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desert

WATCHING THE LAMBS

From the Ackermans’ seat near the lift bridge
on the Llangollen Canal – tree-lined
for the most part but open here – the view
has become a perennial favourite.
We watch cyclists, joggers, walkers pass,
and the narrow boats that have journeyed
from Nantwich, Dudley, Worcester – and we nod and smile.
But best of all in late March/early April
are the lambs on the pasture opposite
that rises, with occasional oaks,
gently to an escarpment that ends
beneath high limestone cliffs that sever the sky.

This part of Wales was once near the South Pole –
and has variously been: deep-sea mud,
crumpled, fractured by the movements of the earth;
a shallow, fertile tropical sea;
a swamp with giant mosses; a vast, hot,
featureless desert inundated by the odd
flash flood; an ice sheet shaping the landscape.
All gone in the shake of a lamb’s tail…

The ewes chop grass as if they were on piece work.
Their offspring thrust at them for milk or stare
at something new or lounge in the sun
or explore the barbed wire edges of our,
oh, so temporary world.

 

 

 

THE PLAYMAKER…

David Selzer By David Selzer1 Comment1 min read1.9K views

For Mike Francis

 

…realising the hopes, dreams, nightmares, visions,

of other artists;

 

transporting us from a silent, empty black box to

Kwazulu, Hastings, the Marches, Belfast, the Balkans,

and endless rooms and streets in Ellesmere Port;

 

transporting us to a roundhouse, a pigeon loft, a ferry,

a seashore, a desert, a hill fort, a lonely farm, a cave;

 

truly gifted – with more than a touch of genius;

 

rigorously creative – solving problems with

always elegant, quality solutions;

 

mastering a repertoire of skills –

carpentry, metal-work, information technology;

 

mastering a range of technologies –

wood, metal, plastic, sound, light;

 

understanding, appreciating, exploiting

the grace and strength of materials;

 

a modest, unassuming, self-deprecating perfectionist.