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Brighton

MISTAKEN IDENTITIES

‘The middle classes, in England as elsewhere, under democracy are morally dependent upon the aristocracy, and the aristocracy are morally in fear of the middle class which is gradually absorbing and destroying them. The lower classes still exist; but perhaps they will not exist for long. In the music-hall comedians they find the artistic expression and dignity of their own lives…With the dwindling of the music-hall…the lower classes will tend to drop into the same state of amorphous protoplasm as the bourgeoisie. T.S. Eliot, MARIE LLOYD, 1923

 

When I was a teenager in the ’50s

BBCTV, as if to prove

vaudeville were dead, would feature, at peak hours

music-hall acts in ‘variety shows’.

One such was G.H. Elliot, the self-styled

‘Chocolate Coloured Coon’. That a white, light tenor

and tap dancer should put on black-face, or rather,

brown-face, hence the ‘chocolate’, seemed no more strange

to my adolescence than Nuclear Tests,

Suez, Hungary, and the slowly emerging

truths about the Holocaust. In school,

about this time, we read The Journey

of the Magi – which prompted, sotto voce

at the back of the class, the cod carol,

‘We three kings of Warrington are, two

in a bottle, one in a jar’ –  and I thought,

possibly with youth’s wishful thinking,

the poet and the song-and-dance man were one.

I marvelled how the same person found time

to be both a ‘variety star’

and a ‘serious poet’, never mind

acquire the necessary know-how.

 

The poet has a plaque in Poets’ Corner,

Westminster Abbey. His ashes are buried

in East Coker, Somerset, from where

his ancestors moved to pillage and rape

the New World – and his anti-Semitism

has been duly contextualised.

The artiste’s headstone has been removed

from his grave in the parish churchyard

in Rottingdean – on England’s south coast

near Brighton, once popular with show-biz types –

pro tem, because of its ‘offensive language’,

which a stone mason will eradicate.

White, Christian entitlement, with its

patrician, imperial longings,

refreshing its lipstick…

 

 

 

 

CELEBRITY

David Selzer By David Selzer6 Comments2 min read2.3K views

Bought for the Coronation,  our first TV

had a nine inch screen. It stood in a corner

of the front room. My grandmother, who

had outlived two husbands, two World Wars,

and once had tea with Buffalo Bill,

thought that those appearing on ‘the box’

could see those watching, so was discerning

about whom she chose to watch, and when.

 

She particularly liked ‘What’s My Line?’, an import

from America, in which a panel

of four TV ‘personalities’ guessed

what a range of guests did for a living.

It was broadcast early Sunday evenings.

An hour before she would heat her curling tongs

in the small range in the kitchen. The house

would fill suddenly with the smell of singed hair.

 

Her favourite panellist – she thought him ‘refined’ –

was Gilbert Harding: a choleric,

Cambridge graduate; a poorhouse orphan,

prematurely middle aged; a good

BBC voice with the proper vowels,

a hint of tobacco. The Corporation

kept his secret, when ‘the love that dare not

speaks its name’ risked penal servitude.

 

Outed by the tabloids ‘as the rudest man

in Britain’, he was recognised in the street.

He described himself as a ‘tele-phoney’,

and recounted a journey on the Tube

from Russell Square to Oxford Circus

when he was pointed out, and fêted,

while, at the other end of the carriage,

T.S. Eliot was ignored. Old Possum,

another smoker, feared ‘the television

habit’, thought the word itself ‘ugly

because of foreignness or ill-breeding’.

Eliot, a confused anti-Semite,

and Groucho Marx were mutual fans.

As the latter might have said to the former

on the one occasion they ate together,

‘Tom, just because you’re a genius,’

flicking cigar ash, raising an eyebrow,

‘doesn’t mean you’re not also a schmendrick!’.

Harding lived for many years in Brighton,

whose bus company named a bus after him –

i.e. ‘bus’ as in short for ‘omnibus’.

 

My grandmother filled part of my childhood

with tales of her girlhood in Liverpool

from some sixty years before: the bloody

sectarian skirmishes; the frequent

prophecies of the end of days; the hulks

beached and rusting on the Cast Iron Shore

at the bottom of her steep street; and the boy

next door gone to America, and lost.

I can still recall his name six decades on –

and many decades since he sailed to Boston –

Johnny Flaws, Johnny Flaws.

 

 

 

 

THE PRICE OF FISH AND THE VALUE OF NOTHING

When I was a boy I was often taken

to the aquarium on the promenade

by the Palace Pier, Brighton – a resort

and commuter town on England’s south east coast.

It was an hour’s train journey from London

on the Pullman Brighton Belle – with its curtains

and its table lamps – restored to pre-war pomp.

My favourite tank was devoted to sea fish

found in the English Channel – teeming still

from wartime’s cessation of fishing.

There were skate and flounder, dogfish and sole,

mullet and turbot, stingray and dab.

The Channel’s bluey grey waters pushed and pulled

the pebbly beach a bucket and spade away.

 

***

 

Our coastal waters have become the scoundrels’

last refuge, and the continent of Europe

has been cut off from us by a fog,

a miasma of xenophobia

and racism, hatred and envy,

lying and denial masquerading

as patriotism, truth and fact.

Being here at this moment is like

living among a hidden enemy,

aliens disguised as human beings,

a fifth column of racists and xenophobes,

latter-day Platonists obsessed with

abstractions and capital letters.

 

***

 

Piers – their width and length, their cast iron

stanchions and curlicues, the size and range

of their entertainment pavilions, the chance

of swaggering above the briny – were

a hallmark of the best resorts. Brighton

had two – Palace and West, the latter

my favourite as a boy with its small funfair,

green painted wrought iron slot machines,

and glass screens to keep the weather off.

Bankruptcy, neglect, storms, and arson,

over the last fifty years, have left four columns

and the skeletal remains of the tea room.

No one in authority appears

responsible for these vestiges –

which are like some permanent wreckage

of war, a parable of our civic life.