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granite

VIA SALITA GIAFARI

The street is built into the steep mountainside,

hence ‘salita’, ‘slope’. It is a wide street of steps –

edged with granite, inlaid with pebbles

and set in cement bordered by brick.

 

***

 

From our balcony, there is an impassive,

inscrutable vista of the old town’s

semi-circular, interlocking

clay roof tiles of varying shades of

terracotta and the occasional

Moorish-style chimney – finally

the public gardens’ umbrella pines and

the Ionian Sea becoming sky.

 

***

 

At dusk, Arab street sellers climb the steps

slowly, their wares in torn sheets on their backs.

When the street light comes on a gecko appears

on the wall opposite and waits. Each time

a new video appears on the large

plasma screen in Piazza Vittorio

Emanuele walls even here flash blue.

 

***

 

Ten thousand residents of Taormina,

two million tourists each year – beginning

with Goethe – and such sounds… the commune’s band

on the Corso Umberto – brass playing

nostalgia, drums braggadocio;

enthusiastic French tourists in step

on the Via Don Bosco; petulant,

throaty Vespas on the narrow ring road;

dogs, out of sight in walled yards or hidden

by oleanders, yelping, baying;

a blackbird’s solitary ‘chook, chook’,

beneath the lemon trees and plumbago

on a neighbouring terrace; a quick bell

rung a dozen times for matins; the cruise ships’

sirens sounding, sounding… Tennesse

and Truman with their paramours laughing

freely on the terrace of the Caffé

Wunderbar; Taylor breaking a guitar

over Burton’s head in the Hotel

San Domenica; D.H. Lawrence

beating up Frieda just down the road from us

in the Villa Vecchia Fontana…

 

***

 

We have neighbours: the elegant woman,

opposite, with the basset hound, in a house

with raised grills on the windows and an ornate

wooden door set in an arch of marble;

someone, whom we never see, in the apartment

above, who whistles Vivaldi on the stairs;

in the apartment below, the Arab traders

smoking hash, talking quietly into the night –

their tee-shirts and cut-offs on an airer

outside their front door to dry in the dark;

the elderly owner of the Summer

Bazaar near the beach, who complains of Africans

selling their wares on the gritty sand,

and climbs down eighty steps and back each day

to descend and rise in the Funivia;

the beautiful girl, who, each morning

walks down to work at the alimentari

on the Via Timeo beside

the ruins of the Roman theatre…

***

 

A cloud burst brings water centimetres deep –

and laden with particles of pumice

from the mountain – cascading down the steps.

‘Giafari’ is a variant of

‘jafar’, Arabic for stream. Below us,

by the Arco Dei Cappucini,

a fountain flows from the rock – and watching

over us on the mountain’s edge are

the shrine to the Madonna of the Rock

and the walls of the Saracens’ Castle.

 

 

 

LA PIÈTA

Bernini’s colonnades lead to the centre

of the known world – of hewn porphyry,

of granite kept in its place, of usury.

Irony turns each illuminated page,

celebrates the dissemination

of the word, funds the seeding of Europe

beyond oceans, in jungle, across pampas,

over sierra.  Only the clash of

vultures and the seas’ predictable tides

can erase carrion from argent sands.

How light the Saviour is! The Virgin seems

to hold him with such ambivalent ease:

a supplicant offering a sacrifice,

a rescuer carrying a corpse.

 

 

Note: the poem was originally published on the site in August 2009.

 

 

 

ALIASES

The Lenin Statue, the new FSB (aka Cheka, NKVD, KGB) HQ  and a new church supported, in part, by Mars pet foods. ©SCES 2000
The Lenin Statue, the new FSB (aka Cheka, NKVD, KGB) HQ and a new church supported, in part, by Mars pet foods. ©SCES 2000



We remembered the newsreels with Uncle Joe

aka Koba the only one in grey,

so expected a black and white city.

But the colours astound us, beguile.

From our apartment – which used to be bugged –

we overlook what used to be October Square.

The monumental bronze statue –  of Lenin, V.I.,

with assorted comrade soldiers and sailors set to march,

by Gorky Park, over the Crimea Bridge,

toward the Kremlin – is intact.

In May, parties of veterans queue to see Lenin

(erstwhile Ulyanov, V.I.) preserved.

Behind the Mausoleum, in the garden

of remembrance, is a bust of Stalin

(erstwhile Djugashvili, J.V.). Always,

fresh roses surround it. However,

in the Sculpture Park, the Great Helmsman,

in red granite, has had his nose knocked off.

Putin (sic), V.V. is crowned in the Tzar’s Cathedral,

the Annunciation.  The double-headed eagle flies.

Like his forebears, he takes the salute in Red Square.

They are all dressed up in the uniforms

of the Great Patriotic War – and the troops

(not a tenor  amongst them) greet their  little C in C

with the time dishonoured and oh

so genuinely moving: “Huzzah! Huzzah! Huzzah!”

Sometimes, that spring, when we opened the windows,

we thought we smelled tundra, sea and ice.

Opposite the Lenin statue, outside the Metro,

an elderly woman, in a worn, quilted coat,

sold wild hyacinths. We did not understand

the price.  She fluttered her hand above her heart.

EPIPHANIES

Citizens falter in the purposeful street.

Above the fumes of money, confusion,

from the leaden gaps of sky comes a murmuring,

a sigh like breathing, pulsing of blood.

Swans are flying on unhurried wing beats,

necks as prows towards horizons. Glinting

like new coins, pedestrians’ faces

turn skyward… The city smells of warm stone.

Sun illuminates the prison’s granite.

Thrust through the bars of a cell window

are a pair of hands, palms upward. Whatever

they have done, those fingers, spread like wings, chill

the indifferent light…

LA PIETÀ

St Peter's Square, Bernini's colonnades, The Basilica 1910
St Peter's Square, Bernini's colonnades, The Basilica 1910
Bernini’s colonnades lead to the centre

of the known world – of hewn porphyry,

of granite kept in its place, of usury.

Irony turns each illuminated page,

celebrates the dissemination

of the word, funds the seeding of Europe

beyond oceans, in jungle, across pampas,

over sierra.  Only the clash of

vultures and the seas’ predictable tides

can erase carrion from argent sands.

How light the Saviour is! The Virgin seems

to hold him with such ambivalent ease:

a supplicant offering a sacrifice,

a rescuer carrying a corpse.

Michelangelo's Pieta, St Peter's Basilica
Michelangelo's Pietà, St Peter's Basilica