Tag Archives

chronicles

AMONG THE TRUMPETS

A committee of eight Hebrew scholars –

politically balanced between high church

and puritan – produced in Cambridge

University four hundred years ago,

what Tennyson called ‘the greatest poem’,

the King James’ version of The Book of Job.

They were not paid but promised possible

preferment – essential for some comfort

in the church and the groves of academe

of a country racked by civil strife.

 

Their contribution to the new monarch’s

pursuit of national unity

was ten books: from Chronicles – ‘These are the sons

of Israel…’ – to The Song of Solomon –

‘Let him kiss me with the kisses

of his mouth.’ The Book of Job was the sixth.

 

Imagine a committee of divines,

an octet of cloistered pedants producing

not a camel but a steed that ‘saith

among the trumpets, Ha, ha; and he

smelleth the battle afar off, the

thunder of the captains, and the shouting…’

 

 

 

Note: the poem was first published on the site in November 2015.

 

AMONG THE TRUMPETS

A committee of eight Hebrew scholars –
politically balanced between high church
and puritan – produced in Cambridge
University four hundred years ago,
what Tennyson called ‘the greatest poem’,
the King James’ version of The Book of Job.
They were not paid but promised possible
preferment – essential for some comfort
in the church and the groves of academe
of a country racked by civil strife.

Their contribution to the new monarch’s
pursuit of national unity
was ten books: from Chronicles – ‘These are the sons
of Israel…’ – to The Song of Solomon –
‘Let him kiss me with the kisses
of his mouth.’ The Book of Job was the sixth.

Imagine a committee of divines,
an octet of cloistered pedants producing
not a camel but a steed that ‘saith
among the trumpets, Ha, ha; and he
smelleth the battle afar off, the
thunder of the captains, and the shouting…’

 

 

 

ANTIQUITY

Ancient Greeks preferred it to chronicles

for poetry is the art of maybe,

the alchemy which turns fact into song.

 

‘Antiochus honours the saviours of men,

the immortals, Asclepius of

the gentle hands, Hygeia, Panakeia.’

On the margins of barbarity

and wilderness,  a Greek army doctor

commissioned a recondite altar – found

some seventeen hundred years later

when Chester’s Market Hall, its pediment

topped with cornucopia, was flattened.

 

Centuries before the Twentieth

was stationed here, the most famous sculptor

working at Olympia, inscribed

his wine jug, ‘I belong to Pheidias’.