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clematis

THE BELVEDERE

You and I with fifty valentines and

February’s sun pale on the glass!

We count the camellia’s crimson blooms –

and remember, last summer, our grandchild

shivering with ecstasy the day

she chased her daddy with the garden hose.

From here, the house seems sentient, our

remembrancer – the lawns and borders and

parts of neighbours’ houses an urban landscape.

In this wooden hexagon – a half-glazed

gazebo, its blind back turned to a high

Victorian wall festooned with ivy

and clematis – voices are naturally

intimate and revealing, privacy

in an open space. Is it remarkable

we have been friends and lovers so long?

Chance, choice, serendipity or willpower?

We opt for all four. Behind us, in shade

for most of a winter’s day, accidental

primroses are blooming.

 

Note: The poem was originally published on the site in February 2012.

FROM A BALCONY

A flock of goosanders fishes in the Straits,

as ubiquitous oyster catchers whistle

on the shore. In the early evening

the air about our balcony throngs

with birds – swallows whispering, swifts screeching,

two ring-necked doves cooing in the clematis,

and a small flock of sparrows chattering

below – as the last sun shades the mountains

opposite. By night three fishermen

make their profaning way along the pier

with swaying torches. The seeming darkness

above the peaks is thronged with unnamed stars

we cannot see, and their imagined,

and fabled harmonies.

 

 

PAINTING PARADISE

If I were a painter – and I would have

so many memorable titles – I would paint

your garden in all its rooms and seasons:

across the high back wall spring’s coral pink

clematis; summer’s sword-leaved, red-flamed

crocosmia by the aquamarine

gazebo; the white, weathered table and chairs

and the acer on the dark-brick terrace;

plants inherited, self-seeded, handed on

in stewardship – a world compendium.

You are the architect, builder, labourer –

and only begetter: ‘Sylvia Among

Her Sonnets Without Words’.

 

 

 

THE RECLINING GARDENER

On the first spring day of prolonged clear sunshine

she mows the lawns, weeds the paths, hoes the borders,

counts the figs, admires the honesty,

tends the low lavender hedge – then relaxes

on a lounger in front of the gazebo,

framed by clematis and magnolia blooms.

 

She sleeps, safe in the garden’s ivy clad

chambers – the alfresco rooms she has made

from soil ravaged by lime and gravel.

If she lies too long she will catch the sun –

a curious, promethean turn of phrase

yet right for a gardener who has acquired

from the air itself wild strawberries,

welsh poppies, common columbine, even

honesty. Perhaps I should not let her sleep –

but waking her seems always an intrusion

into the private solitude of dreams.

 

We have been in love for more than fifty years –

doppelgänger, alter ego; boxing hare,

comedy partner; devil’s advocate,

critical friend; anxiety’s balm, pearl

irritant; good companion, turtle dove.

She stirs – wakened, no doubt, by that slow passion

of plants – before I can rouse her with a kiss,

like any common or garden prince or frog.

 

 

 

THE BELVEDERE

You and I with fifty valentines and

February’s sun pale on the glass!

We count the camellia’s crimson blooms –

and remember, last summer, our grandchild

shivering with ecstasy the day

she chased her daddy with the garden hose.

From here, the house seems sentient, our

remembrancer – the lawns and borders and

parts of neighbours’ houses an urban landscape.

In this wooden hexagon – a half-glazed

gazebo, its blind back turned to a high

Victorian wall festooned with ivy

and clematis – voices are naturally

intimate and revealing, privacy

in an open space. Is it remarkable

we have been friends and lovers so long?

Chance, choice, serendipity or willpower?

We opt for all four. Behind us, in shade

for most of a winter’s day, accidental

primroses are blooming.