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hijabs

THE PICNIC

At the end of a dull August afternoon,

two little girls, sisters perhaps, in hijabs,

and a stocky boy of ten or so,

and two women, probably their mother

and grandmother, dressed in woollen hijabs

and abayas, are preparing to picnic.

They lay out a tartan rug, and Tesco bags,

on that part of the Green closed to vehicles:

between the low stone wall – beyond which

is the narrow walk along the sea wall,

and occasional notices of bye laws

strictly prohibiting the feeding of gulls –

and the small standing stones of the eisteddfod

from before the war. The coach parties have gone,

so they must have driven here – where few

pass through on their way to somewhere else –

along the winding, bosky corniche

beside the Straits. They sit on a tartan rug,

and share the foil packets from the bags.

The boy notices a seagull waiting near,

and asks if he may feed it with a crust.

The younger woman gestures as if such things

were bountiful now. He leaves the rug,

and throws the bread to the bird, which gobbles it

cautiously. His sisters ask for crusts

to join the boy. Almost immediately

the grass is covered with a flock of

seemingly frantic wings, a maelstrom

of dark grey and white, a turbulence

of harsh, jeering cries. The children flinch,

then run to their mother who gathers them in.

The grandmother, putting food and drink

to one side, pulls up the tartan blanket,

charges the gulls, waving the rug like a flag.

The flock rises silently – then settles

behind the standing stones… ‘After the battle,’

sing the bards, ‘after the battle, hearths

are desolate, birds gather, a woman keens…’

 

 

 

THE ANATOMY OF PILGRIMAGE

We had not visited Beddgelert for years.

We remembered the winding, bosky drive

following the Glaslyn from Porthmadog,

slowly climbing as the swift river narrows;

the walk across the field to Gelert’s grave

with its slate marker his remorseful owner,

Prince Llywelyn the Great, erected

for the faithful hound he had killed in

frantic error, finding too late the dead wolf

and the saved baby. Who would not be moved

by such an irredeemable act!

The sounds of endless waters rush nearby.

 

What was new that hot August Bank Holiday

was a tumbled faux bothy at the edge

of the field with an under-sized bronze dog

eager in the doorway; the eerie whistle

of the tourist train on the re-opened

railway that carried the quarried slate

down to Porthmadog, across to Caernafon

through mountain passes of green and purple;

a coach from an EFL summer school

full of excited Chinese students;

an Orthodox Jewish family, mother

with headscarf, father with keppel and earlocks,

little girls in long skirts; two young women,

in hijabs, sitting on the river’s bank,

bathing their feet in the chilly shallows.

 

Dafyd Prytchard, the  landlord of Beddgelert’s

Royal Goat Hotel, invented the story

in the late eighteenth century. Gelert

was the saint for whom the village was named.

Wales was brimful with saints, their remains

unvisited post-reformation,

but who would pass by a doughty dog’s!