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hawthorn

CAER LÊB, YNYS MÔN

David Selzer By David Selzer0 Comments1 min read1.1K views

A blackbird is singing in a distant oak.
Now that the may blossom has fallen
the hawthorn is festooned with a white,
wild clematis – traveller’s joy or
old man’s beard. Hereabouts, people have
hunted, gathered, built, farmed, worshipped,
imagined – and some, undoubtedly, thieved
and murdered – in a continuing commune
for at least six thousand years and more,
longer than Babylon, longer than Rome.

It is nothing compared with the stars,
which most of them will have marvelled at,
but, nevertheless, it seems worth noting.
As well as the exactitude of books,
history is written in earth works,
standing stones, a copper coin and a mound
of periwinkle shells.

 

LETHE

The sun was sharp as she entered the lane.
She found a point where enough of the wall
had tumbled – through neglect or misuse –
for her to climb the rough, sandstone blocks with ease.
She was in a forest of rhododendron,
dark leaves a foil to extravagant flowers –
rich, vivid reds, pinks, purples, lilacs, whites,
an exotic palette, almost sensual.
Though the sun was distilled, the air was humid.
She thought of what little she had left.

The silence was dense. What insects there were
were soundless. She saw a patch of dry sunlight
and rushed for it, foliage and branches
chafing her bare arms, calves and ankles –
pulling at her tee-shirt and her cut-offs
and snagging her empty backpack. She hoped
there would be stones – knew there would be stones.
She paused briefly to look at the marks
on her skin – knew it was too late to return.

She pushed on and emerged into full sun.
What had been the lawn stretched before her – a field
of long grass with occasional thistles,
cow parsley and yarrow. At its furthest edge
was the house – Georgian, derelict, its windows
and doors crossed shut with crude wooden battens,
half its roof collapsed. Suddenly, a vixen
lifted its head from the grasses to watch her.
She could hear the cubs mewling and looked away.

She heard the beck before she saw it.
It was pellucid, a murmuring brook
with crayfish scuttling amongst its pebbles.
As quickly as she could, she moved upstream,
the garden giving way to the wildness
of hawthorn and elderberry. An owl
flew suddenly past her, silencing the wood.

She reached the pool. It was, as she had read,
a covert place, suited to sacred rites,
surrounded by high banks of moss and fern,
its edges shallow, its centre profound –
and, yes, there were stones: large pieces of flint,
brought, for whatever forgotten purpose,
from some altogether different country.

From habit, she removed her trainers
as if she were about to paddle in the sea –
and sighed, suddenly weary with so much.
She took off her backpack, filled it with flints,
put some in the pockets of her cut-offs,
and shouldered the bag, staggering slightly.

As she took her first step into the shallows,
the cold and the pebbles making her gasp,
she saw minnows darting away to the depths –
thought of the crayfish, the lawn gone to pasture,
the owl, the vixen and her young, the
sensuous, destructible flowers,
began to sob then howl and howl and howl.

Exhausted, she took the flints from her pockets,
lay down in the moss and ferns and slept.
She dreamt she was bathing naked in the pool.
Menacing, he appeared on the bank.
Seeing his lust, she rose from the water,
splashed him, as one might at the seaside.
Dispassionately, she watched him turn slowly
to stone. The cooling air woke her, smiling.
She put on her shoes, emptied the flints
from her pack and built a cairn, selecting
each piece and deliberately placing it –
then made her way downstream in the sunset
with care, a lightness on her back, rejoicing,
the water squelching in her trainers.

 

 

 

THE OUTING

Each Armistice Day, she remembered it.
A walk along the riverbank. Her teacher took them –
one Saturday when the hawthorn was out
and the river slow after weeks of sun –
her and three of the other older girls.
Miss Davies’ young man came too –
in his uniform, on leave from the front.

When they all rested in the shade of a willow,
he unwrapped a large bar of chocolate
slowly, looking away, or pretending to,
across the river.  Suddenly he turned.
‘Voila!’, he said, holding it out to them.
‘Pour vous. From plucky little Belgium.’

Miss Davies and her young man went and sat
at the river’s edge, their heads almost touching.
Two of her friends began whispering – another
pursed her lips and kissed the air. The others giggled.
She lay back – and squinted at the sun through the branches.
‘Look’, said one of the girls. The soldier was pretending
to dip the toe of his boot in the water.
Miss Davies laughed.

On the way back, ‘Listen’, he said, and they stopped.
On the dappled path, blocking their way,
a song thrush was striking a snail on a stone
again and again and again.

 

 

Note: the poem was one of the first pieces to be published on the site in April 2009  and has been subsequently published in ‘A Jar of Sticklebacks’ – http://www.armadillocentral.com/general/a-jar-of-sticklebacks-by-david-selzer

 

 

 

 

 

 

THE OUTING

David Selzer By David Selzer0 Comments1 min read1.1K views

Each Armistice Day, she remembered it.
A walk along the riverbank. Her teacher took them –
one Saturday when the hawthorn was out
and the river slow after weeks of sun –
her and three of the other older girls.
Miss Davies’ young man came too –
in his uniform, on leave from the front.

When they all rested in the shade of a willow,
he unwrapped a large bar of chocolate
slowly, looking away, or pretending to,
across the river.  Suddenly he turned.
‘Voila!’, he said, holding it out to them.
‘Pour vous. From plucky little Belgium.’

Miss Davies and her young man went and sat
at the river’s edge, their heads almost touching.
Two of her friends began whispering – another
pursed her lips and kissed the air. The others giggled.
She lay back – and squinted at the sun through the branches.
‘Look’, said one of the girls. The soldier was pretending
to dip the toe of his boot in the water.
Miss Davies laughed.

On the way back, ‘Listen’, he said, and they stopped.
On the dappled path, blocking their way,
a song thrush was striking a snail on a stone
again and again and again.

 

 

Note: the poem was one of the first pieces to be published on the site in April 2009  and has been subsequently published in ‘A Jar of Sticklebacks’ – http://www.armadillocentral.com/general/a-jar-of-sticklebacks-by-david-selzer

 

 

 

THE OUTING

David Selzer By David Selzer1 Comment1 min read1.6K views

Each Armistice Day, she remembered it.
A walk along the riverbank. Her teacher took them –
one Saturday when the hawthorn was out
and the river slow after weeks of sun –
her and three of the other older girls.
Miss Davies’ young man came too –
in his uniform, on leave from the front.

When they all rested in the shade of a willow,
he unwrapped a large bar of chocolate
slowly, looking away, or pretending to,
across the river.  Suddenly he turned.
‘Voila!’, he said, holding it out to them.
‘Pour vous. From plucky little Belgium.’

Miss Davies and her young man went and sat
at the river’s edge, their heads almost touching.
Two of her friends began whispering – another
pursed her lips and kissed the air. The others giggled.
She lay back – and squinted at the sun through the branches.
‘Look’, said one of the girls. The soldier was pretending
to dip the toe of his boot in the water.
Miss Davies laughed.

On the way back, ‘Listen’, he said, and they stopped.
On the dappled path, blocking their way,
a song thrush was striking a snail on a stone
again and again and again.

 

 

Note: this piece has been subsequently published in ‘A Jar of Sticklebacks’ – http://www.armadillocentral.com/general/a-jar-of-sticklebacks-by-david-selzer