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Blackberries

GUILT

All the best places were forbidden, disused,
decrepit, far from net curtains, aunts,
mother spoiling a lost fatherless boy.
Best was the brickworks. We thrust, like commandos
sharp with twigs and fear, through undergrowth
into the yards. Blackberries burst, purpling
in private summers. Once, I hid in reeds.
A sundew glistened. A horsefly hovered.
I heard my companions calling, calling…
My mother met us raging, loving before
friends who had fathers. Shame prickled my face
the blackberries had stained.

 

 

 

HEAR THE DRUMS

This full length stage play focuses on Jamila, a sixteen year old girl of mixed Afghani and English parentage: on her struggle to determine her cultural identity, her longing for her father whom she has been brought up to believe is dead but whom she discovers, by chance, is alive and a prisoner of the Americans in Afghanistan – and her confronting the lies and misunderstandings that have had such tragic consequences for her family.

You can download the main text as a pdf:

HEAR THE DRUMS MAIN TEXT

A list of characters, information about where and when the action is set and acknowledgements are also available as a pdf:

HEAR THE DRUMS – CHARACTERS, LOCATION, ACKNOWLEDGEMENTS ETC.

 

 

Note: the play was a prize winner in the Sussex Playwrights’ Club 2009 Full Length Play Competition.