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Golem

MERRY-GO-ROUND

Our hotel was a dozen or more tram stops

from Prague’s city centre. Converted

from a Soviet-era apartment block

to cater for the influx of tourists

after the Velvet Revolution,

it faced a large rectangle of open ground,

flat and bare. On the other three sides

were similar blocks, but still used for families.

In the middle was a small carousel

and, to one side, a mobile shop selling

alcohol and cigarettes – Freedom’s

enterprising dividends. The hotel

welcomed groups – like the excited party

of Israeli High School students and teachers,

with their Mossad minders, jackets bulging,

waiting in the foyer, as we arrived,

for coaches to take them to the Ghetto.

                               ***

Hitler declared that the Ghetto be preserved –

once Prague had been pronounced wholly ‘Judenrein’ –

as if an exhibit in a museum.

In the Old Jewish Cemetery,

along the horizontal edges 

of the tomb of the scholar and mystic

Rabbi Judah Levai ben Bezalel

aka Rabbi Loew small stones rest.

According to German Jewish folklore

the Rabbi could conjure, in times of trouble,

a redemptive golem out of the mud

and clay of the wide Vlatava close by.

When the city was part of the Habsburg

Empire, because of its many gilded

cupolas, it was ‘Das Goldene Stadt’.

                                 ***

Our room overlooked the open ground.

Adults were queuing at the shop, and

children turning on the roundabout. We could hear

its generator’s wheezy chug-chug,

and the tinkling of a waltz. On its roof

were clumsy images of clowns painted

in a faded yellow. The street lamps came on.

Snow began to fall as the coaches returned,

their passengers subdued.

‘AI’ & ‘REMEMBRANCE OF THINGS PAST’: POEMS & GRAPHICS

David Selzer By David Selzer9 Comments2 min read1.4K views

The poems were inspired by conversations with the artist, Evie Chapman. The poems, in turn, inspired Evie Chapman’s artwork.

 

AI

For Evie Chapman

 

 

Not ‘artificial insemination’, nor

a cry of dismay or woe, nor a

two letter word approved by Scrabble,

nor a three-toed sloth from the Guianas,

but ‘artificial intelligence’.

 

***

 

I set the computer on my exercise

bike – with its read-only-memory –

and, as I pedal nowhere in the study,

sometimes to engage my mind on the journey

I pick a book at random from the shelves.

Today it is THE FACT OF A DOORFRAME,

Adrienne Rich’s selected poems.

Again at random, I access it

at page forty six. Helpfully the poem,

entitled ‘Artificial Intelligence’,

is dated: 1961. The poet

has been bested at chess by a computer.

‘I’m sulking,’ she says, ‘in the great tradition

of human waste’ and, deliberately,

personifies the ‘digital’ machine,

addressing it directly: ‘…denied

our luxury of nausea, you

forget nothing, have no dreams’.

 

***

 

We live much of our lives in metaphor,

frequently when ‘the tables have been turned’

and life becomes ‘an uphill battle’.

We often like to think ‘the grass is

always greener on the other side’,

especially after ‘it’s been raining

cats and dogs’. ‘Artificial intelligence’

was ‘coined’, yes, in that great tradition –

by USA computer scientists

nearly seventy years ago. So

why the current razzmatazz, the last ten year’s

of increasingly noisy razzle-dazzle,

about what AI will do for us

or to us now, as if it were some

recently arrived sentient being,

a software Golem come to redeem us,

a binary Godzilla bringing

the end of days – not something that needs

the electricity to be switched on

to work? Maybe somebody somewhere

is looking to make a fortune or two

out of  our gullibility – yesterday’s

news become today’s snake oil?

 

REMEMBRANCE OF THINGS PAST

For Evie Chapman

 

 

Now that I have been summoned to bear witness

to the ‘swinging sixties’, a decade

half my lifetime away – when Liverpool,

according to the poet, Allen Ginsberg,

was the centre of ‘the human universe’,

when the empires of the USA

and the Soviet Union curtailed

the lives of millions, and raced, like small boys,

to be the very first men in the moon –

I shall make some notes in order to

blow the dust off the archived albums

of my memories: I was 17

when it began, a high school student,

and a poet, and 27

when it ended, husband, father, teacher,

property owner, and still a poet;

from adolescence to adulthood,

from dependence to independence,

in ten long sometimes joyful, sometimes

unsteady steps; from falling in love

with a pretty girl, and staying in love;

from youthful insouciance to the pride

and awe at having a daughter; commonplace

wonders, shaping futures.

 

 

GRAPHICS: ©Evie Chapman 2024