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Bronze Age

ON PARYS MOUNTAIN

One day, back when a mobile phone was the size

of a small brick and ‘google’ was not even

a silly word, back when I was still working

for the county council, and you were

part time at the university,

when my work seemed to have come to comprise

persuading folk to work together

when they did not want to, I took a day’s leave

to enjoy your love and sanity. ‘Thou

Beside me singing in the Wilderness –

Oh, Wilderness were Paradise enow!’

 

We crossed the Menai Straits to Ynys Môn.

We were heading for Cemaes Bay on the island’s

north coast. For some reason I suggested

we made a detour to Parys Mountain –

actually a hill – the sign for which

we had often passed. We parked, followed the path,

and were suddenly above and among

the open cast mine where copper ore

had been extracted from the early Bronze Age

to 1940 – for ornaments

and armour, plumbing and coinage.

 

Apart from the sparse purples of heather

and the scarce pinks of rose bay willow herb,

the colours were blacks, browns, ochres, greys,

whites, oranges, yellows – and the earth

rock bare as moonscape. You reminded me

that some locations for episodes

of Dr Who had been filmed there.

 

We could see the remains of the railway

built to carry ore down to nearby Amlwch:

a fishing village that became a port

and an affluent town – the Copper Kingdom

of the World – and was now impoverished.

 

We drove home, reflecting on humankind’s

unending industry, and the spoils

of our perseverance.

 

 

 

 

 

THE MOLD CAPE

In what is now the back garden of a house –

a between-the-wars semi – in Mold, a town

in North East Wales, a gang of labourers,

one hundred and seventy years ago,

hired to demolish a burial mound –

known as Bryn yr Ellyllon, Goblin’s Hill –

uncovered what seemed to be small sheets of brass

on a small, fragmentary skeleton.

Cleaned, fitted together, a local scholar

declared them a Bronze Age cape of gold,

perhaps made to fit a royal child.

Since then the cape has been exhibited

in a glass case in the British Museum.

Imperial kleptocracy at work.

An artefact of such exquisite design

and craftsmanship could not have been allowed

to remain in a small market town where most

did not speak English, and were illiterate

in their own language. It was a place ringed

by the mining of iron, lead and coal;

a place where a riot about workers’ rights –

a reduction in wages, and miners

forbidden their mother tongue underground –

required four rioters to be shot dead

by soldiers of the King’s Own regiment.

After the discovery the mound was

completely razed. No record has been found

of the disposal of the bones.

Note 1: Ellyllon is pronounced ‘ethleethlon’

Note 2: The poem has been published in the 2022 winter edition of EAP: The Magazine – https://exterminatingangel.com/the-mold-cape/.