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Boston

CELEBRITY

Bought for the Coronation,  our first TV

had a nine inch screen. It stood in a corner

of the front room. My grandmother, who

had outlived two husbands, two World Wars,

and once had tea with Buffalo Bill,

thought that those appearing on ‘the box’

could see those watching, so was discerning

about whom she chose to watch, and when.

 

She particularly liked ‘What’s My Line?’, an import

from America, in which a panel

of four TV ‘personalities’ guessed

what a range of guests did for a living.

It was broadcast early Sunday evenings.

An hour before she would heat her curling tongs

in the small range in the kitchen. The house

would fill suddenly with the smell of singed hair.

 

Her favourite panellist – she thought him ‘refined’ –

was Gilbert Harding: a choleric,

Cambridge graduate; a poorhouse orphan,

prematurely middle aged; a good

BBC voice with the proper vowels,

a hint of tobacco. The Corporation

kept his secret, when ‘the love that dare not

speaks its name’ risked penal servitude.

 

Outed by the tabloids ‘as the rudest man

in Britain’, he was recognised in the street.

He described himself as a ‘tele-phoney’,

and recounted a journey on the Tube

from Russell Square to Oxford Circus

when he was pointed out, and fêted,

while, at the other end of the carriage,

T.S. Eliot was ignored. Old Possum,

another smoker, feared ‘the television

habit’, thought the word itself ‘ugly

because of foreignness or ill-breeding’.

Eliot, a confused anti-Semite,

and Groucho Marx were mutual fans.

As the latter might have said to the former

on the one occasion they ate together,

‘Tom, just because you’re a genius,’

flicking cigar ash, raising an eyebrow,

‘doesn’t mean you’re not also a schmendrick!’.

Harding lived for many years in Brighton,

whose bus company named a bus after him –

i.e. ‘bus’ as in short for ‘omnibus’.

 

My grandmother filled part of my childhood

with tales of her girlhood in Liverpool

from some sixty years before: the bloody

sectarian skirmishes; the frequent

prophecies of the end of days; the hulks

beached and rusting on the Cast Iron Shore

at the bottom of her steep street; and the boy

next door gone to America, and lost.

I can still recall his name six decades on –

and many decades since he sailed to Boston –

Johnny Flaws, Johnny Flaws.

 

 

 

 

PHILLIS WHEATLEY: 1753-1784

David Selzer By David Selzer2 Comments2 min read1.8K views

Enslaved in the Gambia or Senegal,

scholars surmise, she survived the nauseous

and violent bottom line of the

Triangular Trade to be bought aged eight

as a maid for his wife by John Wheatley,

merchant and tailor of British-ruled Boston,

a known progressive in education.

 

She was christened ‘Phillis’ after the slave ship

that took her childhood. She was prodigious,

and was removed from domestic duties.

Tutored by his daughter, at twelve she knew

Latin, Greek, the Bible and, later,

became a true genius of Augustan

couplets – their wit, their beat, their certainty.

With her master’s son, she went to London,

where her poems were published to some acclaim.

Her encomium to George Washington

was re-published by Thomas Paine. ‘Proceed…

A crown,  a mansion, and a throne that shine,

With gold unfading, WASHINGTON! be thine.’

 

Ah, how we tolerate unflinchingly,

unthinkingly absurd and absolute

contradictions – freedom and servitude,

enlightenment and doctrinal dogma!

‘Twas mercy brought me from my Pagan land,

Taught my benighted soul to understand

That there’s a God, that there’s a Saviour too:

Once I redemption neither sought nor knew.

Some view our sable race with scornful eye,

“Their colour is a diabolic die.”

Remember, Christians, Negros, black as Cain,

May be refin’d, and join th’ angelic train.’

 

On Wheatley’s death she was freed – all that his will

left her: liberty without means. She married

a free black grocer. They lived in poverty.

Two infant children died. And yet she wrote –

but without white, male or titled patrons

was unpublished. Her husband was jailed for debt.

She supported herself and her sickly son

as a scullery maid. One December day

they died in squalor, were laid in unmarked graves.

 

What did she choose to remember of the seas

pounding against the timbers, and the cries,

and the chains days after days after days?

Or the drums into the night; or the smoke

from the cooking fires at dawn; the bright clothes;

the songs; her mother’s voice?

 

 

Note: The poem was first published on the site in July 2015.  It is published here with minor amendments.

 

 

 

PHILLIS WHEATLEY: 1753-1784

David Selzer By David Selzer2 Comments2 min read2.7K views

Enslaved in the Gambia or Senegal,
scholars surmise, she survived the nauseous
and violent bottom line of the
Triangular Trade to be bought aged eight
as a maid for his wife by John Wheatley,
merchant and tailor of British-ruled Boston,
a known progressive in education.

She was christened ‘Phillis’ after the slave ship
that took her childhood. She was prodigious
and was removed from domestic duties.
Tutored by his daughter, at twelve she knew
Latin, Greek, the Bible and, later,
became a genius of Augustan
couplets – their wit, their beat, their certainty.
With her master’s son, she went to London,
where her poems were published to some acclaim.
Her encomium to George Washington
was re-published by Thomas Paine. ‘Proceed…
A crown, a mansion, and a throne that shine,
With gold unfading, WASHINGTON! be thine.’

Ah, how we tolerate unflinchingly,
unthinkingly absurd and absolute
contradictions – freedom and servitude,
enlightenment and doctrinal dogma!
‘Twas mercy brought me from my Pagan land,
Taught my benighted soul to understand
That there’s a God, that there’s a Saviour too:
Once I redemption neither sought nor knew.
Some view our sable race with scornful eye,
“Their colour is a diabolic die.”
Remember, Christians, Negros, black as Cain,
May be refin’d, and join th’ angelic train.’

On Wheatley’s death she was freed – all that his will
left her: liberty without means. She married
a free black grocer. They lived in poverty.
Two infant children died. And yet she wrote –
but without white, male or titled patrons
was unpublished. Her husband was jailed for debt.
She supported herself and her sickly son
as a scullery maid. One December day
they died in squalor, were laid in unmarked graves.

What did she choose to remember of the seas
pounding against the timbers and the cries
and the chains days after days after days?
Or the drums into the night; or the smoke
from the cooking fires at dawn; the bright clothes;
the songs; her mother’s voice?

 

 

 

AUGUST 4TH 2014

An exceptionally sunny, cloudless day

has packed Benllech Beach at low water

with hundreds of gaudy strangers. Meanwhile,

the pomp begins and ‘sacrifice’ is talked of

as if the lambs themselves had chosen it.

 

On the clear horizon, container ships

and oil tankers are hoved to, waiting

for high water so they can safely clear

the Liverpool Bar – a compacted sandbank –

something I have seen many times but

only now recall a great grand father,

retired from sailing ‘coffin ships’ to Boston,

was captain of the Bar lightship. He died

before the century turned so never saw

his oldest son earn his Master’s Ticket

nor learn he had chosen to go down

with his ship, torpedoed off Cape Verde.

 

As the waters rise the fainthearted leave.

The inexorable ships steer east.

The day will end with Sir Edward Grey’s

metaphor of the lamps made fatuous.