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Chester

UNINTENDED CONSEQUENCES

One early afternoon at the nadir

or the zenith of the so-called Cuban

Missile Crisis – a good or, rather, bad

two years before ‘Dr. Strangelove’ and ‘Fail-Safe’

were screened – I was waiting in the drear

and white-tiled catacombs of Liverpool’s

Central Station – where it always seemed

as if it were night and the blitz still on

and water appeared to drip continuously –

for the next train, under the Mersey,

to Chester, when I heard somewhere beyond me,

somewhere unidentifiable, a loud,

continuing roar like boulders crumbling

or, more likely, city blocks tumbling

onto the streets above and I feared

that either or both the shoe-thumping

Premier and the tanned President

had advanced Armageddon. I believed,

then, rhetoric and realpolitik

were one so the momentary fear was

visceral.

 

The Soviet Empire has been demolished,

the American reduced, not least

its consumption of Havana Cigars,

but Cuba welcomes all tourists, though those

with only U.S. dollars to exchange

are surcharged.

 

 

 

 

AN ABRIDGED HISTORY OF THE WORLD

David Selzer By David Selzer1 Comment2 min read1.7K views
‘Holt Bridge On The River Dee’ By Richard Wilson RA

 

Near where the Romans made pottery and tiles

from the rich boulder clay the Ice Age brought,

a fourteenth century eight arch sandstone bridge

spans the River Dee, Afon Dyfrdwy,

linking Welsh Holt and English Farndon.

The bridge’s stones are from the same quarry

as Holt Castle’s, the first the invaders built.

Three centuries later the Roundheads took it.

 

Occasional salmon from the Atlantic

navigate the industrial detritus –

found downstream below Chester, upstream

above Ruabon – to spawn in the shallow,

white waters of the river’s upper reaches.

But here the current flows tawny and deep –

past grazing dairy cattle – its banks choked

with sweet-smelling Himalayan Balsam.

On the Farndon side are Triassic cliffs

from when the earth had one continent.

Ancestral dinosaurs hunted here.

 

Richard Wilson, known, although born in Wales,

as ‘the father of English landscape painting’,

and acknowledged an influence by Turner

and Constable, has, of course, in part,

romanticised the scene. The middle distance –

the bridge, which a drover and his beasts

are crossing, still then with its gate tower

– the horizon – marked by the hills and mountains

of the Clwydian range – and the light

itself are the Welsh Marches to the life.

But the foreground seems more Campagna

than Cheshire – the side from which he has painted

the scene, from somewhere above the cliffs,

below which sheep graze and, on top of which,

are four figures, one female and three male,

framed by an Italianate-looking tree and bush.

 

Perhaps they are shepherds and a shepherdess.

Certainly, the youngest male is playing a flute.

But there is irony in this eclogue.

The older three are staring at the painter.

One, a staff or gun strapped to his back,

has climbed up the cliff to get a better look.

The remaining two are a rather portly

Daphnis and Chloë. The former lies prone,

his legs crossed at the ankles, one hand

propping up his head, the other holding

what appears to be a pair of sheep shears

or a broad-bladed knife. He seems affronted,

his mouth gaping. His Chloë – in a blue dress

and white smock, her legs tucked under her –

has one hand placed both possessively and

protectively across his back. She shields,

with her other hand, her eyes from the sun,

to see more clearly what has caused her swain’s

self-righteous, tongue-tied rage.

 

 

 

THE EMBRACE OF NOTHING

David Selzer By David Selzer3 Comments2 min read1.6K views



i

Rome’s legionnaires quarried its sandstone cliffs

and Ptolemy put the Dee on the map.

William the Conqueror, in winter,

force-marched his army over the Pennines

to reach the river and waste the town – the last

to submit.  For eighteen years, Prince Gryfyd

ap Cynan, shut in the keep, heard only

the river’s voice, dyfrdwy, dyfrdwy.

Parliament’s forces sent fire rafts downstream

to purge besieged citizens. On its banks,

King Billy’s infantry was camped

while, in the silting estuary, his fleet

provisioned for Ireland.

ii

The winter I had scarlet fever

my mother read me Coral Island.

While I was deliriously admirable –

with Ralph, Jack, Peterkin – Mao’s Red Army

crossed the Yalu. One person’s commonplace

is another’s Road to Damascus.

When the Apprentice Boys shut fast the gate,

they had the Pope’s blessing.

iii

Standing on the leads of Phoenix Tower

(eponymously, King Charles’), he saw

his cavalry routed on the heath, scattered

through its gorsey hollows and narrow lanes.

Watching Twelfth Night,  Charles crossed out the title

on his programme and wrote, ‘Malvolio –

Tragedy’. He was a connoisseur of

defeats. ‘I’ll be revenged.’

iv

On a Whit Monday, long before bandstand,

suspension bridge and pleasure steamers,

two watermen rowed an outing of girls.

When one of the men threw an apple,

they jostled to catch it. Shrill scrambling

upturned the boat and drowned them, lasses and men…

A school acquaintance, bright, admired, sculling

late on a December afternoon,

somehow – where the river curves like a sickle

round meadowland – upset the skiff and drowned

beneath that ‘wisard stream’.

v

Even here are Principles and the Sword.

Two Christian martyrs share one monument

on Richmond (then Gallows) Hill: George Marsh,

John Plessington, Protestant, Catholic –

distanced by three monarchs, a civil war,

a regicide and a little doctrine –

each burnt by the others’ brothers in Christ.

When Bobby Sands had starved himself to death,

some houses flew black flags.

vi

In the ten minutes or so it took me,

one bleakly raw February-fill-the-Dyke day,

to cross the ‘twenties suspension bridge,

pass the Norman salmon leap and weir,

return across the 14th century

three arch sandstone bridge to where I started,

by the bandstand with cast iron tracery,

the rising river – awhirl with the debris

of factories,  mountains, centuries

– had covered the towpath.

 

 

 

THE EMBRACE OF NOTHING

Chester, View from a Balloon, John McGahey, 1855

i

Rome’s legionnaires quarried its sandstone cliffs

and Ptolemy put the Dee on the map.

William the Conqueror, in winter,

force-marched his army over the Pennines

to reach the river and waste the town – the last

to submit.  For eighteen years, Prince Gryfyd

ap Cynan, shut in the keep, heard only

the river’s voice, dyfrdwy, dyfrdwy.

Parliament’s forces sent fire rafts downstream

to purge besieged citizens. On its banks,

King Billy’s infantry was camped

while, in the silting estuary, his fleet

provisioned for Ireland.

ii

The winter I had scarlet fever

my mother read me Coral Island.

While I was deliriously admirable –

with Ralph, Jack, Peterkin – Mao’s Red Army

crossed the Yalu. One person’s commonplace

is another’s Road to Damascus.

When the Apprentice Boys shut fast the gate,

they had the Pope’s blessing.

iii

Standing on the leads of Phoenix Tower

(eponymously, King Charles’), he saw

his cavalry routed on the heath, scattered

through its gorsey hollows and narrow lanes.

Watching Twelfth Night,  Charles crossed out the title

on his programme and wrote, ‘Malvolio –

Tragedy’. He was a connoisseur of

defeats. ‘I’ll be revenged.’

iv

On a Whit Monday, long before bandstand,

suspension bridge and pleasure steamers,

two watermen rowed an outing of girls.

When one of the men threw an apple,

they jostled to catch it. Shrill scrambling

upturned the boat and drowned them, lasses and men…

A school acquaintance, bright, admired, sculling

late on a December afternoon,

somehow – where the river curves like a sickle

round meadowland – upset the skiff and drowned

beneath that ‘wisard stream’.

v

Even here are Principles and the Sword.

Two Christian martyrs share one monument

on Richmond (then Gallows) Hill: George Marsh,

John Plessington, Protestant, Catholic –

distanced by three monarchs, a civil war,

a regicide and a little doctrine –

each burnt by the others’ brothers in Christ.

When Bobby Sands had starved himself to death,

some houses flew black flags.

vi

In the ten minutes or so it took me,

one bleakly raw February-fill-the-Dyke day,

to cross the ‘twenties suspension bridge,

pass the Norman salmon leap and weir,

return across the 14th century

three arch sandstone bridge to where I started,

by the bandstand with cast iron tracery,

the rising river – awhirl with the debris

of factories,  mountains, centuries

– had covered the towpath.

 

 

 

AND WITH A LITTLE PIN

Flint Castel, Samuel & Nathaniel Buck, 1742
Flint Castel, Samuel & Nathaniel Buck, 1742

 

 

 

 

 

 

 

 

 

 

On liberty’s last morning, he said mass

in the Great Tower – the chapel was cold

as winter. August’s sun warmed the rebels

riding along the estuary shore,

their drums silent. He watched from the walls.

At his back, the seas breaking on Ireland. King

and Usurper, first cousins, exchanged

purple words in the base court, a surfeit of

epithets: bombast, self-pity. Serfs

were indifferent but Richard’s dog fawned

on new majesty. The epicure

who bespoke a coat of cloth of gold

rode captive from Flint to London in the same

suit of clothes. Through Chester he was jeered, stoned.

 

Twenty miles inland,  a sandstone hill

 – sheer to the west – rises from the plain.

Parliament’s army sacked the castle.

Westwards there is the estuary’s mouth,

the livid sea. Above twitching fern,

a hawk stoops. Stones, flung into the well’s blackness,

fall through the hill seawards and never sound.

 

Beeston Castle, Cheshire, Benjamin Pouncy, 1773
Beeston Castle, Cheshire, Benjamin Pouncy, 1773