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Henlys Lane

ACROSS THE WATERS

Walking – toward the town – down Henlys Lane,

its low, lichen covered dry stone walls

adorned with bird’s-foot trefoil, its borders

with cow parsley and, where run-off

gathers from Baron’s Hill, red campion,

we note ahead, amongst the cattle,

the usual, large flock of herring gulls,

facing south in the low-lying marshy field.

All as we have come to know and like.

But, today, we hear an explosion – loud

enough but too workaday to be thunder.

We stop and look beyond the library,

the castle and the Straits to search the mauve

galleries of Bethesda’s slate quarries.

Nothing disturbs the distant, hazy stillness.

 

Later, on the way to the car, we pass

the unfinished Plantagenet castle

the final subjection of the Welsh made

redundant and hear a second blasting

from across the waters – and I know

how favoured our generation was removed

from wars, and how, like flowers, tenuous,

robust, our path to the future or the past.

 

 

 

HYMN

At the top of Henlys Lane where it bends
to Llanfaes is an oak tree and a bench
with a view across pastoral fields
to the castle and, beyond the water,
Snowdonia. On this autumn’s first day –
here as warm and sunny as summer
but with a softer, fading light – we sit and talk
of our frequent, fifty year pilgrimage
to this coast and its sublime vistas.

Suddenly, we see what appears to be
smoke drifting up Moel Wnion’s mauve walls.
Binoculars and a setting sun reveal
a mountainous vein, a gash of quartz.
‘Dafydd y Garreg Wen, David of the White
Rock,’ I say – and you hum the harper’s
haunting air and then, encouraged, sing softly:
‘David, the bard, on his bed of death lies.
Pale are his features and dim are his eyes.’

And you talk, as you have before, of learning
the song from your grandma, a free spirit.
And I think how fortunate I am
being sung to gently as the acorns
patter about us, scattering like
the seeds they are, and the white rock becomes
a deep, purple shadow.