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Crimean War

THE GREAT AMERICAN NOVEL

David Selzer By David Selzer7 Comments1 min read1.8K views

Nathaniel Hawthorne’s The Scarlet Letter – tale

of adultery and obsession –

was published in 1850. In the year

the Crimean War began, he became

the U.S. Consul in Liverpool,

a post gifted by his friend the President.

He did not like the job despite the fees

from the cargoes of cotton and molasses

hoisted ashore. Whether in a Hansom cab

home to his family in lodgings in the town,

on the steam ferry to the rented villa

in the gated park on the Wirral,

or on the train to the rented house

on Southport’s Esplanade he felt too close

to the piratical-looking tars,

who washed up on the consulate steps.

 

His friend, Herman Melville – whose Moby Dick (tale

of arrogance and obsession) was published

in 1851 – had once been

a young sailor lost in the town’s quayside stews.

When he and his family did the Grand Tour

they set off from Liverpool, staying a week

with the Hawthornes in Southport. One evening

the writers took their cigars among the dunes

and, facing west across the twilight waves

of Liverpool Bay, spoke of providence,

eternity. Courageous innovators

that they were, no doubt each secretly,

that night, thought the other might have penned

the supreme fiction of their elusive land.

But the dark fields of the Republic

were rolling towards them – Little Bighorn

and Wounded Knee, Shiloh and Gettysburg.

 

 

 

THE LION OF KNIDOS

David Selzer By David Selzer4 Comments1 min read1.6K views

Near one corner of the British Museum’s

Great Court – the largest, roofed, public square

in Europe – the Lion reclines on a plinth.

It was stolen, a couple of years

after the Crimean War, from a ruined

tomb in Turkey. Its limestone body

had once been adorned with marble, its empty

eye sockets with glass to glint in sunlight

and glow in moonlight. Whether because

its pockmarked flanks seem sad or its eyeless face

appears benign visitors are keen to pose

for photos with the beast as backdrop.

 

I sit and watch. Three Buddhist monks, holding

their museum bags, snap each other.

Meanwhile, running deftly through the visitors,

my granddaughter returns delighted

from the many spoils of Ancient Egypt.

 

As natural light morphs into electric

the youngest monk comes back to take a selfie.

He turns and twists to angle his iPhone –

and immortalise the great blind head that now

looks both wise and simple.