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brass plaque

WITHOUT END

Now old enough at seven to sleep

in a little tent with her cousins

in the garden on a July night, she was

abducted, stifled, man-handled down

the shallow hill to the pebble beach

below the paddling pool, abused, murdered.

 

Next to the shelter by the pool, the council built

a playground with climbing frame and slide,

removed part of the shelter to house

a memorial her parents commissioned –

an open metal box, almost an altar,

with a brass plaque, and low enough for even

the smallest child to place flowers or a toy.

 

The robust play equipment has survived.

The subtle memorial was vandalised,

so often, it was removed – leaving

only rust stains on the tiles. The plaque

was placed on the shelter’s seaward wall.

 

The plaque is a little tarnished, lettering

no longer pristine. Neglect – or design?

I would imagine at dawn on a clear day

its glinting in the sun and a chance

mariner wondering at such a light

on the shoreline of a seaside resort.

Yet better, perhaps, it’s weathered – forever,

for always, baffling the stinging spray

of winter’s highest tides or catching

moonlit, calm, summer seas.

 

 

 

WHICH PASSETH UNDERSTANDING

David Selzer By David Selzer0 Comments1 min read352 views

With wind soughing in the churchyard yews,

lichen marking the gravestones of labourer

and landowner, Saxon foundations,

mediaeval tower, sunlight fitful

through worthy Victorian stained glass,

a brass plaque for ‘those who gave their lives’,

the wheezy organ, the orotund Order

for the Burial of the Dead, ‘I am the

resurrection and the life…’ the vicar’s

gentle eulogy of the deceased,

one is almost tempted to wish God

were in his heaven where ‘we shall all

be changed…in the twinkling of an eye’

but common sense prevails.