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eucalyptus

A DAY OUT

From one of the high rise budget hotels

in Portimao we picked up a group

of six challenged men and their two minders.

(Portugal, our tour guide told us later,

was enabling those – institutionalised

since childhood for learning difficulties –

to take vacations, with supervision,

from the drab, echoing, noisome halls).

Two were remarkable: a gaunt fellow

bent permanently double, always moving,

keeping close to the other, a joker

with moustached Arabic looks and frightened eyes.

 

We crossed the Arade – more reed bed now

than river – and entered ancient Silves;

visited the cathedral – an erstwhile mosque –

and the Moorish castle. The jester

talked almost without breathing, the bent chap

by his side. We drove through regimented

plantations of pine, acacia,

eucalyptus, climbing towards the spa town

of Caldas de Monchique – cool beneath its oaks

and umbrella pines. The stooped lad

ran quickly from shade to shade. His mate

spoke rapidly to the halcyon air.

 

We ascended Mount Foia – with its shop,

café, and air force radar station.

Westwards we could see Cape St Vincent,

the Atlantic – south imagine Morocco.

The two young men were sitting on a step,

out of the wind, smoking roll ups, watching

a family – mum and dad, two boys –

flying a crimson kite.

 

 

 

 

THE INVERTED EUCALYPTUS

In the unlit room, the glass-topped table

reflects the crepuscular, upside-down

image of the tree. In this small picture,

the Moon is descending through its branches.

 

Through the window, a hazy full Moon,

trailing south easterly clouds, is rising,

with the shimmering Evening Star, above

the eucalyptus, across a darkening sky.

 

How fast we move through the universe and yet

how still the glass on the table and the panes

in the window, the tree and its image,

the ubiquitous eucalyptus, appear:

 

an accidental, antipodean

masterwork of reality and dream.

INTIMATIONS

Embrasure, Spinalonga © SCES 2003



This house is sentient, light with rapture,

replete with canny, familiar ghosts.


This house has been indifferent

to vicissitudes of human fortune:

train wreck and famine, siege and tsunami.


The grounds have diminished. From the residue,

you have made an L-shaped paradise:

rhododendron, camellia, nasturtium,

eucalyptus – a global gazetteer.


On some summer nights, the pomaded air

heavy still with heat, there is a moment,

ecstatic, brief, when we will live forever.