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contrarian

SOME CORNER OF A FOREIGN FIELD

‘”…you…will not enjoy their coming. War, fierce war,
I see: and the Tiber foaming with much blood…”‘
The Sybil from Virgil’s Aeneid, Book 6, lines 86–88

 

We found the grave by chance – stopping in Warwick
on our journey south. What drew us in
always beckons: the sad purposefulness,
the dark evergreens – towering larch, spruce, pine –
old graves, their lettering past pollution
almost erased, askew with ivy, moss,
lichen, the shadows of stories, echoes –
‘In Memory of Hannah Louise,
beloved wife of John Freeman, died
aged 21, April 1919
and Irene Louise, died aged 5 months,
December 1918′ – echoes, stories…

Although he died in 1998,
his is a military headstone, a
war grave marker – with John Enoch Powell,
his dates, his army rank, his offices.
Behind his stone, facing his back, as it were,
are ten genuine second world war graves,
paraded five by five: two Germans, a Pole,
an Italian, the rest British including
a woman – driver, stoker, able seaman,
sapper, engineer, assorted squaddies.
He was buried in his Brigadier’s
uniform, the Warwickshires’ emblem,
an antelope, carved in the Portland stone.
On the grave is a bunch of plastic flowers
and a handwritten note in Ancient Greek.

A Brummie, born next to a railway cutting,
he was a truly renaissance man: poet,
scholar, classicist, polyglot, soldier,
orator, equestrian, politician,
contrarian, tribalist, bigot.

He suffered survivor’s guilt. ‘I should have liked,’
he said on Desert Island Disks, ‘to have
been killed in the war,’ and wrote that soldiers
like him – a boffin, a desk wallah
who had not served in the frontline carried
‘a sort of shame with them to the grave.’

One of his poems begins ‘When I am gone,
remember me…’ seemingly addressed
to his mother. After marriage he published
no more poems but wrote one for each
of their wedding anniversaries.
His wife buried the forty or so with him.

‘When I am gone, remember me, not often,
but when the east grey light is growing.’
By happenstance, a word he would have used,
he is leading forever northwards his
motley squad of the dead.

 

 

Note: Another poem about Enoch Powell – ONLY ONE IN STEP – was first published on the site in 2010: https://davidselzer.com/2010/04/only-one-in-step/

THE STREET PARTY

Above every Mairie flaps the Tricolour.

On every lawn, in every yard through the gut

of America – where the Great Plains began

before the farmers came with wheat and pigs

and soya fields – Old Glory flutters.

Above the reception desk in every

riad in Morocco the king’s photo hangs.

Here, things are never that unambiguous.

 

In a street near the foot of the Downs,

too steep for tables, they have strung bunting

from house to house, moved cars, hired a leaning

bouncy castle and shared barbecues.

 

This chalk, grassland common – that slopes upwards

to the flint ridge with its Pilgrim’s Way,

from Winchester to Canterbury,

for a Norman priest killed by Norman lords –

is a (mostly) English floral lexicon:

Meadow Cranesbane, Meadow Vetchling, Yellow-rattle,

Dove’s Foot Cranesbill,  Common Spotted Orchid.

 

A Skylark ascends from the unmown grasses.

I think of Vaughan Williams’ orchestral piece,

with its shimmering solo violin,

the George Meredith poem which inspired it –

‘He rises and begins to round,
He drops the silver chain of sound,
Of many links without a break,
In chirrup, whistle, slur and shake’ –

Celts evoking the essence of what was theirs.

 

The party dwindles as the drizzle arrives.

To be English is to be contrarian –

not being Irish, Scots, Welsh or ‘foreign’.

At the top of the street, a patriot with

a large, St George’s Cross drooping above

the privet hedge, has lit a bonfire

in a garden incinerator.  The rain,

now heavy, drums on the lid and, though sodden –

being dressed in England football strip –

he forces wet, tabloid newspapers down

the narrow funnel. Acrid smoke wafts up.