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Dresden

DEPRAVED HEARTS: IMPERIAL PATHOLOGIES

Somewhere in our house – built in the same year that

the British-Indian army retreated

from Kabul, and an Act of Parliament

outlawed women, girls and boys under ten

working underground in collieries –

The Boss aka Bruce Springsteen is singing of

‘The Streets of Minneapolis’, a song in that

unyielding tradition: ‘My Land Is Your Land’,

‘Sometime I Feel Like A Motherless Child’.

 

***

 

In Antiquity and the Dark Ages

hundreds of thousands were bought and sold each year.

The city of Venice became an Empire

because of the riches slavery brought.

In the Renaissance and the Enlightenment

ten million were taken from Africa

to the Americas. All were branded.

In Great Britain mill owners and bankers,

monarchs and cotton merchants grew rich.

The word ‘slave’ is from ‘Slav’ – whole communities,

entire peoples enslaved. ‘A’ is for ‘Auschwitz’.

 

***

 

Massacres at Wounded Knee, Amritsar,

and Martyr’s Square, Tehran, for example,

are imperious spasms, the arteries

of kindness hardened by othering;

bridges demolished – in Karaj, Iran,

Mostar, Bosnia, over the Litani

in Lebanon – solely out of spite,

to make burdened lives more burdensome;

the sanatorium assailed in Otwock’s

ghetto, hospitals in Hiroshima

and Dresden, ambulances in Gaza, in Beirut,

to show who matters and who does not.

 

***

 

Patrick Henry, conflicted slave owner,

was one of the two Founding Fathers

who would not ratify the Constitution,

which ‘would give a felon the chance to make

one bold push for the American throne…’

 

And two hundred and fifty years later

a convicted felon squats on that throne

as emperor. However, there might be

some small comfort in the thought that empires,

in due course, as Arnold Toynbee wrote, ‘die by

suicide not murder’.

 

 

 

 

THE APPLE ORCHARDS OF BEIT LAHIA

‘The Carpet Bombing of Hamburg and Dresden’,

‘The Atomic Bombing of Hiroshima

and Nagasaki’, ‘October 7th

and the War on Gaza’, might be chapters

in a book of moral tales, concerning

human ingenuity and indifference.

 

***

 

After the Pharaohs came the Romans, and later

the Crusaders, the Ottomans and the British.

The orchards remained untouched – fruited each year

abundantly. High dunes protected the trees

from the winds off the sea, the sandy clay soil

nourished the roots, and families tended them,

harvesting each apple as if it were

alive and crystal. Now, in no time at all,

not any time at all, they are gone

under rubble and dust – aeons wasted

of sunshine and nurture.

 

 

 

 

OCTOBER MOON

That Friday night, a slow moon rose, blood-orange,

huge, over the sea’s horizon. Trails of clouds

were silhouetted across its deserts

like black smoke. Next morning, a drear sea-light

filled the rented cottage in the dunes

by the shore. A heron was wading slowly,

purposefully along the water’s edge.

 

He had gone to that tiny, remote island

off the Atlantic coast, accessible

at low tide across a sand bar, to finish

his latest book: ‘Looking The Other Way –

Genocide In Rwanda’. He was working

on the index. He had reached Complicity.

 

Prompted by a text from a friend late

on Sunday he turned on the tv news –

saw pictures of that Saturday’s massacre:

edited images of the aftermath

of the murder of innocence, and real-time,

incriminating footage of armed men

oppressing distraught women and children,

taking hostages for ransom or slaughter.

 

The days then weeks that followed were lit

by the graphics of the after effects

of the bombardment, the deliberately

chosen response – a life for a life,

a death for a death, rubble for rubble.

And gaslit by hours of talking heads

oozing bombast, lies, and casuistry.

It was a time too illuminated

by the courage and humanity

of the living victims of loss and horror.

 

Each day he would walk along the shore

round the island until he could see

the range of mountains inland across the fields.

The peaks were increasingly hidden in shifting mists.

The hedgerows of hawthorn and traveller’s joy

edging the fields were turning to yellow.

He would think of the fire-bombing of Dresden,

of the razing of Lidice, of Stalingrad –

and of Goya’s painting of two giants

clubbing themselves to death as they sink

ever further into a bog, like some

danse macabre of self-destruction.

One day he suddenly thought of the books

in his study at home, a collection

of sixty years, and was overwhelmed

by their number, their seeming irrelevance.

 

He watched the progress of the moon as the month

waxed and waned: sometimes obfuscated

by clouds, or smoke, or dust; sometimes bright as

a ‘bomber’s moon’. The stars appeared. The sun rose

above the horizon. The sea ebbed, flowed.

And thousands, thousands of children were slaughtered.

 

 

A FAR AWAY COUNTRY

David Selzer By David Selzer1 Comment1 min read1.7K views

When the images caught on someone’s iPhone

of a shelled apartment block in a Kyiv

suburb and a woman sweeping up

shards of glass on a balcony that has

only been partially destroyed, or the piles

of rubble in Kharkiv city centre

that might be Aleppo, Fallujah, Dresden,

change to scorched family cars on littered roads

with snow falling, sometimes on the skyline

are deciduous trees and, clinging

to their leafless branches, silhouetted,

near perfect spheres of mistletoe, ‘omela’

in Ukrainian and in Russian. Each spring,

the mistle thrushes, impervious,

return for the berries.

 

 

 

 

 

SIX DEGREES: THE MAY BLITZ, LIVERPOOL 1941

David Selzer By David Selzer9 Comments2 min read3.3K views

For Lesley Johnson

 

Obviously they were after the docklands –

Liverpool, Wallasey, Birkenhead –

with a week long of raids but many bombs,

as usual, missed their targets entirely,

shrapnelling then burning streets – commercial

and residential – either side of the river,

upstream and down. The photos of acres

of devastation in Liverpool’s

downtown city centre prefigured Dresden.

 

There is a watercolour in the Walker

by Peter Shepheard – ‘Liverpool from Oxton,

4 a.m., 4th May 1941’ –

which depicts, from the leafy Victorian

suburb across the river, the worst raid

of the week. You focus instantly on

six clouds of smoke, billowing in a strong

south easterly, lit lobster pink by the miles

of fires below and silhouetting

a dozen barrage balloons. The glare

shines on the slate roofs of Birkenhead.

Also, in silhouette, are the ‘Three Graces’,

untouched, across the river at the Pier Head,

buildings that were the city’s symbols of wealth,

power – Port of Liverpool, Cunard, Liver.

Dawn is beginning to lighten the sky

to the east, which is free of smoke and flames.

 

We receive a postcard of the picture

from a friend. She tells us she is fully

recovered from her operation

and is ready for lunch – and reminds us that,

when she was two in Shorefields, New Ferry

(a small town on the southern Mersey shore),

that night hot shrapnel pierced the roof of her home,

landing on her pillow, setting it alight.

Her father saved her. And I suddenly

remember, like an epiphany,

that that weekend, my father, en route

to Nigeria, was in Liverpool

staying at The Adelphi and joined the line

of buckets to try to douse the fire

at Lewis’s department store opposite.

They failed, of course. All that remained were

the walls. The rooftop menagerie,

of songbirds, small monkeys and the odd lizard,

had fallen, with the broken, blackened glass,

in amongst the rubble.