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cicadas

CONCRETE MYTHS

We have explained about Knossos in the car,
so she is keen to see the palace.
(We have not mentioned the Minotaur
or Daedalus and Icarus). She likes
the cats, the peacock and the cicadas
and appears not disappointed at all
by Arthur Evans’ concrete. Maybe
she knows the concerns of grown-ups are
more illusionary than substantial –
and a young woman, posing like Betty Boop
in high heels and sharp yellow dress
by an amphora, would prove her point.

Knossos is on the edge of Heraklion’s
southern suburbs. Just down the road from here
is a pristine Ottoman aqueduct
built across a narrow, river valley.
Swallows and swifts nest in the post holes.
The dingle is filled with bougainvillea,
jacaranda and pink oleander.
We walk up to a church, open and full
of silver – St Irini’s – and a playground.
She runs to the swings. There is no mention
in any of the guidebooks of the aqueduct
or the saint – never mind the nesting birds
or the valley abounding with flowers
or the safe place to play. Under
an ancient, encompassing olive tree
with labyrinthine branches, she flies high.

 

 

 

ALL THAT REMAINS

Among the plane trees, where cicadas screech,

a tumbled column has split. From the fracture,

fossils protrude. Did priests guess the stone

had been seabed? One tiny limpet shell,

its fluting immortalised before gods,

is proud to fingers caressing that other,

elusive, silent country. Slower

than acid rain, more rapacious than locusts,

on a sacred hill, a tinkling flock

of goats is making deserts. Last words

for poems are worm casts at ebb tide:

distinguished far off, close up are crudely

made, tell-tale leftovers.

 

 

 

BEARINGS

David Selzer By David Selzer1 Comment1 min read726 views

They lie after loving in a shuttered room,

lit with an underwater vagueness,

replete with jasmine. They hear but

do not listen to the hoopoe calling

in the almond tree or the goats clinking

softly in the olive grove. They no longer

even hear the roar of the cicadas.

She lies in his arms. They sink into sleep,

lovers drowsing in a perfumed sea.


The spate plucks willows weeping from the banks

and careers them swirling, whether or not,

to waltz downstream with honeysuckle stems,

a bloated lamb. Do we change course, with charts

and signals, once, inexorably? Or

do we drift at wind’s and swell’s mercy,

unremarked and far into the night?


A lamp flickers. The mainland is mauve,

precipitous, its valleys covert, profound.

A flute moans in olive groves. Brief insects

chafe the night air. Behind them, waves

from Africa rush to shore. They have steered

for open seas yet homed on the past.

They will skirt the swamp. Upstream, where the river

is jade, beneath the invisible nets

swifts weave, on a low hill, are fate’s stone doors.

Priests and their chicanery resurrect

numberless tribes of the dead: old men and brides,

lovers and generals. The future

waits like an assassin.