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OTHER PEOPLE’S FLOWERS: THE POETRY OF FARZAN RADFAR

Dear Reader

Below you will find five of my poems written in the past twenty years or so. Originally, I started writing poems in early eighties. But at that time I was writing few poems. It was in early two thousands that I started to write a lot more frequently.

 

All my poems are written in both English and Farsi. Most of the time I find inspiration for a poem through a single word or a short phrase. Depending on the language of the inspirational word or phrase, either English or Farsi, I write first in that language, say, Farsi and then in English and vice versa. Of course, here you will only find the English versions.

 

I do write both structured and free verse poems. I always mention the date and place of writing of each poem at the bottom of the page. This is just a tradition of Iranian poets that I adhere to like Mehdi Akhavan Sales and Ahmad Shamloo. (See https://anmly.org/ap34/fatemeh-madani-sarbarani-translates-ahmad-shamloo-and-mehdi-akhavan-sales/).

 

I hope you enjoy what follows.

 

We Are All Poets

When I write of all these emotions
Of highs, lows, love and life
And all that is so deep within our soul,
When I sense the call
To pass a smile to all
Those with whom by fate or chance
I have somehow come to dance
To enhance my desire for a human touch

When I pick my pilot pen,
Take the beginning of a thread
And free my thoughts to spread
And my feelings of any shred of doubt,
With the wish that sometimes, by someone
It is hopefully read.
And as my pen glides like a mesmerised black dancer on ice,
By chance I take a glance
At all the scribbles so free,
The contrast, metaphors and lists of three,
Of some of which consciously or not
I do not care or even dare
To claim to be aware,
As I open my heart for all to call and watch.

And so at times
I feel as though my pen takes the lead
And I happily follow
As we are so carefree of the need
For some grammatical correctness,
Whether right or wrong,
Or if everyone can hear this structural rhythm
Or notice that far fetched rhyme
As we don’t see it as a crime
That sometimes it is hard
To ponder a proper prime rhyme.

So if someday by chance
For whatever reason you take a short glance at this
And if by some kind of magic
You hear the same call,
Never allowing any petal to fall
Of the fortress fashioned of petals
By the people poet we politely call
Who bring to life any emotion while
Praying that you read it with all your heart and smile.
Our privilege to call over a heart and gently touch.

Perhaps because somehow
We are all poets to the core
That we play with words and we open the door
To a world honest, true and pure
In search of a smiling helping hand
or a cure
Without fear of shame or danger of ridicule
As we allow our pen to be free,
Letting it glide, dance on paper
And blossom for all to smile,
Cleanse our soul and per chance
Blow away our hearts.

February 2009
Wirral


Still

Still light in the eyes
Still a warm breath in chest
Still questions and whys
Still a chance to do one’s best

Still a scent to smell
Still a piece of bread to bite
Still a story to tell
Still morning, day and night

Still a poem on the lips
Still a passion in the heart
Still tests, trials and slips
Still a new beginning, start

Still a sun in the day
Still a moon at night
Still the flowers in may
Still colours so bright

Still spring and birdsong
Still shade of summer’s oak
Still autumn’s colourful sarong
Still winter’s white cloak

Still the warm fire within
Still passion and human’s love
Still blood, bones and skin
Still so much to be grateful of

Still a moving body and soul
Still a shaking pen in hand
Still a pinhole, chink in wall
Still buds, dawn and hope so grand

April 2020
Wirral


This Is My Home (Iran)

I’m walking in the streets of my city
Every step
Closer to my roots
Every root
Seems to softly wave
From inside the hot tarmac

Here
Everything has a familiar scent
From the forehead’s sweat
Of the loving gardeners of the city
To the understanding that green leaves
Have not easily grown here

From the way watchful crows
Perch on electricity cables and old pines
To the ballet of pedestrians crossing in between cars and motorbikes

And from the sounds, smiles, swears and cries
To the doors and walls and concrete light poles
I know them all

This is my home
Me and ninety odd million others
With all its brotherhoods and inequalities
With all its uptowns and downtowns
Here, with all its mountains, rivers and fields
Even in its smoke filled streets
I breath easier
This is my home.

December 2017
Wirral

 

The Creation’s Expanse

Last night I dreamed
That before dawn
I was running in the sky.
How exhilarating to race the wind
And what a feeling to shower in rain.
How refreshing to sit to breakfast
On a table of clouds
And what a scenery,
What a beautiful Earth

After breakfast
I popped to the moon.
Quick chat and then
Rolled to Mars,
Just in time for lunch,
Broth of bunches of the Sun,
Saffron flavoured rice from Venus,
And Jupiter’s exquisite chicken

Last night I dreamed
For dinner I was a guest at Uranus
Classic Neptune’s bread
Mince kebab from Saturn
And basil and horseradish from Mercury

Last night in dreams
I sat on the swing of rainbows
Keepy uppied with shooting stars
And hopped over every planet

Last night
In just one dreamy night
I roamed the length and breadth of our solar system
And yet I know full well
To see the entire creation’s expanse takes longer than that,
Much longer,
Even in dreams
An eternity is needed

May 2016
Wirral

 

The Wise Crow

For my dear brother Faramarz

An old crow on an oak tree
Sits there every day to see
People passing down below
In the sunshine or snow

Some walk fast and some slow
Some are high and others low
Some are young and some are old
Some are meek and others bold

Some are happy. Some are sad
Some feel so good, some so bad
Some are poor and some are rich
Some are lovely, some a bitch

Some are hungry, some are weak
Some are poorly, week on week
Some live on a piece of toast
Others seem to have the most

Some at dusk lonely as a post
Some like they have seen a ghost
Some are crying, some scream
Some in daytime in daydream

Some seem content, some unsure
Some look holy, some impure
Some are tired, some are bored
Some are seen and some ignored

Some are strong and some are weak
Some are nerd and some are geek
Some are straight and some reserved
Some have no luck, not deserved

Some are absent, some in daze
Like a pinhole in thick haze
Some suspicious, insecure
Some with visions so obscure

Some have purpose in their gait
Some on their way to a date
Some are dressed as if to kill
Others have to pay the bill

Some are in love, some in pain
Someone’s loss is other’s gain
Some hand in hand, some alone
Not every dog gets a bone

Some are deaf and some are dumb
Some are as daft as they come
Some are sober, some are drunk
All their inbox full of junk
********************
In every country, village or town
Some old crow is looking down
And the wise crow still sees
People in the autumn breeze

In the sunshine or snow
When midsummer is on show
Spring, fall and every day
Some are upset some are gay

Some are this and some are that
Some are quiet, others chat
Some in trouble, some in shame
Some seem to have all the fame

Some are one step from a fall
Some are divided by a wall
Some are drowning, at death’s door
Some in mourning, some in war

Some are desperate, some afraid
Some are running in air raid
Some have lost their love and land
Some with white flag in their hand
********************

In the heights of every tree
A wise crow sits watchful, free
And sees people passing by
All involved as life goes by

The wise crow sees the common man
Of every colour, hue or tan
Just looks for a better life
With less trouble, less strife

All in grapple with their lives
Some one faced, some in disguise
Common men have highs and lows
All know life has no more goes

Ordinary man needs no more
To be shaken to the core
Can live without killing fields
In wars or as human shields

The wise crow and human kind
Know that people are inclined
To love and to live in mirth
And say no more war on earth
********************
Foot note

The wise crow can’t understand
Why do humans hand in hand
Day and night they maim and kill
And say this is the God’s will

Humans killed and trees are burnt
As though caring they’ve not learnt
With madness, massacre and death
They don’t care for creatures’ breath

Crows do not kill their own
Species at night or dawn
They are perhaps above that
Won’t kill for the sake of that

I read somewhere recently
Crows are perhaps probably
One of the few creations
Who mourn their own relations

Or any other of their kind
And I’m sure that you will find
That perhaps this wisest bird
For whom not many have cared

Called ugly by this and that
And some curse it while they chat
Is worthy of praising high
High up and up in the sky

June 2018
Wirral

©Farzan Radfar 2026

 

 

Notes:

In addition to being a poet and the author of two books, Farzan Radfar is a playwright, translator, screen writer, singer, and songwriter. You can follow him on Instagram – @farzanradfar.

See also OTHER PEOPLES’ FLOWERS: HAFEZ OF SHIRAZ – HASSAN SHABANI & FARZAB RADFAR

 

 

FOUND IN TRANSLATION: HAFEZ OF SHIRAZ – HASSAN SHABANI & FARZAN RADFAR

 

INTRODUCTION

As an education officer with Cheshire Education Authority, I worked with David Selzer for fifteen years or more  – David was my line manager. We worked on many educational initiatives mostly related to 14-19 years old curriculum, and all aspects of work related learning.

During these years, I always admired David’s calm attitude and fair choices during busy times. He was the master of creating a positive workplace where everyone felt safe to share ideas.

As a native Iranian, I must confess that David’s knowledge and understanding of Iran’s history, geography,  culture and customs/traditions are impressive indeed and deserve respect. Thank you, David.

HASSAN SHABANI

 

I have known Hassan for a long time and it was his suggestion for David and I to meet because of our mutual love of poetry. It was great to meet and get to know David. I felt very excited when he asked me to translate into English some poems of one of the greatest Iranian poets, Hafez, and also contribute with some of my own poetry at a later date. I am really thankful for the opportunity.

FARZAN RADFAR

 

 

HAFEZ OF SHIRAZ: HASSAN SHABANI

 Name: Shams-ud-Din Mohammad;
Birth: Circa 727 AH in Shiraz- Iran

Shams al-Din Muhammad Hafez—known as Hafez of Shiraz—is the most renowned poet in the history of Iran; his beautiful poems enjoy a vast following across the globe. The themes of his poetry are remarkably diverse: mysticism, love, spiritedness and unconventional wisdom, and criticism of hypocrisy and dissimulation – and his verses are frequently incorporated into traditional Iranian music, the visual arts, and calligraphy.

To Iranians, Hafez of Shiraz is regarded as a sage who possesses knowledge of hidden mysteries and the unseen realm. People turn to him—seeking omens through his poetry—when facing life’s challenges or dilemmas, as well as during various national observances.

Hafez’s mausoleum is located in Shiraz and is known as Hafeziyeh. It attracts thousands of literature and culture enthusiasts every year.

 

NEW TRANSLATIONS OF FIVE POEMS BY HAFEZ: FARZAN RADFAR

Hafez is, in the main, famous for writing some of the best ghazals in Persian poetry. Ghazal is a form of classic structured Persian poetry. It is normally around 8 to 13 couplets. The first couplet consists of two rhyming lines. As for the following couplets the first line of each does not rhyme but the second line rhymes with the very first couplet. The final couplet normally contains the poet’s name or pen name, which is a form of taking ownership of the ghazal.

In ghazals, like other forms of Persian structured poetry, the lines do not always have the same number of syllables. The syllables are either short or long. For instance dar, shen, bon, baa, buu and bii are long syllables but na, ke and cho are short syllables. In a ghazal or other forms of structured poetry the rhythm of the poem is created with a series of long and short syllables that have been put together in a particular form. This form applies to every line and hence the rhythm of the poem is the same throughout.

When I translate a poem the meaning of the poem is at the forefront of my mind. In translating a rhyming poem, I play with the format of each line so that I can find rhyming lines. So what happens is you end up with a poem in English that rhymes but not in the exact rhyme of the Persian one. The corresponding lines though have the same meaning but rhyme with different words to the original.

There is a tradition in Iran that people use Hafez’s ghazals to predict their fortune. So they open the book of Hafez’s ghazals randomly and read the corresponding ghazal. This is, in fact, the way I chose the five ghazals that I have translated. I hope you enjoy reading them.

 

I

The happy news came that sorrow shall not remain
It didn’t remain like that, and like this it shall not remain

Though to my lover I seem like some dust
My rival too so respected shall not remain

As the chamberlain slays all with his sword
Tenants of the privacy of harem shall not remain

No place to complain nor thanksgiving for good or bad
As on the pages of life a trace shall not remain

The anthem of the assembly of Jamshid* is said to have been
Bring the cup of wine that Jam* shall not remain

O candle appreciate your friendship with the moth
As this companionship till dawn shall not remain

O wealthy man console the hearts of the poor
As your treasure and cache of gold shall not remain

It is written on these sapphire pages in gold
But for good deeds nothing shall remain

The angels of the world unknown brought glad tidings
That all in this living world sorrowful shall not remain

The amorous gestures of dawn gave the good news
That one in the hands of sadness shall not remain

Hafez of love’s kindness don’t disregard hope
As the tyrannous acts and signs of oppression shall not remain

*Jamshid is the name of a Persian mythical legendary king. Jam means shining and shid means sun so Jamshid means shining sun.

 

II

From my head love of the dark eyed will not go
This is the heavens’ decree and another way it will not be

The rival tormented, left no room for peace
Perhaps moving heavenwards the sigh of early risers will not be

From the first day I was ordered to be nothing but insightful
Wherever I go more than that it will not be

For God’s sake Mohtasib* pardon the clamour of drum and reed
As the instrument of ritual from this tale lowly will not be

A safe abode, a kind barmaid and ruby wine
O heart when will you feel better if now it will not be?

My only chance is to secretly love her
How can I talk of her embrace, bosoms and kiss as this will not be

O my eyes do not wash the sorrow from Hafez’s heart
As it is a cut from the lover’s blade and the colour of blood it will not be

*Mohtasib is the title of the city’s sheriff.

 

III

Every vision’s sun may your beauty be
Lovelier than beauties, may your lovely face be

The charm of your tresses like the falcon’s beam
May the heart of kings of the world beneath its wing be

May anyone who is not tied to your tresses
Like your tresses tangled be

O idol when your glance throws an arrow
Against it may my injured heart a shield be

As your sweet ruby lips give a kiss
From it may the taste of my life sweet be

Because of you every moment I am in love anew
Every hour yours another merit be

Hafez is desirous of your beauty with his life
On the state of all your suitors may your glance be

 

IV

I have felt the pain of love
Don’t ask me how
I have tasted the poison of separation
Don’t ask me how

I have travelled the world and finally have chosen a lover
Don’t ask me how

For the dust of her abode, I have cried my eyes out so
Don’t ask me how

Why do friends bite their lips, do not say
I have chosen ruby lips
Don’t ask me how

I heard her with my own ears last night
I heard such words
Don’t ask me how

Like Hafez, a stranger in the path of love
I have reached such a status
Don’t ask me how

 

V

If from your musky tresses a fault passed, it passed
And if from your dark mole a cruelty passed, it passed

If love’s lightening the harvest of a wool clad man consumed, it consumed
If injustices of a king against a beggar passed, it passed

If a heart from the amorous gestures of a lover a load carried, it carried
And if between the lovers a story passed, it passed

From the gossip mongers much hurt was caused but
As when between companions an insult passed, it passed

In your ways there is no heart ache, bring the lover’s wine
Every hurt feeling like all purities passed, it passed

O heart for love making, endurance is a must remember
If there was a heartache, it was. If a mistake passed, it passed

O preacher do not censure Hafez, he has left the cloister
How can you tie the feet of the free, if somewhere it passed, it passed

 

 

 

©Farzan Radfar 2026         ©Hassan Shabani 2026

REASONS TO LAMENT

For David Alexander

 

‘Have I not reason to lament

What man has made of man?’

LINES WRITTEN IN EARLY SPRING William Wordsworth

 

An old friend lives in a village recorded

in the Domesday Book. Thirty miles due north

is RAF Fairford. The stones of his house

reverberate at night from the roar

of cataclysmic Stealth Bombers, darts

of death to destroy with fire and ruin

the land of Ferdowsi, Rumi, Hafez.

 

Monmouth’s rebels were cut down in Cheevers

aka Bloody Lane on the village’s

northern edge, and Hanging Judge Jeffries

meted out the sentences of death

to their survivors at the temporary

assizes held in the village’s

mediaeval tavern – once a hostelry

for a Carthusian priory, a place

of solitude, silence, and self-restraint.

 

 

HISTORY RHYMING

David Selzer By David Selzer1 Comment1 min read737 views

The Iran-Iraq war lasted eight years,

was always really only about oil.

Iraq had its Arab allies, the US,

and the USSR supplying cash,

know-how, arms. The war was a reprise

of the Western Front, with trenches and

chemical weapons. Machine guns scythed

line after line after line of young men.

A city was wrecked, a refinery,

many more than a million wounded and dead,

but no reparations were sought or given,

nor any territory exchanged –

a defensive war that accidentally

bigged-up a Cleric, and the hegemony

of zealotry and blood; an aggressive war

meant to big-up the hegemony

of the American Empire, but,

instead, made a Tyrant think he was

an ally not a useful idiot

with a regime of blood and torture.

 

The following two so-called Gulf Wars

were also about oil – as well, of course,

as caprice, rhetoric, spite and racism –

as is the current one. So, perhaps, at last,

Pax Americana will properly

be rendered as Clades Americana –

where ‘clades’, according to Google Translate,

may be translated as: ‘calamity’,

‘damage’, ‘defeat’, ‘discomfiture’, ‘disaster’,

‘loss’, ‘mutilation’, ‘overthrow’, ‘rout’, ‘ruin’,

‘scourge’, according to context, of course  – think

Afghanistan, Vietnam.

 

 

 

SATANS

David Selzer By David Selzer3 Comments1 min read5.4K views

Is there some primate imperative, some

genetic human want, need, reverence for

so-called strong leaders, those masters of

othering, destroyers of order,

adepts in venality and stupidity,

casual slaughterers of innocence?

 

Israel attacks Iran on a pretext from the

loan library of Pretexts – more or less

the same pretext Alexander the Great

borrowed when he burned Persepolis,

(city of the Persians). Iran borrows

from the library of Virility

and attacks Israel – the same library the Crusaders used

when they captured Jerusalem and slaughtered

Jews and Muslims, men, women, and children.

 

And the world’s self-appointed Policeman –

in hock to Christian Evangelists

and Fossil Fuel Companies and the concept

of Full Spectrum Dominance – plays his trump card,

a TV series entitled THE END

OF DAYS, with seven full length episodes:

‘Iraq’, ‘Libya’, ‘Somalia’, ‘Sudan’,

‘Lebanon’, ‘Syria’, ‘Iran’; the seven

countries of the apocalypse; repeat.

 

Opportunists and fanatics, rich boys

and malignant narcissists, greedy shits

and unhinged rhetoricians, sadists

and chaps with things to prove are, it seems,

like the poor, always to be with us

to the very end of history.

 

 

THE FOURTH ANGLO-AFGHAN WAR

‘You have been in Afghanistan, I perceive’,

observed Holmes to the astounded Watson,

having noted that the doctor’s face spoke

‘of hardship and sickness’. He had seen action

in the Second Anglo-Afghan War, which,

like the First was all about The Great Game

and Russia, and both, like the Third, all

about the British Raj, that Jewel in the Crown,

and Afghan monarchs that might be cajoled

with sufficient treasure or sufficient blood,

while the true rulers, the tribal elders

of the ethnic groups, parleyed with all sides.

 

The Great Game continues, and with new players:

America, China, Iran, Pakistan,

Saudi Arabia. Are Taliban –

who, as some predicted never went away,

but fought a twenty year insurgency –

aka Mujahideen aka

‘freedom fighters’ (to quote Margaret Thatcher),

and the well-funded, so-called Islamic State –

that movable terror, that mobile nihilism –

pawns in the new game,

useful idiots in the exploitation

of the country’s many mineral fields?

 

Those who brought Enduring Freedom chose

not to eradicate polio

but supplied electricity throughout

enabling scenes of havoc and mayhem

to be broadcast on WhatsApp and Instagram.

So, record the lies about Afghanistan –

hypocritical, self-serving untruths,

which ignore the torture at Bagram Air Base,

which prioritise the lives of dogs. Record

that the liars are mostly privileged,

sanctimonious, nostalgic, white

imperialists, some moonlighting as hacks.

 

The Fourth war has masqueraded under

two different euphemisms,

Operation Herrick and then Toral,

and been fought with allies – with Nato,

and the erstwhile Afghan Army and Police –

and achieved no discernible victories,

no battle honours only body bags,

only more of the maimed and the desperate,

only incompetence and abandonment –

against lightly-armed zealots on Chinese-made

Honda motor bikes with a seemingly

endless supply of imported fuel

financed by hectares of exported drugs,

and for whom aspects of criminality,

particularly towards women and girls,

appear a brutal and sacred duty,

in a poor country corrupted with money,

a Ponzi scheme for foreign consultants.

 

Although its capital city, Kabul,

remains the only one in the world

without a railway station, the trade

in opium and hashish has blossomed,

Afghanistan becoming the world leader –

which might have rendered even Holmes speechless.