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fingers

THE HARE AND THE STONE

And suddenly she is a hare, eyes bursting

with fear. Her husband snaps her neck. Fingers

smell of tea towels and dust. Their son gobbles

at her nipples, his father’s eyes unfocused.

She dreads the key in the lock. Sometimes,

she wakes to find him thrusting at her crotch.

She is a hare, paralysed on a cold,

edgeless ground…Even through windows stuck fast

with paint, dust whispers, gathering on lips.

If, like a surgeon, she were to cut him,

she would lay bare a pebble, smooth as glass,

nudging his heart. It is his ambition

sometimes to be a stone.

 

 

 

ALL THAT REMAINS

Among the plane trees, where cicadas screech,

a tumbled column has split. From the fracture,

fossils protrude. Did priests guess the stone

had been seabed? One tiny limpet shell,

its fluting immortalised before gods,

is proud to fingers caressing that other,

elusive, silent country. Slower

than acid rain, more rapacious than locusts,

on a sacred hill, a tinkling flock

of goats is making deserts. Last words

for poems are worm casts at ebb tide:

distinguished far off, close up are crudely

made, tell-tale leftovers.