumes,

the roll-call of their names.

 

 

 

 

 

ACROSS THE WATERS

Walking – toward the town – down Henlys Lane,

its low, lichen covered dry stone walls

adorned with bird’s-foot trefoil, its borders

with cow parsley and, where run-off

gathers from Baron’s Hill, red campion,

we note ahead, amongst the cattle,

the usual, large flock of herring gulls,

facing south in the low-lying marshy field.

All as we have come to know and like.

But, today, we hear an explosion – loud

enough but too workaday to be thunder.

We stop and look beyond the library,

the castle and the Straits to search the mauve

galleries of Bethesda’s slate quarries.

Nothing disturbs the distant, hazy stillness.

 

Later, on the way to the car, we pass

the unfinished Plantagenet castle

the final subjection of the Welsh made

redundant and hear a second blasting

from across the waters – and I know

how favoured our generation was removed

from wars, and how, like flowers, tenuous,

robust, our path to the future or the past.

 

 

 

LA PERRUCHE ET LA SIRÈNE

‘Even if I could have done when I was young what I’m doing now –
and it is what I dreamed of then – I wouldn’t have dared.’  Henri Matisse

 

In his early eighties – a magician
in colours with his (genuinely)
lovely assistant, Lydia – Matisse
creates a canvas, twenty five foot
by eleven, of pinned-on then glued-on
painted paper cut-outs of fronds and fruits,
in many colours, and a profound blue
parakeet and a profound blue mermaid –
seductive, tropical and teeming…
his Oceania revisited,
his northener’s revelation of the south.

There are parakeets – befittingly green –
in the Surrey Hills and mermaids rumoured,
hair flowing fast, far upstream in the Wey.
There are, for certain, by Afon Conwy
sea lavender, thrift and birds foot trefoil
and, in the channels the low tide forms,
curlews and egrets wading and the sea-racked,
black struts of wrecks. Beyond are the purple, mauve,
lilac mountains…my epiphany, my south.

I cut and paste at will and muse with my
‘assistant’ of so many years – lovely,
genuine – on art, youth and aspiration.
Had I known when I became a poet
half a century ago that I could write
this then would I have dared?