Tag Archives

Greco-Roman

THE BRIDGE AT HOUGH

David Selzer By David Selzer4 Comments1 min read2.2K views

And this poem, which will be about England,

and, in some part, the southern margins

of the North, and the vagaries of the tongue,

has already stalled at the title’s fourth word.

Does it rhyme with ‘though’ or ‘tough?  Or with ‘cow’

or ‘row’? That is ‘row’ as in beans, of course,

not as in a shouty altercation.

It is as in ‘huff’, ‘houfe’, ‘hoff’ – from the Old English

for the heel of a hill, a projecting ridge.

 

As you drive through the ancient hamlet,

you do not notice any raised ground or,

indeed, the place – scattered by the road

to the Potteries – but for the signs on leaving

and entering. At one end of the hamlet –

that on the eastern edge of Cheshire –

is the bridge itself: narrow, stone, hump-backed,

replaced and repaired since medieval times.

Beneath the bridge – famed now in the annals

of English verse! – runs Swill Brook, and along

its reedy banks are endangered colonies

of water voles: aka water rats,

rats taupier, arvicola

amphibius. The brook springs limpid

from the clayey earth some miles south, seeps

northwards into the River Weaver’s catchment,

and so into the Mersey, past Liverpool,

through St George’s Channel to the Atlantic.

England’s mercantile empire shoved its

Anglo-Saxon tongue – complete with French veneer

and Greco-Roman embellishments –

down the throats of millions.

 

 

ADRIFT

Where part of the back wall of the scena

of the Greco-Roman amphitheatre

has collapsed, we can see the sun setting

on Etna, its smoke drifting like a veil

over the sea. The town’s orchestra –

of mandolins, lutes, guitars, double bass –

with its plangent, sentimental, heart-

rending timbre plays the prelude to act one

of Giuseppe Verdi’s La Traviata’…

 

We saw the opera at the Bolshoi –

with its gilt chairs and the Romanov box

with the hammer and the sickle above –

the month Vladimir Putin was first crowned.

When we left the theatre in the soft dusk

of May there was a babushka begging.

In the Lubyanka metro station,

a drunken man rolled down the escalator…

 

As Venus appears in the south east,

the orchestra plays encores – ‘Volare’,

‘Torna a Surriento’, ‘Ritorna-me’.

The audience, mostly local, largely

female, sways and hums, secure, for that moment,

in its campanilismo, thinking of amore

 

Small boats are approaching, in the thickening

dark, from North Africa and the Levant,

chartered by men – vessels overladen with

women and children, craft whose landfall, whose

free fall will set tolling each and every

bell in the frantic campanile.