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cargoes

DARK SOUL OF THE NIGHT

‘Oh the mind, mind has mountains.’ Gerard Manley Hopkins

 

Death ends but not every day dies with sleep.

Engines grind down at the darkened cross roads –

passengers tilt forward, cargoes shift –

then – headlights sweeping the room’s bare walls,

slashing the night – accelerate out of reach:

goods secured, people insouciant.

 

In the silence, in the empty stillness

that follows, I am awake, restless, waiting

then nightmared. I cannot control, resist –

whatever they are – ordinary thoughts,

admonishing angels, sheer demons. They

scale me, plunge me… Next day, all day, I feel

I have been in madness.

 

 

 

HERONS IN THEIR HABITATS, LOVERS IN THEIR LIVES

'The Heron Hunt', Eugene Fromentin 1820-1876

i

A heron – self-motivated, self-contained, aloof – stands,

between a potted phormium and a wooden Buddha,

on the roof of a houseboat on the Prinsengracht in Amsterdam,

two metres or so from passing cyclists on the embankment

and the nervous tourists queuing for Anne Frank’s house.

ii

A heron – undisturbed, unconnected, elsewhere – perches securely

on a fallen oak beside a Cheshire pond near the motorway,

and the cargoes and the cars bound for the docks

slow almost imperceptibly as they pass.

iii

A heron wades at the water’s edge by Beaumaris pier: an accomplished,

stilt-walker’s strides – elegant, certain, considered, entertaining.

The setting sun casts our close shadows on the planking.

In the distance, cloud shadows cross Snowdonia.

And we say, as we always say, ‘This is so beautiful’:

its disparateness; the stillness of the air; the calm of the straits;

the prism of colours; the indifference of the heron…

which, suddenly and hugely, takes to the air, calling, calling…