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Dublin

AT THE WORLD’S EDGE

A year after we honeymooned by the shores

of Bantry Bay opposite Whiddy Island –

low lying, with gently rolling hills –

construction began on the island

of an international oil terminal,

big enough to permit the largest tankers

to unload straight from the Persian Gulf.

The bay was ideal – a deep, sheltered channel,

far away from crowded shipping lanes,

and Bantry town’s population was small.

In ’79 an ultra-large tanker

exploded at the jetty killing scores.

The terminal was closed permanently.

Our memories of oyster-catchers

in the estuary were replaced with

the heavy wash of shipping storeys high,

then sudden, volcanic conflagration,

and the bay darkening with flotsam.

The nearby village of Kealkill was the site

of the Civil War’s first fatalities,

two IRA Volunteers from Bantry.

In the ’90s, the forestry commission,

as elsewhere throughout the republic,

on peat land and once cultivated fields,

planted fast growing Sitka spruce – native

to Alaska, sacred for the Haida,

a First Nation coastal tribe of fishers.

One of the residents of Kealkill

objected to the darkness and the dankness

the spruce created, a perpetual gloom

that killed the bilberries that had been

abundant. Every so often, for

twenty years, she felled a tree, and scattered seeds: 

birch, hazel, oak, alder, crab apple, rowan.

‘As time went on,’ she said at her trial, ‘I got

bolder’. The Garda had heard the chainsaw,

and arrested her, covered in sawdust.

On Whiddy Island there are the remains

of the blackened oil jetty, and, by the shore,

overgrown with hawthorn and gorse,

the stone ruins of curing sheds for pressing

shoals of pilchards caught off the coast, in most years,

for export to France, Spain and Italy –

a trade abandoned for easier pickings.

Our bedroom overlooked the rich, deep waters.

Above the bed was a garish print

of the revelation of the Sacred Heart.

‘Strange to be there beginning something new…

Strange to go there, for what might come’,

I wrote, more than fifty years ago.

But what do young men know, surprised

by death’s ubiquity? We had driven,

one benign August day, across Ireland,

asking a drunk for the way out of Dublin,

passing galloping horses on the Curragh,

later fallen towers, and barefoot children,

and dry-stone walls festooned with fuchsia  –

arriving in the early evening,

with the bay still as glass.

BLOOMSBURY

‘O, there you are,’ Mr Bloom said, turning from the fire.

ULYSSES, James Joyce

 

Joyce read his poems to Lady Gregory

in Dublin. She was impressed and gave him five pounds

to help fund his escape to Paris

from the ‘coherent absurdity’ (his words)

of Catholicism. She wrote to Yeats –

her close friend and patronee, who had lodgings

a five minute walk from Euston – to meet him

off the Holyhead train at six a.m.,

give him breakfast, look after him and then

give him dinner before he took the boat train

from Victoria. She was afraid James

‘would knock his ribs against the earth’. Imagine

these two bespectacled Irishmen,

Orange and Green, very amiably

walking along Woburn Place! No doubt

Yeats introduced him to Bloomsbury neighbours

Eliot and Pound, amongst others,

to ‘help him on his way’. What if James

had torn up his ticket, kept the fiver,

of course, and stayed in this extraordinary

two thirds of a square mile – with its leagues

of floors of books and artefacts,

its revolutionary exiles,

its assorted geniuses, blue plaques,

handsome, greensward squares, cohorts

of multicultural students and tourists?

 

From the window of our budget hotel

we can almost see Yeats’ lodgings.

Before us is St Pancras Parish Church –

in Greek Revival style with terracotta

caryatids and cornices embellished

with lions’ heads. On Euston Road the world

passes – endless pedestrians, black cabs,

red buses. How I longed, as a youth,

to be here – to live and work among these

acres of ideas, the palpable shades

of literary men and women, shakers

and movers in that enduring tradition!

 

Our train passed the same blackened walls

he would have seen – perhaps even the same

stunted buddleia! Not until just before

Bexley did there seem to be some woodland –

or, until after Bletchley, ploughed fields

with murders of crows in the furrows.

We watched a shower of rain move towards us

through the obsolete radio masts

near Rugby, and I thought of James Joyce

creative in exile.

 

 

 

 

 

AT ROSCOLYN

Caernavon Bay is below, and to the west

the Irish Sea. The restive winds and waves

are lulled now to a breath, to a swell.

In the distance the London-Holyhead train

crosses the causeway. A multi-decked ferry

from Dublin is entering the harbour.

 

After the Druids hid, and the Romans left,

there came a multitude of saints, mostly

martyrs, not infrequently princesses,

renowned in death for healing the heart’s anguish.

St Gwenfaen – ‘Blessed White Rock’ – was one such.

Roscolyn’s plain parish church dominates

the high ground where her cloistered cell had been.

 

Someone has put a bench outside the churchyard,

perhaps for those returning from the saint’s well

on the headland, their torment gone, abated.

The dry stone walls and sheep-grazed fields stretch

in a soundless haze this kind summer evening.

 

 

 

THE BRIDGE

David Selzer By David Selzer1 Comment1 min read620 views

Where the Menai Straits are at their narrowest,

between two bluffs, Thomas Telford chose to build

his one span suspension bridge, high enough

for tall ships to pass. The two towers,

exposed to the tides, were built of limestone blocks

from the Penmon quarries on the coast

north of here. Caernavon Castle had been built

from Penmon stone – and blocks were shipped to Dublin

to line the Liffey with wharfs and quays.

 

Telford, the ‘Colossus of Roads’, was reared

in penury – a stone mason by trade,

a self-taught engineer, begetter of

the A5 coaching road, erstwhile Watling Street;

the London-Holyhead trunk from Marble Arch

to Admiralty Arch by the Irish Sea.

 

Built a generation later, a mile south

and within sight, is Stephenson’s railway bridge.

Two British industrial colossi

so close in space and time! So much investment,

ingenuity, innovation, to keep

the Catholic colonies of Ireland,

those reserves of navvies and wheat, in thrall!

 

Between the bridges are The Swellies

around Fish Trap Island – Ynys Gorad Goch –

whirling at high tide, lake calm at low water.

The Druids, deemed Rome’s enemies, were hunted.

They crossed here in coracles, felt safe at last

on Ynys Môn, Mam Cymru.  They watched the soldiers

swim like dogs across the sacred waters.

Rome’s mercenaries ran them down like boar,

skewering them among the flowering gorse.

 

 

 

 

SOUTH STACK, HOLYHEAD ISLAND

Beside the first angle in the zigzag steps

that descend steeply to the lighthouse –

where I have stopped to rest lungs and knees

and vow again this will be the last –

unique to this place on our planet

a fleawort is growing, its flowerheads

like miniature sun flowers. A red beaked chough

calls from the heathland above – pyrrhocorax,

pyrrhocorax. I can see Ireland from here –

the hills and mountains south of Dublin –

over an indigo sea whose waves

are barely ripples. Before taxonomies,

before words is wonder.

 

 

 

EASTER, 1916

‘We make out of the quarrel with others, rhetoric,

but of the quarrel with ourselves, poetry’

W.B Yeats, ‘Anima Hominis’, Essays (1924)

 

 

Could he hear the firing squads day after day?

Did the rattle carry from Kilmainham Gaol

to Merrion Square as the poem quickened?

 

Easter had been as late as it could be

that year. Unlikely saviours came forth,

commonplace clerks, scribblers, pedagogues.

The English sent a gunboat up the Liffey.

It hollowed out most of Sackville Street –

Clery’s, Liberty Hall, the GPO –

and the ‘terrible beauty’ was born,

the glare of rebellion, of sacrifice.

 

As the poem grew, swallows and swifts

twittered and screeched over the park in the square

and above the broken stones of the city.

 

The English, as always, overreacted:

turned, through brutality, a revolt – inept,

unpopular – into a decisive,

echoing blow for independence.

 

The swifts had gone when he finished the poem

in late September. He published it widely

four years later – via London and New York –

that murderous autumn when he knew for sure

what he had written had become true.

 

‘MacDonagh and MacBride

And Connolly and Pearse

Now and in time to be,

Wherever green is worn,

Are changed, changed utterly:

A terrible beauty is born.’