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hijab

THE NET

At the edge of the waves, as the tide flows

and the beach is gradually deserted,

a young woman wearing a hijab,

dressed for a rainy day at the seaside,

watches, concerned, as her grandfather,

a perfunctory beard on his long

Mughal chin, smiling, with horn-rimmed glasses,

in his Ralph Lauren green and white polo shirt,

trousers rolled high, up to his knees in water,

using a Kashmiri technique he has seen

on YouTube, casts – into the sky – a weighted,

conical, fishing net he bought online.

Its silver mesh scatters over the sea.

 

 

 

A GOOSE IN THE BAMBOO

Catching a charter flight from Manchester,

the family eases through security

but I am detained – there are traces

of explosive in my backpack: poems

on the hard drive? The scanner is at fault.

 

At Nikos Kazantzakis Heraklion –

the only airport named for a writer –

one of our cases arrives broken

on the single baggage carousel

and one of the gent’s toilets has backed up

but ‘Zorba’s Dance’ is playing somewhere,

the sea beyond the runways could be almost

‘wine-dark’ and the oven heat warms old bones.

 

Our hotel room overlooks a valley

charmed by Cretan sun in early June, washed

in El Greco shades and citrus colours,

with the usual eclectic small holdings

among the scrub – olives, vines, tomatoes

and bananas; hens and cock scratching;

three nanny goats clanking; two black dogs caged;

a stand of bamboo. On our balcony

with our granddaughter we play ‘I spy’

– but we cannot see the goose that honks

periodically in the bamboo

and sets the watch dogs barking.

 

There are activities throughout the day

round the pool for children of all ages.

It is water polo time and chaps

from England, Poland, Germany play

boisterously but amicably.

The French study their screens, a quartet

of middle aged Israeli men is aloof,

two British Asian families remain

circumspect. We came last time in early May –

the Great Patriotic Holiday

enjoyed by affluent ethnic Russians.

Our granddaughter swims endlessly like a shrimp

in the cosmopolitan waters.

 

At Heraklion the security

is seasonal, part-timers attired

in G4S finery complete

with white lanyards so there is role play –

queues are long and scrutiny relaxed.

At Manchester, in the EU passport queue

we shuffle along, without music,

with passengers from Islamabad

to the ID scanner – and chuckle,

thinking of all the closet racists

who would swallow their tongues in such a queue.

At the scanner, a witty, local lass

in a hijab helps us. O brave new world

that has such! ARRIVALS is threatening

with armed police, loud with distant honking.

A car has been parked in the wrong place.

We have flown from attic comedy to low

farce, goosed in the process.

 

 

 

 

 

 

 

 

 

 

HEAR THE DRUMS

This full length stage play focuses on Jamila, a sixteen year old girl of mixed Afghani and English parentage: on her struggle to determine her cultural identity, her longing for her father whom she has been brought up to believe is dead but whom she discovers, by chance, is alive and a prisoner of the Americans in Afghanistan – and her confronting the lies and misunderstandings that have had such tragic consequences for her family.

You can download the main text as a pdf:

HEAR THE DRUMS MAIN TEXT

A list of characters, information about where and when the action is set and acknowledgements are also available as a pdf:

HEAR THE DRUMS – CHARACTERS, LOCATION, ACKNOWLEDGEMENTS ETC.

 

 

Note: the play was a prize winner in the Sussex Playwrights’ Club 2009 Full Length Play Competition.