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hawk

PERSPECTIVES

From the long window on the half landing, I saw,

almost as soon  as you had filled the small bird feeders

under the pine and come inside, the big beasts land

to eat the scattered seeds – three wood pigeons, two turtle doves

and a solitary magpie –  then a cat appear, the birds scramble

and you again, shooing.

From where the hawk stoops, I heard the magpie’s

irrelevant chatterings, saw a tableau of live flesh;

saw our Victorian suburb from where the airplane flies –

heard nothing above the thrumming of the engines;

from beyond the stratosphere, saw somewhere

still not yet silenced by the enveloping yellow

of the Sahara or the Arctic’s melting blue.

From the long window, I heard the next track begin –

late Billie Holiday, ‘Dancing Cheek to Cheek’ –

heard her miss the key change yet again, promised myself

never to play it yet again.

AND WITH A LITTLE PIN

Flint Castel, Samuel & Nathaniel Buck, 1742
Flint Castel, Samuel & Nathaniel Buck, 1742

 

 

 

 

 

 

 

 

 

 

On liberty’s last morning, he said mass

in the Great Tower – the chapel was cold

as winter. August’s sun warmed the rebels

riding along the estuary shore,

their drums silent. He watched from the walls.

At his back, the seas breaking on Ireland. King

and Usurper, first cousins, exchanged

purple words in the base court, a surfeit of

epithets: bombast, self-pity. Serfs

were indifferent but Richard’s dog fawned

on new majesty. The epicure

who bespoke a coat of cloth of gold

rode captive from Flint to London in the same

suit of clothes. Through Chester he was jeered, stoned.

 

Twenty miles inland,  a sandstone hill

 – sheer to the west – rises from the plain.

Parliament’s army sacked the castle.

Westwards there is the estuary’s mouth,

the livid sea. Above twitching fern,

a hawk stoops. Stones, flung into the well’s blackness,

fall through the hill seawards and never sound.

 

Beeston Castle, Cheshire, Benjamin Pouncy, 1773
Beeston Castle, Cheshire, Benjamin Pouncy, 1773