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Duke of Wellington

SLAVERY’S DIVIDENDS

David Selzer By David Selzer4 Comments2 min read1.9K views

The Duke of Wellington vowed he would never

travel by train again – and, while still alive,

kept his vow. (His corpse was conveyed in state

by rail from his house in Kent to London).

The official opening of the Liverpool-

Manchester railway ought to have been one

of unqualified celebration: the first

passenger train journey in the world hauled

by a steam locomotive; with VIPs

and a military band – albeit

seated on benches in open wagons,

except for the Duke, then Prime Minister,

and his party in a bespoke, covered carriage.

 

The dual track line had been built to convey –

more quickly than the horse drawn narrow boats

on the canals, or carts on the unmade roads –

the raw cotton unloaded at Liverpool

to Cottonopolis (i.e. Manchester)

and its satellite cotton mill towns

in south east Lancashire – and transport

the finished products back for export

to the growing British Empire’s colonies.

 

George Stephenson, who designed and built the line,

in order to show off the commercial

versatility of the dual track approach

on the day employed two engines – both of which

he had designed and built: the Northumbrian –

the Duke’s train, as it were – pulled rolling stock

from west to east; the Rocket east to west.

They met half way – at Parkside Station –

to take on water. There, the MP

for Liverpool, William Huskisson,

became the first railway fatality.

He fell on the north track, and the Rocket

crushed one of his legs. The Northumbrian,

pulling the first of its wagons – the one

the military band had been travelling in –

took the injured man to Eccles, where he died

in the vicarage. Meanwhile the bandsmen

began to march in step – or attempted to

given the sleepers and rubble

laid between them – back to Liverpool.

 

The much delayed train arrived in Manchester

in rain. A large crowd of mill workers,

remembering the Peterloo Massacre,

jeered loudly, and threw things. Wellington,

always a defensive general,

refused to alight. The train returned

to Liverpool – passing the still stumbling

and wet bandsmen – to a civic reception.

 

I first learned about Huskisson’s demise

in a history lesson in school – just the sort

of Goon Show/Pythonesque fact to appeal

to teenage boys. We did not learn about

how Stephenson was able to build the track

across Chat Moss, a peat bog, thousands

of years old and many metres deep,

a permanent way that operates now,

an engineering feat of genius,

a joyous testament to our large brains.

Nor did we learn that the whole business venture –

each spike, each bolt and nut, each foot of wrought iron

rail, and each of the many, expensive

courses at the celebratory banquet

in Liverpool’s town hall – had been funded

by the enslavement of Africans.

 

 

 

 

DEVELOPMENT

Now the flyover has been demolished – that simple

solution to traffic congestion,

leaping over library, art gallery

and museum to disgorge suburbia’s

commuters into the city’s erstwhile

mercantile heart – when you drive down from Low Hill

on the new three lane carriageway, flanked

by immense hoardings for the latest movies

and multi-apartment blocks for students,

you can see the Duke of Wellington,

Protestant Dubliner, on his column

against the sky above St George’s Plateau.

 

His back is turned on the vestiges

of the Irish Catholic slums, and his gaze fixed

on the railway terminus. He was

a talisman for the merchants who paid

for his statue. He kept trade free for sugar,

cotton, and slavery.

 

 

THE TECHNOLOGY OF CONJUNCTIONS

On October 15th 1851,

a Wednesday, in Hyde Park, London,

the Great Exhibition – official sponsor

Schweppes – closed. In Joseph Paxton’s Crystal Palace

of glass and wood and cast iron – incorporating

untouched the park’s trees, and itself perhaps

the chief exhibit – amid the palms and the lamps

and the rest of the world’s ingenuity,

the best of Britain’s design, engineering,

and manufacture had been displayed:

for example, Minton’s majolica

from Stoke, a papier maché piano

from Birmingham. Among the visitors

were Charles Dickens, Alfred Tennyson

and Lewis Carroll. Enclosing the park’s trees

had a cost. Sparrows flew as freely

as ever, despoiling all stands equally:

from Samuel Colt’s breech-loading revolvers

to Mathew Brady’s daguerreotypes.

Queen Victoria was concerned. ‘Sparrow Hawks,

Ma’am!’ advised the Duke of Wellington,

the veteran of diverse battlefields.

 

In London, three days later, the Saturday,

Herman Melville’s ‘Moby Dick or The Whale’

was published: that Odyssean tale

of an illimitable zealotry

and self-hatred, and of optimism.

‘I thought I would sail about a little

and see the watery part of the world.

It is a way I have to drive off the spleen…’

 

Is the closeness of significant events

zeitgeist, or merely haphazard happenstance –

human affairs, like leaves, falling where they may?

Making connections (as the Iron Duke did

and Schweppes), like the making of metaphors,

has made us even more successful than rats.

 

Here is a tale of the technology

of conjunctions: somewhere south of the Azores

the only sounds are the lap of the swell

on the clinkers, and the shearwaters mewing,

circling above…the harpoon readied…

the rope’s end lashed tight to the foot of the mast…

the men still, their breaths long, slow, pulses high…

waiting for the leviathan to rise

with its capitalist bounty – the oil

rendered from its blubber – the carcass

becoming noisome jetsam, brief pickings

for frenzies of seabirds…