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Canary Wharf

MERIDIANS AND PARAKEETS

I am sitting on a bench beside the Thames

on a sunny April Saturday at Greenwich,

and watching the boatloads disembark

at Greenwich Pier. They wander through the erstwhile

Royal Naval College, and walk up the hill

to the Royal Observatory. They tread,

in its courtyard, the stainless steel strip

that marks the prime meridian which set

the clocks of a thousand shipping fleets.

I watch the river as it flows softly

past the Isle of Dogs on the opposite bank,

and the sun glint on the topless towers of

Canary Wharf’s Masters of the Universe.

 

I think of elsewhere: across the Hudson

near the Jersey shore, the view from Liberty

Island and Ellis Island of the isle

of Manhattan – its charm, its promise,

its threat – the Twin Towers still intact;

of the stone compass in the cliff-top

fortress at Sagres, the furthest south west point

of Europe, where the Mediterranean

and the North Atlantic meet, where Henry

the Navigator set his naval college,

some of whose graduates made the Slave Coast.

 

The Royal Naval College here, its elegance

and Portland Stone still pristine, was designed,

during the Restoration, by Wren,

Hawksmoor, Vanbrugh. It has become part

museum, wedding venue, grove

of academe. Mature London Plane Trees grow

in its expansive, graceful courtyard.

Rose-ringed parakeets – offspring of escaped pets

originally from India but now

naturalised through much of south east England,

and spreading westwards, and northwards – flit

their vivid green from branch to branch, their calls

squeaking like infants’ toys.

 

 

SOMETHING LOST IN TRANSLATION

We are in the thronging, discordant food hall
at Euston Station, London, sipping
a latte and an americano from Caffé Ritazza,
taking the first bite of our Upper Crust bagettes –
mozzarella & tomato, pastrami & emmental –
while looking out for the disabled pigeon
that hops, scavenging, under the tables,
when we are approached, politely, gently,
by a bearded man with a shabby shoulder bag
from which he presents us with
an asymmetrically trimmed piece of paper
comprising a printed list, which appears
as if processed on an Amstrad PC:
‘I am a deaf mute.
I have no work.
I have a family to support.
Please help me, for the love of God.’
He also leaves a professionally produced
Romanian (we think) prayer card.
We notice he has disseminated the sheets
and the cards to all the tables
in our vicinity. He returns for the harvest.
Some give, most do not. We contribute more or less
the tithe of our meal. He takes his printed sheet,
leaves us the card, nodding his unsmiling thanks.
He moves on. The cacophony returns.

On the Virgin train to Crewe, we log-on.
‘Maica Domnului’, the prayer begins
– Romanian, ‘Mother of God’. (The giver
may be Roma, we think – informed judgement
or prejudice). It is, we deduce,
St Augustine’s intercessory prayer.
On the front of the card an icon
of the Virgin and Child is reproduced.
Mother and son are appropriately doleful.
She points to him, as if saying, ‘He is the one’.
Perhaps we have been conned. Maybe
our meek beggar has an apartment at Canary Wharf,
with those other cartoon characters,
The Masters of the Universe, and our modest gamble
will not have paid off. In English, as in Romanian,
‘charity’ and ‘justice’ are Latinate words. The British,
like the Roman Empire, kept the concepts distinct.
Interestingly, in Hebrew, one word encompasses both.