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Brexit

THE PRICE OF FISH AND THE VALUE OF NOTHING

When I was a boy I was often taken

to the aquarium on the promenade

by the Palace Pier, Brighton – a resort

and commuter town on England’s south east coast.

It was an hour’s train journey from London

on the Pullman Brighton Belle – with its curtains

and its table lamps – restored to pre-war pomp.

My favourite tank was devoted to sea fish

found in the English Channel – teeming still

from wartime’s cessation of fishing.

There were skate and flounder, dogfish and sole,

mullet and turbot, stingray and dab.

The Channel’s bluey grey waters pushed and pulled

the pebbly beach a bucket and spade away.

 

***

 

Our coastal waters have become the scoundrels’

last refuge, and the continent of Europe

has been cut off from us by a fog,

a miasma of xenophobia

and racism, hatred and envy,

lying and denial masquerading

as patriotism, truth and fact.

Being here at this moment is like

living among a hidden enemy,

aliens disguised as human beings,

a fifth column of racists and xenophobes,

latter-day Platonists obsessed with

abstractions and capital letters.

 

***

 

Piers – their width and length, their cast iron

stanchions and curlicues, the size and range

of their entertainment pavilions, the chance

of swaggering above the briny – were

a hallmark of the best resorts. Brighton

had two – Palace and West, the latter

my favourite as a boy with its small funfair,

green painted wrought iron slot machines,

and glass screens to keep the weather off.

Bankruptcy, neglect, storms, and arson,

over the last fifty years, have left four columns

and the skeletal remains of the tea room.

No one in authority appears

responsible for these vestiges –

which are like some permanent wreckage

of war, a parable of our civic life.

 

 

 

THE BLACK CARAVAN

The front page of Brexit Day’s Forgers’ Gazette

was a photo of the White Cliffs of Dover

with ‘A NEW DAWN FOR BRITAIN’ superimposed

on the blue sky above  – and the sun, by chance,

highlighting the erosion of the chalk,

ephemeral and flaky as metaphor.

 

***

 

After the war, when things were in short supply,

and we had drawing, occasionally,

I drew a layered landscape with wax crayons:

blue sky with bird and cloud, bright green grass,

and high, white cliffs, and a black caravan,

where the stony beach and the chalk bluff met.

I imagined myself inside. My father

was lost in the war, my mother bereft.

I stroked the sugar paper into dreams.

 

***

 

Today, out of a bright sky, a northerly

is rushing, thundering through this copse

of larch and spruce. Among the trees camellias,

with their lustrous leaves, are beginning to bloom,

the colours rich amid the conifers.

The wind, through this stand of evergreens,

is almost louder than the roar of aircraft

overhead, coming into land nearby

with cargoes from France, stockpiling as for war.

 

 

 

 

ORGANISED CRIMES

I watched the TV parade of affluent

(and mostly public school) chancers, liars,

fantasists, hypocrites, law-breakers

vie to top each other’s warmed-up clichés

and self-serving platitudes. The social

and economic future dystopia most

seemed to desire would, they assured us,

bring out the British best in all of us,

just like the Blitz. I thought of bomb-razed

building lots in major cities still empty,

and a tale a cabby told me years ago,

taxiing me from the railway station.

 

As he dropped me off he looked at the house.

He asked if it had a cellar, with a door

opening onto the back garden. I nodded.

He and his mum, he said, had joined a silent

and lengthy queue to buy black market sugar.

‘A doctor lived here then, ran a racket

with the lad that worked at the grocer’s.

The lad did time. The medic got off scot-free.’

 

I did some research, worked out the dates.

Here, in this place of light we have made our home,

all those ordinary folk committed crimes

like common recidivists – while London

was bombed, and Coventry, and Liverpool,

and the BBC broadcast Churchill’s speeches

of carefully crafted rhetoric.